{"id":205988,"date":"2020-12-14T00:24:20","date_gmt":"2020-12-13T23:24:20","guid":{"rendered":"https:\/\/tucuentavip.com\/es\/?p=205988"},"modified":"2020-12-11T22:08:26","modified_gmt":"2020-12-11T21:08:26","slug":"desdoblando-la-politica-de-la-memoria","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2020\/12\/14\/desdoblando-la-politica-de-la-memoria\/","title":{"rendered":"Desdoblando la pol\u00edtica de la memoria"},"content":{"rendered":"

Escribiendo sobre Kafka, Walter Benjamin explica c\u00f3mo la palabra \u201cdesdoblamiento\u201d tiene dos significados: un capullo se despliega en una flor mientras que un barco de papel se desdobla en una hoja plana de papel.<\/em><\/p>\n

\u00a0<\/em><\/p>\n

\"\"<\/strong>Sean Sheehan<\/strong><\/a><\/p>\n

\u00a0<\/strong><\/p>\n

Dos a\u00f1os m\u00e1s tarde, al escribir \u201cThe storyteller\u201d (El narrador)<\/em>, explica c\u00f3mo la narraci\u00f3n de historias, enraizada en la tradici\u00f3n oral, permite que la historia se integre con la experiencia del oyente y se expanda en la forma en que un brote se desarrolla en una flor.<\/p>\n

El otro tipo de evoluci\u00f3n, dice, es m\u00e1s apropiado para las par\u00e1bolas en las que el placer se deriva de suavizar una historia de modo que su significado se pueda sostener en la palma de la mano.<\/p>\n

Benjamin escrib\u00eda en 1934, a\u00f1o en que un movimiento de huelga revolucionaria en Espa\u00f1a puso de relieve el creciente conflicto pol\u00edtico del pa\u00eds que estallar\u00eda en una guerra civil dos a\u00f1os m\u00e1s tarde.<\/p>\n

Para Javier Cercas, el significado controvertido de esa guerra civil es el tema de \u201cSoldados de Salamina\u201d<\/em> y \u201cEl se\u00f1or de todos los muertos\u201d.<\/em><\/p>\n

La guerra civil espa\u00f1ola puede leerse como una par\u00e1bola que mantiene su significado en formas comprensibles: una lucha entre las fuerzas del progreso y las de la reacci\u00f3n; el ensayo de Hitler para la t\u00e1ctica de la guerra rel\u00e1mpago; las maquinaciones de Stalin que contribuir\u00edan a la derrota de los republicanos y el socialismo libertario por el que lucharon los anarquistas.<\/p>\n

Otros niveles de interpretaci\u00f3n plantean preguntas sobre la pol\u00edtica de la memoria y los enigmas engendrados por la historia de la posguerra civil de Espa\u00f1a.<\/p>\n

\"\"En su \u201cAnatom\u00eda de un instante\u201d<\/em> (2001), Cercas se pregunta por qu\u00e9 Adolfo Su\u00e1rez permaneci\u00f3 sentado en su banca del Congreso de los Diputados durante el intento de golpe de Estado de 1981; en \u201cSoldados de Salamina\u201d <\/em>quiere saber por qu\u00e9 un soldado republicano durante la guerra civil salv\u00f3 la vida de un ide\u00f3logo fascista y futuro ministro del primer gobierno de Franco.<\/p>\n

En el no ficticio \u201cEl punto ciego\u201d<\/em>, Cercas concluye que no hay respuesta \u201co para decirlo mejor: la respuesta es la propia b\u00fasqueda, la propia pregunta, el propio libro\u201d.<\/p>\n

Estas reflexiones posmodernistas son el pan de cada d\u00eda para Cercas y para un tipo de escritura de ficci\u00f3n que, jugando con la noci\u00f3n de la verdad, puede hacer interminables acertijos y plantear preguntas.<\/p>\n

En \u201cEl punto ciego\u201d<\/em>, Cercas explora este misterio en relaci\u00f3n con la novela. Pregunta si Don Quijote est\u00e1 realmente loco, por qu\u00e9 Ahab est\u00e1 obsesionado con una ballena blanca y por qu\u00e9 Isabel Archer vuelve con su marido en \u201cEl retrato de una dama\u201d.<\/em> Su conclusi\u00f3n es que las novelas de \u201cpunto ciego\u201d ponen \u201cla ambig\u00fcedad, la contradicci\u00f3n, la paradoja y la iron\u00eda en su centro\u201d. Analiza \u201cEl tiempo del h\u00e9roe\u201d<\/em> de Vargas Llosa con esto en mente.<\/p>\n

