{"id":205774,"date":"2020-12-07T00:23:05","date_gmt":"2020-12-06T23:23:05","guid":{"rendered":"https:\/\/tucuentavip.com\/es\/?p=205774"},"modified":"2020-12-04T03:41:47","modified_gmt":"2020-12-04T02:41:47","slug":"frases-estilo-y-sustancia","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2020\/12\/07\/frases-estilo-y-sustancia\/","title":{"rendered":"Frases: estilo y sustancia"},"content":{"rendered":"<p><em>Durante el \u00faltimo cuarto de siglo Brian Dillon ha estado copiando frases en las p\u00e1ginas de atr\u00e1s de cualquier cuaderno que haya usado para alg\u00fan otro prop\u00f3sito. <\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-205771 alignleft\" src=\"https:\/\/tucuentavip.com\/wp-content\/uploads\/2020\/12\/Sentence-carta-escritura-arte-Pixabay.jpg\" alt=\"\" width=\"478\" height=\"318\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2020\/12\/Sentence-carta-escritura-arte-Pixabay.jpg 672w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2020\/12\/Sentence-carta-escritura-arte-Pixabay-300x200.jpg 300w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2020\/12\/Sentence-carta-escritura-arte-Pixabay-83x55.jpg 83w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2020\/12\/Sentence-carta-escritura-arte-Pixabay-650x433.jpg 650w\" sizes=\"auto, (max-width: 478px) 100vw, 478px\" \/><a href=\"https:\/\/tucuentavip.com\">Sean Sheehan<\/a><\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>Ha acumulado decenas de estos cuadernos y sus contraportadas proporcionan la base para las veintisiete frases que pone bajo su microscopio sensible al estilo en \u00a0<em>\u201cSuppose a sentence\u201d<\/em> (Suponga una frase).<\/p>\n<p>Las anatomiza para mostrar lo que \u00e9l llama \u201cla sensibilidad como estructura\u201d, lecturas cercanas que revelan que la forma en que las oraciones dicen algo es inextricable de lo que dicen.<\/p>\n<p>Hay tracci\u00f3n en tal tropo, aplicable como lo es a una variedad de formas culturales y pol\u00edticas, y puede ser usado para elogiar o condenar.<\/p>\n<p>Dillon s\u00f3lo busca elogiar y disecciona las oraciones con la precisi\u00f3n de un relojero para revelar los mecanismos min\u00fasculos que las hacen funcionar.<\/p>\n<p>Su precisi\u00f3n geom\u00e9trica puede operar en el material m\u00e1s peque\u00f1o, como lo atestigua la exactitud de su comentario sobre la \u201cO, o. o. o.\u201d que en una de las variantes del texto de <em>\u201cHamlet\u201d <\/em>viene despu\u00e9s de la declaraci\u00f3n moribunda del dan\u00e9s de que \u201cel resto es silencio\u201d: \u201cSeguramente no es ni m\u00e1s ni menos que la expresi\u00f3n vocal, precisamente, del silencio. \u2018O\u2019 es la tr\u00e1gica apoteosis del cero.\u201d<\/p>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-205769\" src=\"https:\/\/tucuentavip.com\/wp-content\/uploads\/2020\/12\/Setences-book-covered.jpg\" alt=\"\" width=\"357\" height=\"566\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2020\/12\/Setences-book-covered.jpg 357w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2020\/12\/Setences-book-covered-126x200.jpg 126w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2020\/12\/Setences-book-covered-35x55.jpg 35w\" sizes=\"auto, (max-width: 357px) 100vw, 357px\" \/><\/strong>Dillon, el sabueso del estilo, se toma su trabajo en serio, como cuando se encuentra con una frase de Joan Didion en un perfil de 1979 del escritor. La frase se ofrece como un ejemplo de la habilidad de Didion en la escritura de pies de foto para la revista estadounidense <em>Vogue <\/em>al comienzo de su carrera. La leyenda se refiere a una de las fotograf\u00edas de la casa de Dennis Hopper:<\/p>\n<p><em>\u201cEnfrente, arriba: A lo largo de la casa, <\/em><\/p>\n<p><em>color, br\u00edo, tesoros improvisados en feliz<\/em><\/p>\n<p><em>\u00a0pero an\u00f3mala coexistencia.