{"id":219594,"date":"2021-10-11T00:24:41","date_gmt":"2021-10-10T23:24:41","guid":{"rendered":"https:\/\/tucuentavip.com\/es\/?p=219594"},"modified":"2021-10-10T04:15:28","modified_gmt":"2021-10-10T03:15:28","slug":"ficcion-en-espanol","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2021\/10\/11\/ficcion-en-espanol\/","title":{"rendered":"Ficci\u00f3n en espa\u00f1ol"},"content":{"rendered":"<p><em>\u00abHace un tiempo me detuvieron y me acusaron de tres delitos de asesinato en primer grado\u00bb. La frase inicial de \u00abC\u00e1psula\u00bb, de Mateo Garc\u00eda Elizondo, no puede dejar de captar la atenci\u00f3n del lector en una historia que se convierte en una meditaci\u00f3n sobre la existencia, ocasionada por un preso que es lanzado al espacio para cumplir su condena. <\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong><a href=\"https:\/\/tucuentavip.com\/\"><em><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-219598 alignleft\" src=\"https:\/\/tucuentavip.com\/wp-content\/uploads\/2021\/10\/Pixabay-free.jpg\" alt=\"\" width=\"488\" height=\"301\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/10\/Pixabay-free.jpg 827w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/10\/Pixabay-free-300x185.jpg 300w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/10\/Pixabay-free-89x55.jpg 89w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/10\/Pixabay-free-650x401.jpg 650w\" sizes=\"auto, (max-width: 488px) 100vw, 488px\" \/><\/em>Sean Sheehan<\/a><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>El relato del escritor mexicano ha sido traducido por <a href=\"https:\/\/www.youtube.com\/watch?v=4m0u8htBNoU\">Robin Myers<\/a> y aparece en <em>\u201cThe best of young Spanish language novelists\u201d (Lo mejor de las j\u00f3venes novelistas en lengua espa\u00f1ola<\/em>), de Granta, junto a otros veinticuatro escritores del mundo hispanohablante.<\/p>\n<p>El personaje de \u201cNuestra casa sin ventanas\u201d, del escritor argentino Mart\u00edn Felipe Castagnet, es una trans, una escultora que se prepara para su muerte y se plantea qu\u00e9 debe escribirse en la l\u00e1pida que le est\u00e1 haciendo un amigo cantero. Se trata de una historia sobre la identidad y la filiaci\u00f3n, escrita con una prosa ultrasuave y desprovista de sentimentalismo, traducida por <a href=\"https:\/\/www.youtube.com\/watch?v=GLe6sC6WBEQ\">Frances Riddle<\/a>.<\/p>\n<p><em><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-219599\" src=\"https:\/\/tucuentavip.com\/wp-content\/uploads\/2021\/10\/book-cover-sean-3.jpg\" alt=\"\" width=\"410\" height=\"582\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/10\/book-cover-sean-3.jpg 605w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/10\/book-cover-sean-3-141x200.jpg 141w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/10\/book-cover-sean-3-39x55.jpg 39w\" sizes=\"auto, (max-width: 410px) 100vw, 410px\" \/><\/em>Jos\u00e9 Adiak Montoya, nacido en Managua, Nicaragua, adopta un tono l\u00fadico para su relato \u201cLa aparici\u00f3n de Levert\u201d, que se sugiere como una alegor\u00eda.<\/p>\n<p>Una mujer pobre da a luz a un ni\u00f1o asombrosamente bello.<\/p>\n<p>El comandante local env\u00eda a tres ancianos ministros (\u201csab\u00edan que estaban vivos s\u00f3lo porque nunca se hab\u00eda anunciado su muerte\u201d) a ver al ni\u00f1o, pero desaparecen.<\/p>\n<p>Mientras tanto, el padre del ni\u00f1o tiene un sue\u00f1o en el que se le advierte que debe huir con su familia y el comandante env\u00eda escuadrones de la muerte a los barrios en una misi\u00f3n de matanza similar a la de Herodes.<\/p>\n<p>Se producen extra\u00f1os acontecimientos y queda por ver si Levert es un mes\u00edas o un monstruo.<\/p>\n<p>Estos tres relatos son caracter\u00edsticos de la gama de ficci\u00f3n que la editora, Valerie Miles, ha elegido para la segunda selecci\u00f3n de Granta de j\u00f3venes escritores emergentes en espa\u00f1ol (la primera selecci\u00f3n apareci\u00f3 hace m\u00e1s de una d\u00e9cada).<\/p>\n<p>Miles tuvo que considerar m\u00e1s de 200 trabajos y, seg\u00fan se\u00f1ala, \u201ccualquier idea preconcebida que pudi\u00e9ramos tener sobre la escasa selecci\u00f3n de una generaci\u00f3n digital con cerebros atontados y lapsos de atenci\u00f3n inexistentes result\u00f3 ser totalmente err\u00f3nea\u201d. Su selecci\u00f3n presenta el trabajo de catorce hombres y once mujeres, seis de ellos de Espa\u00f1a y los dem\u00e1s de todos los rincones del mundo hispanohablante.<\/p>\n<p><em><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-219600\" src=\"https:\/\/tucuentavip.com\/wp-content\/uploads\/2021\/10\/book-cover-sean-1.jpg\" alt=\"\" width=\"410\" height=\"628\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/10\/book-cover-sean-1.jpg 626w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/10\/book-cover-sean-1-131x200.jpg 131w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/10\/book-cover-sean-1-36x55.jpg 36w\" sizes=\"auto, (max-width: 410px) 100vw, 410px\" \/><\/em>En <em>\u201cFantastic short stories by women authors from Spain and Latin America\u201d (Cuentos fant\u00e1sticos de autoras espa\u00f1olas y latinoamericanas)<\/em> hay cinco relatos de Emilia Pardo Baz\u00e1n, Amparo D\u00e1vila, Rosario Ferr\u00e9, Cristina Fern\u00e1ndez Cubas y Ana Mar\u00eda Shua.