{"id":200014,"date":"2020-05-18T00:24:34","date_gmt":"2020-05-17T23:24:34","guid":{"rendered":"https:\/\/tucuentavip.com\/es\/?p=200014"},"modified":"2020-05-15T21:21:01","modified_gmt":"2020-05-15T20:21:01","slug":"pasado-presente-y-futuro-en-la-ficcion-china","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2020\/05\/18\/pasado-presente-y-futuro-en-la-ficcion-china\/","title":{"rendered":"Pasado, presente y futuro en la ficci\u00f3n china"},"content":{"rendered":"<p><em>El actor de Hong Kong, Maggie Cheung, coment\u00f3 en una entrevista: \u201cLos chinos no le dan mucha importancia a las cosas del pasado, ya sean pel\u00edculas, patrimonio, o incluso ropa o muebles.\u00a0 En Asia no se conserva nada, mirar hacia el pasado se considera est\u00fapido, aberrante\u201d. Una afirmaci\u00f3n radical pero que tiene relaci\u00f3n con la ficci\u00f3n china contempor\u00e1nea.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #003366;\"><strong><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-200019 alignleft\" src=\"https:\/\/tucuentavip.com\/wp-content\/uploads\/2020\/05\/Past-Chinese-The-Message2-125x200.jpg\" alt=\"\" width=\"213\" height=\"340\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2020\/05\/Past-Chinese-The-Message2-125x200.jpg 125w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2020\/05\/Past-Chinese-The-Message2-34x55.jpg 34w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2020\/05\/Past-Chinese-The-Message2.jpg 177w\" sizes=\"auto, (max-width: 213px) 100vw, 213px\" \/><\/strong><\/span><\/p>\n<p><span style=\"color: #003366;\"><strong><strong>Sean Sheehan<\/strong><\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Mai Jai es un autor de gran \u00e9xito en China y<em> \u201cEl mensaje\u201d<\/em>, tanto como sus libros anteriores, se desarrolla en el per\u00edodo previo al establecimiento de la Rep\u00fablica Popular de China en 1949.<\/p>\n<p>Se mantiene dentro del g\u00e9nero de novelas esp\u00edas que ha dominado y es lo que hace que su trabajo sea agradable para los lectores occidentales.<\/p>\n<p>La trama es sencilla. Cinco descifradores de c\u00f3digos en una parte de China controlada por los japoneses en 1941 han sido puestos en cuarentena en una gran villa. Uno de ellos es un traidor, traicionando informaci\u00f3n secreta a la resistencia china, y no se ir\u00e1n hasta que el esp\u00eda haya sido descubierto.<\/p>\n<p>La narrativa es capaz de captar el inter\u00e9s del lector a pesar de que los poderes de descripci\u00f3n de Mai Jai son limitados: esta imagen de uno de los descifradores de c\u00f3digo es caracter\u00edstica: \u201cjoven y muy bonita, con su alta estatura y su atractiva apariencia, atrajo la atenci\u00f3n\u201d.<\/p>\n<p>Hay un cambio de marcha interesante en la segunda mitad de la novela, con la voz narrativa cambiando de tercera a primera persona, y el misterio de la identidad del esp\u00eda se profundiza.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-200015 alignright\" src=\"https:\/\/tucuentavip.com\/wp-content\/uploads\/2020\/05\/Past-Chinese-The-Supernova-Era-128x200.jpg\" alt=\"\" width=\"191\" height=\"299\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2020\/05\/Past-Chinese-The-Supernova-Era-128x200.jpg 128w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2020\/05\/Past-Chinese-The-Supernova-Era-35x55.jpg 35w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2020\/05\/Past-Chinese-The-Supernova-Era.jpg 337w\" sizes=\"auto, (max-width: 191px) 100vw, 191px\" \/>Pero la calidad de la prosa no mejora y el establecimiento del per\u00edodo apenas supera un amplio esquema de las fuerzas pol\u00edticas en juego. Mai Jai est\u00e1 oficialmente aprobado en China y uno sospecha que esto se debe a que su uso del pasado no plantea ninguna pregunta sobre el presente.<\/p>\n<p>El muy aclamado Cixin Liu, ganador de prestigiosos premios m\u00e1s all\u00e1 del borde de China, escribe sobre el future pero es igualmente no cr\u00edtico acerca del mundo presente.