{"id":150253,"date":"2015-02-28T19:49:28","date_gmt":"2015-02-28T18:49:28","guid":{"rendered":"https:\/\/tucuentavip.com\/?p=150253"},"modified":"2024-03-30T18:34:13","modified_gmt":"2024-03-30T18:34:13","slug":"para-no-olvidar-a-clarice-lispector","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2015\/02\/28\/para-no-olvidar-a-clarice-lispector\/","title":{"rendered":"Para no olvidar a Clarice Lispector"},"content":{"rendered":"

Escribir, dice Lispector, es no saber lo que contin\u00faa. Buscar lo que sigue a lo escrito, es como echar a rodar una palabra utiliz\u00e1ndola de cebo: \u00bfqu\u00e9 otras palabras vendr\u00e1n, si es que vienen? \u00bfO lo que vendr\u00e1 es la nada? <\/em><\/p>\n

\u00a0<\/strong><\/p>\n

\"\"<\/a>Carlos Skliar*<\/strong><\/span><\/p>\n

 <\/p>\n

Si es cierto que todo en el mundo comenz\u00f3 con un s\u00ed, escribi\u00f3 Lispector, si es verdad que un \u00e1tomo le dijo s\u00ed a otro \u00e1tomo y as\u00ed comenz\u00f3 el mundo, entonces la soledad es afirmativa, no se inscribe a partir de la enunciaci\u00f3n del nombre de cada uno sino de la indefinici\u00f3n de un ser que se graba y apaga en cada l\u00ednea, muerte y resurrecci\u00f3n de una escritura tallada y talada en el cuerpo. A Clarice Lispector le hubiera gustado tanto escribir una historia que comenzara con \u201c\u00c9rase una vez\u201d<\/em>, pero que no fuera una f\u00e1bula para ni\u00f1os. Y empez\u00f3 una y otra vez a formular las palabras siguientes: \u201c\u00c9rase una vez el amor\u201d<\/em>, \u201c\u00e9rase una vez el error\u201d<\/em>, \u201c\u00e9rase una vez la pasi\u00f3n\u201d<\/em>. Le resultaba imposible, porque las historias necesitan del ardor de la sangre y de esa pena que es tan remota, que es tan ajena como propia.<\/p>\n

Entonces escribi\u00f3: \u00ab\u00c9rase una vez un p\u00e1jaro, Dios m\u00edo\u00bb. <\/em><\/p>\n

Para ser uno, hay que ser el otro de los otros, la pura confusi\u00f3n de identidad, la memoria que se olvida de s\u00ed delante del esplendor del mundo. Nadie puede nombrarse a s\u00ed mismo sin ocultar una larga ausencia de rostros. Nadie puede ser capaz de tanta capacidad.<\/p>\n

\"\"<\/a><\/strong>La \u00fanica t\u00e9cnica \u2013ay, esa expresi\u00f3n mortuoria\u2013 es la humildad: la absoluta conciencia de que uno es totalmente incapaz y que habr\u00e1 que acercarse a las cosas con el sigilo absoluto de la mirada limpia. Si nos acerc\u00e1ramos con el volumen excesivo de los nombres, todas las cosas saldr\u00edan disparadas.<\/p>\n

Habr\u00eda que aproximarse con la suave ignorancia, con la fr\u00e1gil tentaci\u00f3n del desconocimiento: abrir una puerta y, simplemente, mirar.<\/p>\n

Mirar el sol que nunca vimos antes, el de las tres de la tarde. Mirar el p\u00e1jaro que se convierte en \u00e1guila. Mirar el dolor sin precauci\u00f3n ni alegor\u00edas. Mirar el resultado de la mentira. Mirar una sombra mayor a tu estatura.<\/p>\n

S\u00f3lo as\u00ed \u2013 y a\u00fan as\u00ed, no del todo cierto \u2013 habr\u00eda escritura: la mirada conserva algunas im\u00e1genes que existen y otras que no han existido nunca, y se escribe tambi\u00e9n acord\u00e1ndose uno de lo que no se ha vivido todav\u00eda.<\/p>\n

Escribir, dice Lispector, es no saber lo que contin\u00faa. Buscar lo que sigue a lo escrito, es como echar a rodar una palabra utiliz\u00e1ndola de cebo: \u00bfqu\u00e9 otras palabras vendr\u00e1n, si es que vienen? \u00bfO lo que vendr\u00e1 es la nada?<\/p>\n

\"\"<\/a><\/strong>Otros han escrito la exasperante totalidad del todo, otros han nombrado el mundo con un pu\u00f1ado ef\u00edmero de sonidos. Pero: \u00bfqu\u00e9 es m\u00e1s revelaci\u00f3n, qu\u00e9 revela a qu\u00e9: el todo o la nada?<\/p>\n

Nos es imposible la ingenuidad frente a la totalidad, pero acaso es posible la inocencia delante de lo que parece vac\u00edo, nulo.<\/p>\n

Mirar con inocencia, s\u00ed, como si esa mirada y esa inocencia fuesen la textura \u00edntima de la soledad; la soledad dif\u00edcil y paciente, la que se ofusca contra la ingravidez del deseo, la que conoce el infierno de la pasi\u00f3n, la que reconoce sus propios dolores y se ruboriza por la ansiedad de hacerlos esfumar.<\/p>\n

Escribir, insiste Lispector, es prolongar el tiempo, encontrar el tiempo al interior del tiempo, hacer que los segundos sean part\u00edculas, mil\u00edmetros, \u00e1tomos, trazar hilos de carne en el centro mismo del tiempo met\u00e1lico, permanecer en vez de escabullirse, no dejar que las horas pasen sino hacer que pasen palabras en las horas.<\/p>\n

Escribir en el espacio que dejan las teclas simult\u00e1neas de un piano, neg\u00e1ndose al sentido antes de tiempo, con la paciencia del amor y el amor de la paciencia. Querer escribir con la piel, pero tener que escribir con las palabras, a pesar de las palabras. Escribir, es un decir: \u201c\u00c9rase una voz, Clarice\u201d<\/em>.<\/p>\n

\"\"*Carlos Skliar (Buenos Aires, 1960). Investigador de la Facultad Latinoamericana de Ciencias Sociales y del\u00a0 Consejo Nacional de Investigaciones de Argentina, ha escrito libros de ensayos, poemas y micro-relatos. Entre sus \u00faltimas obras se encuentran: Voz apenas<\/em> (Buenos Aires, Ediciones del Dock, 2011), No tienen prisa las palabras<\/em> (Barcelona, Candaya, 2012) y Hablar con desconocidos<\/em> (Barcelona, Candaya, 2014).<\/p>\n

*Tomado de Con-fabulaci\u00f3n, medio virtual colombiano.<\/p>\n

(Fotos: ixxabay)<\/span><\/em><\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

Escribir, dice Lispector, es no saber lo que contin\u00faa. Buscar lo que sigue a lo escrito, es como echar a rodar una palabra utiliz\u00e1ndola de cebo: \u00bfqu\u00e9 otras palabras vendr\u00e1n, si es que vienen? \u00bfO lo que vendr\u00e1 es la nada? \u00a0 Carlos Skliar*   Si es cierto que todo […]<\/p>\n","protected":false},"author":9,"featured_media":260478,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-150253","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"\nPara no olvidar a Clarice Lispector - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/es\/2015\/02\/28\/para-no-olvidar-a-clarice-lispector\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Para no olvidar a Clarice Lispector - ThePrisma.co.uk\" \/>\n<meta property=\"og:description\" content=\"Escribir, dice Lispector, es no saber lo que contin\u00faa. 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