<\/p>\n<p>A diferencia de la selecci\u00f3n de Granta, los relatos no est\u00e1n traducidos al ingl\u00e9s y no est\u00e1n escritos por escritores j\u00f3venes: Baz\u00e1n naci\u00f3 en 1851 y su \u201cLa resucitada\u201d apareci\u00f3 en 1912; \u201cEl hu\u00e9sped\u201d de D\u00e1vila apareci\u00f3 en 1959; Cubas naci\u00f3 en 1945 y Shua en 1951.<\/p>\n<p>Los editores ofrecen un ensayo introductorio en ingl\u00e9s, centrado en la contribuci\u00f3n que las escritoras han hecho al g\u00e9nero etiquetado como fant\u00e1stico, y se proporciona informaci\u00f3n sobre los antecedentes de cada una de las cinco escritoras.<\/p>\n<p><em>\u201cThe best of young Spanish language novelists\u201d<\/em>, editado por Valerie Miles, es publicado por <a href=\"https:\/\/granta.com\/products\/granta-155-best-of-young-spanish-language-novelists-2\/\">Granta<\/a>.<\/p>\n<p><em>\u201cFantastic short stories by women authors from Spain and Latin America\u201d<\/em>, editado por Patricia Garc\u00eda y Teresa L\u00f3pez-Pellisa, es publicado por <a href=\"https:\/\/www.uwp.co.uk\/book\/fantastic-short-stories-by-women-authors-from-spain-and-latin-america\/\">University of Wales Press<\/a>.<\/p>\n<p><strong><a href=\"https:\/\/tucuentavip.com\/\">(Traducido por M\u00f3nica del Pilar Uribe Mar\u00edn)<\/a><\/strong> <a href=\"http:\/\/www.pixabay.com\/\">\u2013 Fotos: Pixabay<\/a><\/p>\n<div class=\"twttr_buttons\"><div class=\"twttr_twitter\">\n\t\t\t\t\t<a href=\"http:\/\/twitter.com\/share?text=Ficci%C3%B3n+en+espa%C3%B1ol\" class=\"twitter-share-button\" data-via=\"\" data-hashtags=\"\"  data-size=\"default\" data-url=\"https:\/\/theprisma.co.uk\/es\/2021\/10\/11\/ficcion-en-espanol\/\" data-dnt=\"true\" data-related=\"\" target=\"_blank\">Tweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>\u00abHace un tiempo me detuvieron y me acusaron de tres delitos de asesinato en primer grado\u00bb. La frase inicial de \u00abC\u00e1psula\u00bb, de Mateo Garc\u00eda Elizondo, no puede dejar de captar la atenci\u00f3n del lector en una historia que se convierte en una meditaci\u00f3n sobre la existencia, ocasionada por un preso [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":219600,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26,1],"tags":[],"class_list":["post-219594","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ficci\u00f3n en espa\u00f1ol - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/es\/2021\/10\/11\/ficcion-en-espanol\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ficci\u00f3n en espa\u00f1ol - ThePrisma.co.uk\" \/>\n<meta property=\"og:description\" content=\"\u00abHace un tiempo me detuvieron y me acusaron de tres delitos de asesinato en primer grado\u00bb. La frase inicial de \u00abC\u00e1psula\u00bb, de Mateo Garc\u00eda Elizondo, no puede dejar de captar la atenci\u00f3n del lector en una historia que se convierte en una meditaci\u00f3n sobre la existencia, ocasionada por un preso [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/theprisma.co.uk\/es\/2021\/10\/11\/ficcion-en-espanol\/\" \/>\n<meta property=\"og:site_name\" content=\"ThePrisma.co.uk\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper\" \/>\n<meta property=\"article:published_time\" content=\"2021-10-10T23:24:41+00:00\" \/>\n<meta name=\"author\" content=\"ThePrisma\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"30\" \/>\n<meta name=\"twitter:description\" content=\"false\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/10\/book-cover-sean-1.jpg\" \/>\n<meta name=\"twitter:creator\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:site\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"ThePrisma\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2021\\\/10\\\/11\\\/ficcion-en-espanol\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2021\\\/10\\\/11\\\/ficcion-en-espanol\\\/\"},\"author\":{\"name\":\"ThePrisma\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/person\\\/24f5091d3dc50052d73cbea6ecd09df7\"},\"headline\":\"Ficci\u00f3n en espa\u00f1ol\",\"datePublished\":\"2021-10-10T23:24:41+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2021\\\/10\\\/11\\\/ficcion-en-espanol\\\/\"},\"wordCount\":621,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2021\\\/10\\\/11\\\/ficcion-en-espanol\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2021\\\/10\\\/book-cover-sean-1.jpg\",\"articleSection\":[\"Cultura\",\"En Foco\",\"Opini\u00f3n\",\"P\u00e1ginas\",\"Uncategorized\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2021\\\/10\\\/11\\\/ficcion-en-espanol\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2021\\\/10\\\/11\\\/ficcion-en-espanol\\\/\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2021\\\/10\\\/11\\\/ficcion-en-espanol\\\/\",\"name\":\"Ficci\u00f3n en espa\u00f1ol - 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