{"id":200221,"date":"2020-06-01T00:24:14","date_gmt":"2020-05-31T23:24:14","guid":{"rendered":"https:\/\/tucuentavip.com\/es\/?p=200221"},"modified":"2020-05-22T09:14:23","modified_gmt":"2020-05-22T08:14:23","slug":"descubriendo-el-cine-coreano","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2020\/06\/01\/descubriendo-el-cine-coreano\/","title":{"rendered":"Descubriendo el cine coreano"},"content":{"rendered":"

En el futuro, el \u00e9xito de \u201cParasite\u201d (Par\u00e1sitos, 2019) puede verse como el cambio de juego que consolid\u00f3 la eminencia de Corea del Sur en el cine mundial. Sin embargo, diecis\u00e9is a\u00f1os antes, \u201cOldboy\u201d ayud\u00f3 a familiarizar el t\u00e9rmino nuevo cine coreano a las salas de cine cuyos intereses se extend\u00edan m\u00e1s all\u00e1 de las pel\u00edculas occidentales.<\/em><\/p>\n

 <\/p>\n

\"\"<\/a>Sean Sheehan<\/strong><\/span><\/p>\n

 <\/p>\n

Lo que falta es un buen libro que presente las pel\u00edculas can\u00f3nicas y los tesoros cinematogr\u00e1ficos de Corea.<\/p>\n

\u201cRediscovering Korean cinema\u201d (<\/em>Redescubriendo el cine coreano) es ese libro y es una lectura esencial de lo que ser\u00e1 un nuevo territorio para cualquiera criado en una dieta de pel\u00edculas de Hollywood y de arte europeo.<\/p>\n

Y con el creciente alcance para acceder a pel\u00edculas relativamente oscuras a trav\u00e9s de plataformas de transmisi\u00f3n y clientes de BitTorrent, muchas de las pel\u00edculas que analiza est\u00e1n disponibles para su visualizaci\u00f3n.<\/p>\n

Un cap\u00edtulo est\u00e1 dedicado a cada una de las 34 pel\u00edculas espec\u00edficas, comenzando con tres de los a\u00f1os 30\u00b4 y 40\u00b4antes de avanzar hacia la era de la posguerra, es decir, la posguerra coreana (1950-54), de un pa\u00eds perseguido por el legado de los japoneses, colonialismo y el trauma de la partici\u00f3n. Lo que sigui\u00f3 fue una presencia militar intrusiva de Estados Unidos y la guerra fr\u00eda que en el frente cultural vio a la CIA financiando la producci\u00f3n de pel\u00edculas como parte de una campa\u00f1a ideol\u00f3gica para importar la cultura estadounidense a Corea.<\/p>\n

Las dos primeras d\u00e9cadas de este siglo trajeron una explosi\u00f3n de talento cinematogr\u00e1fico y el libro escoge pel\u00edculas brillantes como \u201cSecret sunshine\u201d<\/em> (Resplandor secreto), 2007<\/em> de Lee Chang-dong.<\/p>\n

\"\"<\/em>Una mujer, devastada por el asesinato de su hijo, recurre a la comodidad de la religi\u00f3n solo para escandalizarse al enterarse de que Dios ya ha perdonado y absuelto al asesino.<\/p>\n

El cuadro final de la pel\u00edcula se reduce a un peque\u00f1o trozo de tierra, no los cielos de arriba, lleno de escombros y cabello humano.<\/p>\n

La escena est\u00e1 iluminada por la luz natural, las palabras de un supuesto Dios son redundantes, y la mujer se deja a su propia redenci\u00f3n.<\/p>\n

\u201cOde to my father\u201d (Oda a mi padre)<\/em>, 2014, de Yun Che-gyun, es tan melodram\u00e1tico, emocionalmente manipulador y afectivo como cualquier buena producci\u00f3n de Hollywood, pero su tema lo imbuye de singularidad. Muestra c\u00f3mo la Guerra de Corea impact\u00f3 en las familias divididas por la partici\u00f3n de su pa\u00eds y parece un poco grosero, incluso si es correcto, que el autor critique su adhesi\u00f3n al mantra confuciano de la piedad filial.<\/p>\n

Cada pel\u00edcula es discutida por un escritor diferente, pero el est\u00e1ndar de escritura es uniformemente alto incluso cuando la discusi\u00f3n de \u201cMy sassy girl\u201d<\/em> (Mi chica descarada), 2001 no nota que esta es una pel\u00edcula muy tonta.<\/p>\n

