{"id":209968,"date":"2021-06-14T00:24:01","date_gmt":"2021-06-13T23:24:01","guid":{"rendered":"https:\/\/tucuentavip.com\/es\/?p=209968"},"modified":"2021-06-13T12:00:12","modified_gmt":"2021-06-13T11:00:12","slug":"en-el-sendero-de-la-tranquilidad","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2021\/06\/14\/en-el-sendero-de-la-tranquilidad\/","title":{"rendered":"En el sendero de la tranquilidad"},"content":{"rendered":"

Intentar \u201cvislumbrar la suave ley que gu\u00eda a la raza humana\u201d es una aspiraci\u00f3n noble, aunque probablemente inalcanzable, pero el escritor austriaco Adalbert Stifter (1805-1868), en el prefacio de los relatos que componen su obra \u201cPiedras de colores\u201d, nos atribuye a todos ese deseo. <\/em><\/p>\n

 <\/p>\n

\"\"
Foto de Aron Visuals. Unsplash<\/figcaption><\/figure>\n

Sean Sheehan<\/a><\/strong><\/p>\n

 <\/p>\n

La primera traducci\u00f3n completa al ingl\u00e9s de estas historias ya se ha publicado y los lectores, sin descubrir necesariamente una \u201cley\u201d orientadora, sentir\u00e1n que da una expresi\u00f3n compasiva a la aceptaci\u00f3n del cambio y de un mundo donde el no humano puede ofrecer consuelo.<\/p>\n

Los narradores de las historias de Stifter cuentan sus relatos con una notable calma y una agudeza descriptiva.<\/p>\n

Hay personajes encantadores, como el sereno cl\u00e9rigo de \u201cPiedra calc\u00e1rea\u201d, uno de los seis relatos de \u201cPiedras de colores\u201d, que ha vivido humildemente a la vez en su hogar, la iglesia y la escuela durante casi 30 a\u00f1os.<\/p>\n

\"\"Satisfecho con las experiencias que han dado forma a su abnegado estilo de vida, la historia de c\u00f3mo una \u201cprofunda emoci\u00f3n duradera y tierna\u201d llega a gobernar su existencia es profundamente conmovedora: un testimonio tolstoiano de las virtudes de la constancia y el alivio que se derivan de sacudir la carga de la personalidad.<\/p>\n

Hay un patr\u00f3n subyacente a las historias. Comienzan con una situaci\u00f3n dada, un tiempo y un lugar dispuestos con exactitud.\u00a0 \u201cTurmalina\u201d comienza con un recorrido por un apartamento en Viena, observando cuidadosamente la decoraci\u00f3n antes de llegar al dormitorio donde un beb\u00e9 duerme en su cuna.<\/p>\n

En \u201cGranito\u201d, el jard\u00edn creado por su propietario se describe en detalle pict\u00f3rico. En \u201cMica blanca\u201d un castillo se representa con la misma verosimilitud. \u201cCristal de roca\u201d cuenta con una peque\u00f1a comunidad que vive en un valle bajo una monta\u00f1a que ayuda a aislar sus formas de vida: \u201cSon muy constantes y las viejas costumbres persisten. Si una piedra cae de una pared, se vuelve a poner la misma piedra. Si una casa tiene vacas pintas, siempre cria terneros pintos y el color permanece con la casa\u201d.<\/p>\n

De cada situaci\u00f3n se despliega lentamente una trama de clases, pero no hay otro cierre m\u00e1s que el paso del tiempo, ya sea dentro del relato o mucho despu\u00e9s de los acontecimientos narrados. El tiempo, m\u00e1s que una estructura para la narrativa, es sustancia y medio, objeto y sujeto, part\u00edcula y onda. En \u201cMica blanca\u201d, el due\u00f1o del castillo no tiene herederos masculinos, por lo que se lo deja a la hija, Lulu, como buena delegada.<\/p>\n

Luego Francia invade al pa\u00eds y un oficial del ej\u00e9rcito de ese pa\u00eds toma la torre del castillo. Es el enemigo, pero es galante y encantador. El tiempo pasa, la guerra termina y el oficial vuelve al castillo\u2026<\/p>\n

\"\"
Foto de Aron Visuals. Unsplash<\/figcaption><\/figure>\n

Hay una tranquilidad en la narraci\u00f3n que es extra\u00f1amente terap\u00e9utica y, aunque nunca se hacen afirmaciones did\u00e1cticas, existe la sensaci\u00f3n de que se dicen las verdades, pero de forma tangencial, de forma esquiva.<\/p>\n

El lector llega a apreciar por qu\u00e9 Hannah Arendt habl\u00f3 de \u00e9l como un escritor de \u201cpura felicidad, sabidur\u00eda y belleza\u201d.<\/p>\n

Hay un lado oscuro en los relatos, pero el paso del tiempo tiene la manera de dejar pasar algo de luz.<\/p>\n

\u201cPiedras de colores\u201d, de Adalbert Stifter, publicado por New York Review Book<\/a><\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

Intentar \u201cvislumbrar la suave ley que gu\u00eda a la raza humana\u201d es una aspiraci\u00f3n noble, aunque probablemente inalcanzable, pero el escritor austriaco Adalbert Stifter (1805-1868), en el prefacio de los relatos que componen su obra \u201cPiedras de colores\u201d, nos atribuye a todos ese deseo.   Sean Sheehan   La primera […]<\/p>\n","protected":false},"author":9,"featured_media":209974,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26,1],"tags":[],"class_list":["post-209968","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas","category-uncategorized"],"yoast_head":"\nEn el sendero de la tranquilidad - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/es\/2021\/06\/14\/en-el-sendero-de-la-tranquilidad\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"En el sendero de la tranquilidad - 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