\u201d<\/em><\/p>\n<p>Dillon admira su econom\u00eda que prescinde de un verbo pero, espera, se encuentra con un n\u00famero de <em>Vogue<\/em> de 1965 que se vende por 50 d\u00f3lares en eBay y lo toma. He aqu\u00ed que hay una misma frase pero con una palabra extra: \u201c&#8230;color, entusiasmo, cosas en la feliz pero an\u00f3mala coexistencia\u201d. Dillon est\u00e1 preocupado: \u201c<em>Cosas, <\/em>resta del ritmo de la frase escuchada en voz alta, y parece en todos los aspectos una d\u00e9bil elecci\u00f3n de palabras, inexacta y delgada.\u201d Dillon, encantado como un sabueso de trufas que desentierra alg\u00fan hallazgo especialmente sabroso, elogia a quien \u2013Didion o su editor\u2013 elimin\u00f3 la palabra ofensiva.<\/p>\n<p>La escrupulosa disposici\u00f3n de las palabras de Didion es a lo que Dillon aspira en su propia escritura y uno puede sentirse a gusto con sus afinidades y tambien desear poder salir de vez en cuando de su zona de confort y moderar la meticulosidad apreciando las frases que corroen nuestro mundo.<\/p>\n<p>Sus refinados gustos probablemente se convertir\u00e1n en un \u00e9ter apol\u00edtico, preciosidad por s\u00ed misma, como cuando mira una frase de Ruskin de su charla de 1884 <em>\u201cLa Nube Tormentosa del Siglo XIX\u201d.<\/em><\/p>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-205770 alignleft\" src=\"https:\/\/tucuentavip.com\/wp-content\/uploads\/2020\/12\/sentence-tormenta-clima-casa-soeldad-Pixabay.jpg\" alt=\"\" width=\"476\" height=\"316\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2020\/12\/sentence-tormenta-clima-casa-soeldad-Pixabay.jpg 634w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2020\/12\/sentence-tormenta-clima-casa-soeldad-Pixabay-300x200.jpg 300w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2020\/12\/sentence-tormenta-clima-casa-soeldad-Pixabay-83x55.jpg 83w\" sizes=\"auto, (max-width: 476px) 100vw, 476px\" \/><\/strong>Cerca de una docena de p\u00e1ginas est\u00e1n dedicadas a su sutileza verbal pero ni una palabra sobre la prof\u00e9tica\u00a0 ira de Ruskin por los efectos contaminantes de la industrializaci\u00f3n en el medio ambiente. Sus nubes eran el frente de tormenta del apocalipsis que se avecinaba y sus frases estaban dise\u00f1adas para advertir a la gente.<\/p>\n<p><em>\u00a0\u201cSuppose a sentence\u201d<\/em>, de Brian Dillon, es publicado por <a href=\"https:\/\/fitzcarraldoeditions.com\/books\/suppose-a-sentence-1\">Fitzcarraldo Editions<\/a>.<\/p>\n<p><strong><a href=\"https:\/\/tucuentavip.com\/\">(Traducido por M\u00f3nica dekl Pilar Uribe Mar\u00edn) \u2013<\/a> <\/strong><em><a href=\"http:\/\/www.pixabay.com\/\">Fotos: pixabay<\/a><\/em><\/p>\n<div class=\"twttr_buttons\"><div class=\"twttr_twitter\">\n\t\t\t\t\t<a href=\"http:\/\/twitter.com\/share?text=Frases%3A+estilo+y+sustancia\" class=\"twitter-share-button\" data-via=\"\" data-hashtags=\"\"  data-size=\"default\" data-url=\"https:\/\/theprisma.co.uk\/es\/2020\/12\/07\/frases-estilo-y-sustancia\/\" data-dnt=\"true\" data-related=\"\" target=\"_blank\">Tweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Durante el \u00faltimo cuarto de siglo Brian Dillon ha estado copiando frases en las p\u00e1ginas de atr\u00e1s de cualquier cuaderno que haya usado para alg\u00fan otro prop\u00f3sito. &nbsp; Sean Sheehan \u00a0 Ha acumulado decenas de estos cuadernos y sus contraportadas proporcionan la base para las veintisiete frases que pone bajo [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":205770,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-205774","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - 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