{"id":203285,"date":"2020-09-07T00:25:30","date_gmt":"2020-09-06T23:25:30","guid":{"rendered":"https:\/\/tucuentavip.com\/?p=203285"},"modified":"2020-09-07T00:49:38","modified_gmt":"2020-09-06T23:49:38","slug":"mujeres-en-la-cima-una-nueva-ola-coreana","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2020\/09\/07\/mujeres-en-la-cima-una-nueva-ola-coreana\/","title":{"rendered":"Mujeres en la cima: una nueva ola coreana"},"content":{"rendered":"

Casi podemos sentir pena por los escritores coreanos masculinos, que luchan por hacerse notar en el mundo de la ‘<\/em>hanguk munhak ‘<\/em> (literatura coreana), donde las mujeres escritoras dominan ahora.<\/em><\/p>\n

 <\/p>\n

\"\"<\/p>\n

Sean Sheehan<\/a><\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Ese giro tiene sus ra\u00edces en el vertiginoso ritmo de los acontecimientos sociales y econ\u00f3micos que ha convulsionado a Corea del Sur en las \u00faltimas d\u00e9cadas.<\/p>\n

A pesar de los estremecedores cambios sociales, muchas de las novelas de mujeres coreanas que se traducen ahora al ingl\u00e9s tienden a tener una forma tradicional.<\/p>\n

Esto puede ser debido a que los editores eligen a escritores cuyo trabajo, que se ajusta f\u00e1cilmente en los g\u00e9neros familiares, apelar\u00e1n a los lectores occidentales.<\/p>\n

\u201cSeven years of darkness\u201d <\/em>(\u201cSiete a\u00f1os de oscuridad\u201d) es una historia de crimen psicol\u00f3gico construida alrededor de un hombre acusado inicialmente de matar a una ni\u00f1a y luego, despu\u00e9s de abrir las compuertas de una presa donde trabajaba, de muchos otros asesinatos. Su hijo, de 11 a\u00f1os de edad en ese momento y cuya madre era tambi\u00e9n una de las v\u00edctimas, se hace mayor, pero alguien no le permite olvidar el pasado.<\/p>\n

Es una obra de ficci\u00f3n intelectual, en la que el lector sabe qui\u00e9n es el asesino a mitad del libro, pero sin perder el inter\u00e9s en una trama cuidadosamente calibrada.<\/p>\n

La posesividad masculina en \u201cSeven years of darkness\u201d <\/em>se convierte en una fuerza psic\u00f3tica, pero en \u201cKim Jiyoung, nacida en 1982\u201d<\/em>, de Cho Nam-Joo, es un aspecto cotidiano de una sociedad donde la clasificaci\u00f3n seg\u00fan el g\u00e9nero comienza en la infancia y nunca se detiene.<\/p>\n

\"\"La vida de Kim Jiyoung, con treinta a\u00f1os y un hijo, se traza de una manera que parece program\u00e1tica y pedag\u00f3gica, pero el efecto acumulativo es una sorprendente comprensi\u00f3n de c\u00f3mo las actitudes tradicionales hacia las mujeres distorsionan y aminoran sus vidas.<\/p>\n

Cuando se public\u00f3 por primera vez en 2016, \u201cKim Jiyoung, nacida en 1982\u201d<\/em> vendi\u00f3 r\u00e1pidamente m\u00e1s de un mill\u00f3n de copias, reforzando la observaci\u00f3n de Cho (y la imagen de la portada) de que ella \u201cconsideraba que el personaje de Kim Jiyoung era un barco que conten\u00eda experiencias y emociones comunes a todas las mujeres coreanas\u201d.<\/p>\n

La versi\u00f3n cinematogr\u00e1fica ha sido visualizada unos cuatro millones de veces desde que apareci\u00f3 por primera vez a finales de 2019.<\/p>\n

\u201cYeoyu\u201d <\/em>es una serie de libros de ficci\u00f3n de mujeres surcoreanas, que consiste en siete t\u00edtulos que pueden comprarse individualmente o como un conjunto completo (m\u00e1s econ\u00f3mico).<\/p>\n

Las historias, que no tienen un tema com\u00fan, son una introducci\u00f3n tremenda a la variedad de mujeres escritoras con talento que florecen en Corea del Sur. Uno de ellos, \u201cEuropa\u201d<\/em>, de Han Kang, es un detallado estudio de una relaci\u00f3n bajo estr\u00e9s.<\/p>\n

\"\"<\/p>\n

En \u201cDivorce\u201d <\/em>(\u201cDivorcio\u201d), de Kim Soom, una poetisa contempla su propio divorcio de un fot\u00f3grafo muy activo socialmente. \u201cDemon\u201d<\/em> (\u201cDemonio\u201d), de Kang Hwagil, est\u00e1 escrito en una prosa dispersa tan desembellecida como la de Cho, pero su historia se desarrolla en un pueblo donde se escucha un sonido extra\u00f1o que se repite constantemente.<\/p>\n

\u201cLeft\u2019s Right, Right\u2019s Left\u201d<\/em> (\u201cIzquierda es derecha, derecha es izquierda\u201d), de Han Yujoo, es m\u00e1s experimental, ya que la historia tiene lugar en aproximadamente un minuto.<\/p>\n

\u201cSeven years of darkness\u201d<\/em>, de Jeong You Jeong, traducido por Chi-Young Kim, publicado por Little, Brown<\/a><\/p>\n

\u201cKim Jiyoung, nacida en 1982\u201d<\/em>, de Cho Nam-Joo, publicado por Scribner<\/a><\/p>\n

\u201cYeoyu\u201d<\/em>, de varios autores, publicado por Strangers Press<\/a>.<\/p>\n

(Traducido por Iris Mar\u00eda Gab\u00e1s Blanco \u2013 Email: \u00a0irisbg7@gmail.com) <\/a>\u2013 <\/a><\/strong>Fotos: Pixabay<\/em><\/a><\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

Casi podemos sentir pena por los escritores coreanos masculinos, que luchan por hacerse notar en el mundo de la ‘hanguk munhak ‘ (literatura coreana), donde las mujeres escritoras dominan ahora.   Sean Sheehan \u00a0 Ese giro tiene sus ra\u00edces en el vertiginoso ritmo de los acontecimientos sociales y econ\u00f3micos que […]<\/p>\n","protected":false},"author":9,"featured_media":203245,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-203285","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"\nMujeres en la cima: una nueva ola coreana - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/es\/2020\/09\/07\/mujeres-en-la-cima-una-nueva-ola-coreana\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mujeres en la cima: una nueva ola coreana - 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