Cercas suele afirmar lo obvio y puede ser que el comportamiento del soldado en \u201cSoldados de Salamina\u201d<\/em> no sea m\u00e1s o menos intrigante que preguntarse por qu\u00e9 Bob Dylan escribi\u00f3 las canciones en \u00abTren lento que viene\u00bb.<\/p>\n

\"\"
Foto de Syd Wachs. Unsplash<\/figcaption><\/figure>\n

El arte tiene muchas manifestaciones, desarroll\u00e1ndose como los capullos de Benjam\u00edn, pero c\u00f3mo la pol\u00edtica del florecimiento de la memoria es otra cosa. Victor Serge sugiere una forma en \u201cEl caso del camarada Tulayev\u201d<\/em>, Ernest O’Malley otra en \u201cSobre la herida de otro hombre\u201d<\/em>; en comparaci\u00f3n con estas, el camino de Cercas resulta un poco plano.<\/p>\n

\u201cSoldados de Salamina\u201d <\/em>y \u201cEl punto ciego: un ensayo sobre una novela\u201d,<\/em> de Javier Cercas, es publicado por Maclehose Press<\/a>.<\/p>\n

(Traducido por M\u00f3nica del Pilar Uribe Mar\u00edn)<\/strong><\/a><\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

Escribiendo sobre Kafka, Walter Benjamin explica c\u00f3mo la palabra \u201cdesdoblamiento\u201d tiene dos significados: un capullo se despliega en una flor mientras que un barco de papel se desdobla en una hoja plana de papel. \u00a0 Sean Sheehan \u00a0 Dos a\u00f1os m\u00e1s tarde, al escribir \u201cThe storyteller\u201d (El narrador), explica c\u00f3mo […]<\/p>\n","protected":false},"author":9,"featured_media":194791,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-205988","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"\nDesdoblando la pol\u00edtica de la memoria - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/es\/2020\/12\/14\/desdoblando-la-politica-de-la-memoria\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Desdoblando la pol\u00edtica de la memoria - ThePrisma.co.uk\" \/>\n<meta property=\"og:description\" content=\"Escribiendo sobre Kafka, Walter Benjamin explica c\u00f3mo la palabra \u201cdesdoblamiento\u201d tiene dos significados: un capullo se despliega en una flor mientras que un barco de papel se desdobla en una hoja plana de papel. \u00a0 Sean Sheehan \u00a0 Dos a\u00f1os m\u00e1s tarde, al escribir \u201cThe storyteller\u201d (El narrador), explica c\u00f3mo […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/theprisma.co.uk\/es\/2020\/12\/14\/desdoblando-la-politica-de-la-memoria\/\" \/>\n<meta property=\"og:site_name\" content=\"ThePrisma.co.uk\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper\" \/>\n<meta property=\"article:published_time\" content=\"2020-12-13T23:24:20+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2019\/09\/Can-we-have-art-libros-candelero-vela-pixabay-e1569800210135.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"450\" \/>\n\t<meta property=\"og:image:height\" content=\"281\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"ThePrisma\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:site\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"ThePrisma\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2020\\\/12\\\/14\\\/desdoblando-la-politica-de-la-memoria\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2020\\\/12\\\/14\\\/desdoblando-la-politica-de-la-memoria\\\/\"},\"author\":{\"name\":\"ThePrisma\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/person\\\/24f5091d3dc50052d73cbea6ecd09df7\"},\"headline\":\"Desdoblando la pol\u00edtica de la memoria\",\"datePublished\":\"2020-12-13T23:24:20+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2020\\\/12\\\/14\\\/desdoblando-la-politica-de-la-memoria\\\/\"},\"wordCount\":652,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2020\\\/12\\\/14\\\/desdoblando-la-politica-de-la-memoria\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2019\\\/09\\\/Can-we-have-art-libros-candelero-vela-pixabay-e1569800210135.jpg\",\"articleSection\":[\"Cultura\",\"En Foco\",\"Opini\u00f3n\",\"P\u00e1ginas\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2020\\\/12\\\/14\\\/desdoblando-la-politica-de-la-memoria\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2020\\\/12\\\/14\\\/desdoblando-la-politica-de-la-memoria\\\/\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2020\\\/12\\\/14\\\/desdoblando-la-politica-de-la-memoria\\\/\",\"name\":\"Desdoblando la pol\u00edtica de la memoria - ThePrisma.co.uk\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2020\\\/12\\\/14\\\/desdoblando-la-politica-de-la-memoria\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2020\\\/12\\\/14\\\/desdoblando-la-politica-de-la-memoria\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2019\\\/09\\\/Can-we-have-art-libros-candelero-vela-pixabay-e1569800210135.jpg\",\"datePublished\":\"2020-12-13T23:24:20+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2020\\\/12\\\/14\\\/desdoblando-la-politica-de-la-memoria\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2020\\\/12\\\/14\\\/desdoblando-la-politica-de-la-memoria\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2020\\\/12\\\/14\\\/desdoblando-la-politica-de-la-memoria\\\/#primaryimage\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2019\\\/09\\\/Can-we-have-art-libros-candelero-vela-pixabay-e1569800210135.jpg\",\"contentUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2019\\\/09\\\/Can-we-have-art-libros-candelero-vela-pixabay-e1569800210135.jpg\",\"width\":450,\"height\":281},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2020\\\/12\\\/14\\\/desdoblando-la-politica-de-la-memoria\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/theprisma.co.uk\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Desdoblando la pol\u00edtica de la memoria\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#website\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/\",\"name\":\"ThePrisma.co.uk\",\"description\":\"Ethical and Independent Journalism\u2026 Journalism for immigrants\",\"publisher\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/theprisma.co.uk\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\",\"name\":\"ThePrisma.co.uk\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/Logo-TP-May-3-2026.jpg\",\"contentUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/Logo-TP-May-3-2026.jpg\",\"width\":2171,\"height\":353,\"caption\":\"ThePrisma.co.uk\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/ThePrismaTheMulticulturalNewspaper\",\"https:\\\/\\\/x.com\\\/The_Prisma\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/person\\\/24f5091d3dc50052d73cbea6ecd09df7\",\"name\":\"ThePrisma\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g\",\"caption\":\"ThePrisma\"},\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/author\\\/theprisma\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Desdoblando la pol\u00edtica de la memoria - ThePrisma.co.uk","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/theprisma.co.uk\/es\/2020\/12\/14\/desdoblando-la-politica-de-la-memoria\/","og_locale":"es_ES","og_type":"article","og_title":"Desdoblando la pol\u00edtica de la memoria - ThePrisma.co.uk","og_description":"Escribiendo sobre Kafka, Walter Benjamin explica c\u00f3mo la palabra \u201cdesdoblamiento\u201d tiene dos significados: un capullo se despliega en una flor mientras que un barco de papel se desdobla en una hoja plana de papel. \u00a0 Sean Sheehan \u00a0 Dos a\u00f1os m\u00e1s tarde, al escribir \u201cThe storyteller\u201d (El narrador), explica c\u00f3mo […]","og_url":"https:\/\/theprisma.co.uk\/es\/2020\/12\/14\/desdoblando-la-politica-de-la-memoria\/","og_site_name":"ThePrisma.co.uk","article_publisher":"https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper","article_published_time":"2020-12-13T23:24:20+00:00","og_image":[{"width":450,"height":281,"url":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2019\/09\/Can-we-have-art-libros-candelero-vela-pixabay-e1569800210135.jpg","type":"image\/jpeg"}],"author":"ThePrisma","twitter_card":"summary_large_image","twitter_creator":"@The_Prisma","twitter_site":"@The_Prisma","twitter_misc":{"Escrito por":"ThePrisma","Tiempo de lectura":"3 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/theprisma.co.uk\/es\/2020\/12\/14\/desdoblando-la-politica-de-la-memoria\/#article","isPartOf":{"@id":"https:\/\/theprisma.co.uk\/es\/2020\/12\/14\/desdoblando-la-politica-de-la-memoria\/"},"author":{"name":"ThePrisma","@id":"https:\/\/theprisma.co.uk\/#\/schema\/person\/24f5091d3dc50052d73cbea6ecd09df7"},"headline":"Desdoblando la pol\u00edtica de la