{"id":205305,"date":"2020-11-16T00:24:26","date_gmt":"2020-11-15T23:24:26","guid":{"rendered":"https:\/\/tucuentavip.com\/es\/?p=205305"},"modified":"2020-11-16T01:52:36","modified_gmt":"2020-11-16T00:52:36","slug":"marx-y-la-sociedad-del-espectaculo","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2020\/11\/16\/marx-y-la-sociedad-del-espectaculo\/","title":{"rendered":"Marx y la sociedad del espect\u00e1culo"},"content":{"rendered":"

La <\/em>\u201cSociety of the spectacle\u201d <\/em>de Guy Debord se public\u00f3 por primera vez en Francia en 1968 y sigue estrechamente relacionada con los acontecimientos del pa\u00eds de ese a\u00f1o incendiario.<\/em><\/p>\n

 <\/p>\n

\"\"<\/em>Sean Sheehan<\/strong>\"\"<\/a><\/p>\n

 <\/p>\n

Esto no hace justicia a su an\u00e1lisis sobrio de la sociedad y, con una nueva edici\u00f3n reci\u00e9n publicada, es hora de revisar su descripci\u00f3n de vivir en un estado de lo que Marx llam\u00f3 \u201cfetichismo de la mercanc\u00eda\u201d.<\/p>\n

Existe una visi\u00f3n enga\u00f1osa de que la \u201cSociety of the spectacle\u201d <\/em>trata sobre la saturaci\u00f3n de los medios y \/ o la rebeld\u00eda dada\u00edsta. Anselm Jappe, en su biograf\u00eda intelectual \u201cGuy Debord\u201d, desacredita esta simplificaci\u00f3n y apunta en cambio a la influencia de Marx y el escritor marxista Luk\u00e1cs.<\/p>\n

El espect\u00e1culo es una imagen fabricada de la totalidad que distrae la atenci\u00f3n de nuestra alienaci\u00f3n, presentando un Uno que disfraza la separaci\u00f3n y facilita la pasividad.<\/p>\n

El espect\u00e1culo es como un virus, que se mete en el cuerpo y la mente, en campos tan diversos como los esl\u00f3ganes pol\u00edticos (\u201cMake America Great Again\u201d), las formas de arte (musicales convencionales) y los sistemas de fe (budismo).
\nJappe muestra que la \u201csociedad del espect\u00e1culo\u201d est\u00e1 en deuda con la explicaci\u00f3n de Marx del valor de cambio.<\/p>\n

\"\"
Foto: Pixabay<\/figcaption><\/figure>\n

El valor de una mercanc\u00eda est\u00e1 indexado en la econom\u00eda por su cantidad de tiempo de trabajo abstracto, lo que cuesta producir y la tasa de ganancia consiguiente, aunque se fetichiza en torno a su atractivo de utilidad (valor de uso) y se presenta como derivado del cumplimiento de un necesidad natural.<\/p>\n

La lucha de la competencia capitalista asegura que siempre haya nuevos productos para reemplazar el encanto roto de los viejos y de esta manera la producci\u00f3n de mercanc\u00edas imbuye el espect\u00e1culo con una aparente invencibilidad.<\/p>\n

Debord: \u201cEl espect\u00e1culo es el poema \u00e9pico de esta lucha, una lucha que ninguna ca\u00edda de Illium puede poner fin\u201d; \u201cLa mercanc\u00eda ha logrado colonizar totalmente la vida social\u201d.<\/p>\n

Jappe expone de manera perspicaz c\u00f3mo la reforma de los conceptos marxistas informa a la \u201cSociety of the spectacle\u201d<\/em>. Teje en su lectura de Debord ideas clave de la obra de Hegel y Luk\u00e1cs sin atascarse en el mundo acad\u00e9mico.<\/p>\n

Jappe tambi\u00e9n presenta un contexto para la fama del libro a trav\u00e9s de la organizaci\u00f3n situacionalista que tanto contribuy\u00f3 a las exhortaciones de carteles y grafitis del levantamiento de 1968 en Francia.<\/p>\n

\"\"
Foto: Pixabay<\/figcaption><\/figure>\n

En este sentido, Debord y May 1968 van de la mano como c\u00f3cteles Molotov y barricadas callejeras.<\/p>\n

El libro de Debord est\u00e1 estructurado por un conjunto numerado de 221 secciones (piense en ellas como epigramas extensos) con dos a seis de ellas ocupando cada una de las menos de 150 p\u00e1ginas.<\/p>\n

Esto hace que sea f\u00e1cil de leer pero sin sacrificar el impacto anal\u00edtico y literario. A \u00a36, es una ganga y, gratis para ver, es el video de 1973 que hizo Debord basado en su libro.<\/p>\n

El estudio de Jappe, adem\u00e1s de ser una gu\u00eda de lectura para Debord, sirve como un recordatorio valioso de que el libro de Debord lleva un mensaje pol\u00edtico de peso, uno en peligro de perderse si se relega a las listas de lectura de cursos sobre posmodernismo o teor\u00eda de los medios.<\/p>\n

\u201cSociety of the spectacle\u201d<\/em> de Guy Debord es una publicaci\u00f3n de Soul Bay Press<\/a>.<\/p>\n

\u201cGuy Debord\u201d<\/em> de Anselm Jappe es publicado por PM Press<\/a>.<\/p>\n

(Traducido por M\u00f3nica del Pilar Uribe Mar\u00edn)\u00a0<\/strong><\/a><\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

La \u201cSociety of the spectacle\u201d de Guy Debord se public\u00f3 por primera vez en Francia en 1968 y sigue estrechamente relacionada con los acontecimientos del pa\u00eds de ese a\u00f1o incendiario.   Sean Sheehan   Esto no hace justicia a su an\u00e1lisis sobrio de la sociedad y, con una nueva edici\u00f3n […]<\/p>\n","protected":false},"author":9,"featured_media":204578,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-205305","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"\nMarx y la sociedad del espect\u00e1culo - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/es\/2020\/11\/16\/marx-y-la-sociedad-del-espectaculo\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Marx y la sociedad del espect\u00e1culo - 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