{"version":"1.0","provider_name":"ThePrisma.co.uk","provider_url":"https:\/\/theprisma.co.uk\/es\/","title":"Obras maestras, rehenes del mercado clandestino","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"ofBXum4ybp\"><a href=\"https:\/\/theprisma.co.uk\/es\/2026\/06\/22\/pinturas-rehenes\/\">Obras maestras, rehenes del mercado clandestino<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/theprisma.co.uk\/es\/2026\/06\/22\/pinturas-rehenes\/embed\/#?secret=ofBXum4ybp\" width=\"600\" height=\"338\" title=\"\u00abObras maestras, rehenes del mercado clandestino\u00bb \u2014 ThePrisma.co.uk\" data-secret=\"ofBXum4ybp\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/theprisma.co.uk\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2019\/11\/contemporary-arte-pintura-picel-Pixabay-e1574652874342.jpg","thumbnail_width":590,"thumbnail_height":394,"description":"El robo de cinco pinturas en el Museo de Arte Moderno de Par\u00eds aliment\u00f3 hace varios a\u00f1os teor\u00edas que van mucho m\u00e1s all\u00e1 del simple hurto. Se habl\u00f3 de un mercado donde las obras de arte pueden servir como garant\u00eda para operaciones criminales, instrumentos de especulaci\u00f3n o activos imposibles de vender, pero demasiado valiosos para devolver."}