{"version":"1.0","provider_name":"ThePrisma.co.uk","provider_url":"https:\/\/theprisma.co.uk\/es\/","title":"El cine chileno en el siglo XXI - ThePrisma.co.uk","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"o1cmemRm72\"><a href=\"https:\/\/theprisma.co.uk\/es\/2021\/05\/17\/el-cine-chileno-en-el-siglo-xxi\/\">El cine chileno en el siglo XXI<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/theprisma.co.uk\/es\/2021\/05\/17\/el-cine-chileno-en-el-siglo-xxi\/embed\/#?secret=o1cmemRm72\" width=\"600\" height=\"338\" title=\"\u00abEl cine chileno en el siglo XXI\u00bb \u2014 ThePrisma.co.uk\" data-secret=\"o1cmemRm72\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/theprisma.co.uk\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/05\/cHILEAN-FILM-CINE-pIXABAY.jpg","thumbnail_width":768,"thumbnail_height":512,"description":"Durante la dictadura de Pinochet solo se estrenaron dos largometrajes nacionales en Chile, pero en la \u00faltima d\u00e9cada de este siglo se estrenaron unas dos docenas de pel\u00edculas nuevas cada a\u00f1o. \u00a0 Sean Sheehan \u00a0 El cine chileno se debate ahora entre las identidades locales y la est\u00e9tica global dominante: [&hellip;]"}