\"\"El \u00faltimo cap\u00edtulo del libro analiza \u201cTrain to Bus<\/em>an\u201d (Estaci\u00f3n zombie), 2016 de Y\u014fn Sang-ho, una pel\u00edcula memorable que mezcla g\u00e9neros y tonos con mucho m\u00e1s \u00e9xito que \u201cThe Host\u201d<\/em> (El Hu\u00e9sped) de Bong Jonn-ho una d\u00e9cada antes.<\/p>\n

\u201cTrain to Busa<\/em>n\u201d\u00a0 \u00abes un cuento de rescate familiar, drama-cum-zoombie-supervivencia-contaminaci\u00f3n-antineoliberal\u00bb, fusiona elementos de diferentes subg\u00e9neros de manera improbable, entretenida y reflexiva. Es emblem\u00e1tico de lo que hace que el cine surcoreano sea tan fascinante.<\/p>\n

Al igual que \u201cParasite\u201d<\/em> (Par\u00e1sitos) de Boon Joon-ho y su anterior \u201cSnowpiercer<\/em>\u201d (Rompenieves)<\/em>, que tambi\u00e9n tiene su propio cap\u00edtulo), el conflicto de clases desatado por el abrazo del neoliberalismo de Corea del Sur est\u00e1 en el coraz\u00f3n de \u201cTrain to Busan\u201d<\/em> (Estaci\u00f3n zombie).<\/p>\n

\u201cRediscovering Korean cinema\u201d, <\/em>editado por Sangjoon Lee, es publicado por University of Michigan Press<\/a>.<\/p>\n

(Traducido por Florencia Alvarez)<\/strong><\/span><\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

En el futuro, el \u00e9xito de \u201cParasite\u201d (Par\u00e1sitos, 2019) puede verse como el cambio de juego que consolid\u00f3 la eminencia de Corea del Sur en el cine mundial. Sin embargo, diecis\u00e9is a\u00f1os antes, \u201cOldboy\u201d ayud\u00f3 a familiarizar el t\u00e9rmino nuevo cine coreano a las salas de cine cuyos intereses se […]<\/p>\n","protected":false},"author":9,"featured_media":166658,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-200221","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"\nDescubriendo el cine coreano - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/es\/2020\/06\/01\/descubriendo-el-cine-coreano\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Descubriendo el cine coreano - ThePrisma.co.uk\" \/>\n<meta property=\"og:description\" content=\"En el futuro, el \u00e9xito de \u201cParasite\u201d (Par\u00e1sitos, 2019) puede verse como el cambio de juego que consolid\u00f3 la eminencia de Corea del Sur en el cine mundial. Sin embargo, diecis\u00e9is a\u00f1os antes, \u201cOldboy\u201d ayud\u00f3 a familiarizar el t\u00e9rmino nuevo cine coreano a las salas de cine cuyos intereses se […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/theprisma.co.uk\/es\/2020\/06\/01\/descubriendo-el-cine-coreano\/\" \/>\n<meta property=\"og:site_name\" content=\"ThePrisma.co.uk\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper\" \/>\n<meta property=\"article:published_time\" content=\"2020-05-31T23:24:14+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2016\/09\/cine-film-pixabay-a-2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"282\" \/>\n\t<meta property=\"og:image:height\" content=\"201\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"ThePrisma\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:site\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"ThePrisma\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2020\\\/06\\\/01\\\/descubriendo-el-cine-coreano\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2020\\\/06\\\/01\\\/descubriendo-el-cine-coreano\\\/\"},\"author\":{\"name\":\"ThePrisma\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/person\\\/24f5091d3dc50052d73cbea6ecd09df7\"},\"headline\":\"Descubriendo el cine coreano\",\"datePublished\":\"2020-05-31T23:24:14+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2020\\\/06\\\/01\\\/descubriendo-el-cine-coreano\\\/\"},\"wordCount\":650,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2020\\\/06\\\/01\\\/descubriendo-el-cine-coreano\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2016\\\/09\\\/cine-film-pixabay-a-2.jpg\",\"articleSection\":[\"Cultura\",\"En Foco\",\"Opini\u00f3n\",\"P\u00e1ginas\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2020\\\/06\\\/01\\\/descubriendo-el-cine-coreano\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2020\\\/06\\\/01\\\/descubriendo-el-cine-coreano\\\/\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2020\\\/06\\\/01\\\/descubriendo-el-cine-coreano\\\/\",\"name\":\"Descubriendo el cine coreano - 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