{"id":202090,"date":"2020-08-10T00:25:54","date_gmt":"2020-08-09T23:25:54","guid":{"rendered":"https:\/\/tucuentavip.com\/?p=202090"},"modified":"2020-08-08T05:51:06","modified_gmt":"2020-08-08T04:51:06","slug":"la-historia-es-lo-que-usted-no-ve","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2020\/08\/10\/la-historia-es-lo-que-usted-no-ve\/","title":{"rendered":"La historia es lo que usted no ve"},"content":{"rendered":"

Hay una fotograf\u00eda de una mujer leyendo una carta en una ciudad bombardeada y plagada de batallas que ilustra el mensaje central de \u201cPotential history: unlearning imperialism\u201d de Ariella A\u00efsha Azoulay. Fue tomada por un fotoperiodista alem\u00e1n en Berl\u00edn en los d\u00edas posteriores a la rendici\u00f3n nazi \u00a0y el fin de la Segunda Guerra Mundial en Europa.<\/em><\/p>\n

 <\/p>\n

\"\"Sean Sheehan<\/a><\/strong><\/p>\n

 <\/p>\n

En su libro, A\u00efsha Azoulay mira fotograf\u00edas de Berl\u00edn en 1945 como un ejemplo del uso de im\u00e1genes. Si esta fotograf\u00eda recientemente publicada, de Berlin Mai 1945<\/a>, le hubiera sido conocida, es muy probable que la hubiera utilizado para respaldar su argumento.<\/p>\n

La fotograf\u00eda invita a especular sobre el contenido de la carta y qui\u00e9n la escribi\u00f3.<\/p>\n

La imagen es conmovedora y tambi\u00e9n invita a la empat\u00eda: esta desconocida berlinesa, en medio de un abrumador colapso social e ideol\u00f3gico, tiene un momento privado cuya importancia solo se puede adivinar por la expresi\u00f3n de su rostro.<\/p>\n

Hay muchas fotograf\u00edas, as\u00ed como documentales y pel\u00edculas, que dan testimonio de Berl\u00edn despu\u00e9s de la rendici\u00f3n, pero la evidencia visual evita cualquier evidencia, incluso referencias, a las violaciones sistem\u00e1ticas que tuvieron lugar all\u00ed; es probable que 100,000 sea una estimaci\u00f3n conservadora de los n\u00fameros involucrados, y hubieran estado sucediendo mientras esta mujer le\u00eda su carta.<\/p>\n

La \u201cHistoria potencial\u201d<\/em> es un llamado pol\u00edtico a las armas que argumenta la necesidad de un examen cr\u00edtico del material de archivo que en la superficie muestra c\u00f3mo era una situaci\u00f3n hist\u00f3rica pero que oculta hechos importantes. Hay una necesidad, dice ella, de \u201cdecodificarlos fuera de las epistemolog\u00edas imperiales\u201d.<\/p>\n

\"\"
Benin Bronzes at the British Museum. Wikimedia<\/a>. Foto by Mike Peel<\/a> (www.mikepeel.net<\/a>). Licencia Creative Commons<\/a><\/figcaption><\/figure>\n

Otro de sus estudios de caso es el uso de fotograf\u00edas relacionadas con la expulsi\u00f3n de cientos de miles de palestinos de su tierra natal en 1948-9.<\/p>\n

La soberan\u00eda, como ella dice, \u201cest\u00e1 asociada con el cierre territorial\u201d y en los ocho a\u00f1os posteriores a la creaci\u00f3n de Israel, entre 2.700 y 5.000 palestinos, en su mayor\u00eda desarmados y que regresaron por razones econ\u00f3micas o personales, fueron asesinados.<\/p>\n

El obturador de la c\u00e1mara, que cierra la luz para capturar una imagen, se convierte en una met\u00e1fora para el control y uso de im\u00e1genes.<\/p>\n

La resistencia a esto es un proceso de \u201cdesaprender el imperialismo\u201d, a activar los \u201cobturadores imperiales\u201d y exponer perspectivas ideol\u00f3gicas.<\/p>\n

Por esta raz\u00f3n, A\u00efsha Azoulay rechaza el posicionamiento de las obras de arte puramente en t\u00e9rminos de est\u00e9tica debido a la forma en que divide el pasado del presente.<\/p>\n

Las l\u00edneas de tiempo lineales como \u201chistoria del arte\u201d tambi\u00e9n act\u00faan como persianas, ocluyendo preguntas sobre qui\u00e9n tiene derecho a exhibir objetos tomados de otros pa\u00edses (como los bronces de Benin, los m\u00e1rmoles del Parten\u00f3n y mucho m\u00e1s en el Museo Brit\u00e1nico).<\/p>\n

\"\"
Foto \u00a9Arthur Bondar de Berlin’s terrible Reckoning<\/a><\/figcaption><\/figure>\n

\u201c<\/em>Potential history: unlearning imperialism<\/em>\u201d (Historia potencial: desaprender el imperialismo) <\/em>ocupa m\u00e1s de 600 p\u00e1ginas, por lo que hay mucho que digerir y su escritura es provocativa y estimulante.<\/p>\n

A veces la prosa se repite y raya en lo detallado, pero la urgencia de su agenda triunfa, lo que lo convierte en un libro importante.<\/p>\n

\u201cPotential history: unlearning imperialism\u201d<\/em>, por Ariella A\u00efsha Azoulay, es publicado por Verso Books<\/a><\/p>\n

(Traducido por M\u00f3nica del Pilar Uribe Mar\u00edn)<\/a><\/strong><\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

Hay una fotograf\u00eda de una mujer leyendo una carta en una ciudad bombardeada y plagada de batallas que ilustra el mensaje central de \u201cPotential history: unlearning imperialism\u201d de Ariella A\u00efsha Azoulay. Fue tomada por un fotoperiodista alem\u00e1n en Berl\u00edn en los d\u00edas posteriores a la rendici\u00f3n nazi \u00a0y el fin […]<\/p>\n","protected":false},"author":9,"featured_media":202337,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-202090","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"\nLa historia es lo que usted no ve - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/es\/2020\/08\/10\/la-historia-es-lo-que-usted-no-ve\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La historia es lo que usted no ve - ThePrisma.co.uk\" \/>\n<meta property=\"og:description\" content=\"Hay una fotograf\u00eda de una mujer leyendo una carta en una ciudad bombardeada y plagada de batallas que ilustra el mensaje central de \u201cPotential history: unlearning imperialism\u201d de Ariella A\u00efsha Azoulay. 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