<\/p>\n<p><em>\u201cThe Supernova Era\u201d es su \u00faltimo libro en ser lanzado en ingl\u00e9s, aunque es un trabajo anterior a su destacada trilog\u00eda, <\/em><a href=\"https:\/\/tucuentavip.com\/2018\/05\/20\/science-fiction-from-china\/\">Remembrance of Earth&#8217;s Past<\/a> (Recuerdo del pasado de la Tierra).<\/p>\n<p>Una vez m\u00e1s, el lector se deja llevar por sus deslumbrantes descripciones de los fen\u00f3menos a escala gal\u00e1ctica, esta vez el colapso de una estrella muerta `en una bola densa\u00b4&#8230; neutrones aplastando neutrones donde una cucharadita de su materia tiene una masa de mil millones de toneladas.<\/p>\n<p>Matar\u00e1 a todos los adultos en la Tierra, dejando que los ni\u00f1os hagan frente a la existencia. \u201cLord of the flies\u201d (Se\u00f1or de las moscas) tiene que venir a mi mente, pero es una historia muy diferente y el autor explica su justificaci\u00f3n en un ep\u00edlogo.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-200017 alignleft\" src=\"https:\/\/tucuentavip.com\/wp-content\/uploads\/2020\/05\/Past-Chinese-The-Hidden-Girl-133x200.jpg\" alt=\"\" width=\"204\" height=\"307\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2020\/05\/Past-Chinese-The-Hidden-Girl-133x200.jpg 133w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2020\/05\/Past-Chinese-The-Hidden-Girl-37x55.jpg 37w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2020\/05\/Past-Chinese-The-Hidden-Girl.jpg 349w\" sizes=\"auto, (max-width: 204px) 100vw, 204px\" \/>Ken Liu, quien tradujo<em>\u201cRemembrance of Earth\u2019s past<\/em>\u201d (Recuerdo del pasado de la Tierra), no vive en China y su colecci\u00f3n de cuentos de ciencia ficci\u00f3n, <em>\u201cThe hidden gGirl\u201d<\/em> (La chica oculta) es mucho mejor. Son especulativos, impulsados \u200b\u200bpor ideas con las que los lectores pueden relacionarse y relevantes para nuestros tiempos, como `Quedarse atr\u00e1s\u00b4, sobre el creciente poder de la tecnolog\u00eda para conectarse digitalmente con el cerebro y \u00c9l renacido\u00b4, donde el borrado de la memoria a trav\u00e9s de la cirug\u00eda neural presenta una dificultad.<\/p>\n<p><em>\u201cThe Message\u201d<\/em> por Mai Jai, <em>\u201cThe Supernova Era\u201d <\/em>por Cixin Liu y <em>\u201cThe hidden girl\u201d<\/em> por Ken Liu son publicados por <a href=\"https:\/\/headofzeus.com\/home\">Head of Zeus<\/a>.<\/p>\n<p><span style=\"color: #003366;\"><strong>(Traducido por Florencia Alvarez)<\/strong><\/span><\/p>\n<div class=\"twttr_buttons\"><div class=\"twttr_twitter\">\n\t\t\t\t\t<a href=\"http:\/\/twitter.com\/share?text=Pasado%2C+presente+y+futuro+en+la+ficci%C3%B3n+china\" class=\"twitter-share-button\" data-via=\"\" data-hashtags=\"\"  data-size=\"default\" data-url=\"https:\/\/theprisma.co.uk\/es\/2020\/05\/18\/pasado-presente-y-futuro-en-la-ficcion-china\/\" data-dnt=\"true\" data-related=\"\" target=\"_blank\">Tweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>El actor de Hong Kong, Maggie Cheung, coment\u00f3 en una entrevista: \u201cLos chinos no le dan mucha importancia a las cosas del pasado, ya sean pel\u00edculas, patrimonio, o incluso ropa o muebles.\u00a0 En Asia no se conserva nada, mirar hacia el pasado se considera est\u00fapido, aberrante\u201d. Una afirmaci\u00f3n radical pero [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":200017,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-200014","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Pasado, presente y futuro en la ficci\u00f3n china - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/es\/2020\/05\/18\/pasado-presente-y-futuro-en-la-ficcion-china\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pasado, presente y futuro en la ficci\u00f3n china - ThePrisma.co.uk\" \/>\n<meta property=\"og:description\" content=\"El actor de Hong Kong, Maggie Cheung, coment\u00f3 en una entrevista: \u201cLos chinos no le dan mucha importancia a las cosas del pasado, ya sean pel\u00edculas, patrimonio, o incluso ropa o muebles.\u00a0 En Asia no se conserva nada, mirar hacia el pasado se considera est\u00fapido, aberrante\u201d. 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