memoria","datePublished":"2020-12-13T23:24:20+00:00","mainEntityOfPage":{"@id":"https:\/\/theprisma.co.uk\/es\/2020\/12\/14\/desdoblando-la-politica-de-la-memoria\/"},"wordCount":652,"commentCount":0,"publisher":{"@id":"https:\/\/theprisma.co.uk\/#organization"},"image":{"@id":"https:\/\/theprisma.co.uk\/es\/2020\/12\/14\/desdoblando-la-politica-de-la-memoria\/#primaryimage"},"thumbnailUrl":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2019\/09\/Can-we-have-art-libros-candelero-vela-pixabay-e1569800210135.jpg","articleSection":["Cultura","En Foco","Opini\u00f3n","P\u00e1ginas"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/theprisma.co.uk\/es\/2020\/12\/14\/desdoblando-la-politica-de-la-memoria\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/theprisma.co.uk\/es\/2020\/12\/14\/desdoblando-la-politica-de-la-memoria\/","url":"https:\/\/theprisma.co.uk\/es\/2020\/12\/14\/desdoblando-la-politica-de-la-memoria\/","name":"Desdoblando la pol\u00edtica de la memoria - ThePrisma.co.uk","isPartOf":{"@id":"https:\/\/theprisma.co.uk\/#website"},"primaryImageOfPage":{"@id":"https:\/\/theprisma.co.uk\/es\/2020\/12\/14\/desdoblando-la-politica-de-la-memoria\/#primaryimage"},"image":{"@id":"https:\/\/theprisma.co.uk\/es\/2020\/12\/14\/desdoblando-la-politica-de-la-memoria\/#primaryimage"},"thumbnailUrl":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2019\/09\/Can-we-have-art-libros-candelero-vela-pixabay-e1569800210135.jpg","datePublished":"2020-12-13T23:24:20+00:00","breadcrumb":{"@id":"https:\/\/theprisma.co.uk\/es\/2020\/12\/14\/desdoblando-la-politica-de-la-memoria\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/theprisma.co.uk\/es\/2020\/12\/14\/desdoblando-la-politica-de-la-memoria\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/theprisma.co.uk\/es\/2020\/12\/14\/desdoblando-la-politica-de-la-memoria\/#primaryimage","url":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2019\/09\/Can-we-have-art-libros-candelero-vela-pixabay-e1569800210135.jpg","contentUrl":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2019\/09\/Can-we-have-art-libros-candelero-vela-pixabay-e1569800210135.jpg","width":450,"height":281},{"@type":"BreadcrumbList","@id":"https:\/\/theprisma.co.uk\/es\/2020\/12\/14\/desdoblando-la-politica-de-la-memoria\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/theprisma.co.uk\/"},{"@type":"ListItem","position":2,"name":"Desdoblando la pol\u00edtica de la memoria"}]},{"@type":"WebSite","@id":"https:\/\/theprisma.co.uk\/#website","url":"https:\/\/theprisma.co.uk\/","name":"ThePrisma.co.uk","description":"Ethical and Independent Journalism\u2026 Journalism for immigrants","publisher":{"@id":"https:\/\/theprisma.co.uk\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/theprisma.co.uk\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/theprisma.co.uk\/#organization","name":"ThePrisma.co.uk","url":"https:\/\/theprisma.co.uk\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/theprisma.co.uk\/#\/schema\/logo\/image\/","url":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/05\/Logo-TP-May-3-2026.jpg","contentUrl":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/05\/Logo-TP-May-3-2026.jpg","width":2171,"height":353,"caption":"ThePrisma.co.uk"},"image":{"@id":"https:\/\/theprisma.co.uk\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper","https:\/\/x.com\/The_Prisma"]},{"@type":"Person","@id":"https:\/\/theprisma.co.uk\/#\/schema\/person\/24f5091d3dc50052d73cbea6ecd09df7","name":"ThePrisma","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/secure.gravatar.com\/avatar\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g","caption":"ThePrisma"},"url":"https:\/\/theprisma.co.uk\/es\/author\/theprisma\/"}]}},"_links":{"self":[{"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/posts\/205988","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/comments?post=205988"}],"version-history":[{"count":3,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/posts\/205988\/revisions"}],"predecessor-version":[{"id":205997,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/posts\/205988\/revisions\/205997"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/media\/194791"}],"wp:attachment":[{"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/media?parent=205988"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/categories?post=205988"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/tags?post=205988"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}