{"id":219823,"date":"2021-10-18T00:25:25","date_gmt":"2021-10-17T23:25:25","guid":{"rendered":"https:\/\/tucuentavip.com\/es\/?p=219823"},"modified":"2021-10-17T10:46:56","modified_gmt":"2021-10-17T09:46:56","slug":"lo-que-hago-soy-yo-para-eso-he-venido","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2021\/10\/18\/lo-que-hago-soy-yo-para-eso-he-venido\/","title":{"rendered":"Lo que hago soy yo: para eso he venido"},"content":{"rendered":"<p><em>Una de las paradojas de la f\u00edsica cu\u00e1ntica es que la realidad de una part\u00edcula est\u00e1 determinada por el hecho de ser observada por una conciencia. <\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-219825 alignleft\" src=\"https:\/\/tucuentavip.com\/wp-content\/uploads\/2021\/10\/fOTOS-PROVIDED-BY-THE-PUBLISHER-Kehrer-1.jpg\" alt=\"\" width=\"396\" height=\"506\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/10\/fOTOS-PROVIDED-BY-THE-PUBLISHER-Kehrer-1.jpg 683w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/10\/fOTOS-PROVIDED-BY-THE-PUBLISHER-Kehrer-1-157x200.jpg 157w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/10\/fOTOS-PROVIDED-BY-THE-PUBLISHER-Kehrer-1-43x55.jpg 43w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/10\/fOTOS-PROVIDED-BY-THE-PUBLISHER-Kehrer-1-650x830.jpg 650w\" sizes=\"auto, (max-width: 396px) 100vw, 396px\" \/><a href=\"https:\/\/tucuentavip.com\/\">Sean Sheehan<\/a><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>Antes de su observaci\u00f3n, la realidad es una multiplicidad fluida -fluctuaciones cu\u00e1nticas provocadas por el colapso de la funci\u00f3n de onda (no, no entiendo muy bien qu\u00e9 significa esto)- y s\u00f3lo al ser percibida se registra alg\u00fan tipo de realidad ontol\u00f3gica coherente.<\/p>\n<p>Este mundo de Alicia en el Pa\u00eds de las Maravillas sugiere que, en el nivel fundamental de la realidad que investigan los f\u00edsicos cu\u00e1nticos, es la observaci\u00f3n de un evento lo que provoca su actualizaci\u00f3n. S\u00f3lo se produce cuando se percibe, se registra como tal.<\/p>\n<p>Esta es una forma de valorar las fotograf\u00edas de Samuel Durgun, tomadas en 2019 y 2020, de refugiados y solicitantes de asilo queer que viven en Berl\u00edn.<\/p>\n<p>No hay una narrativa evidente que estructure la secuencia de im\u00e1genes: \u201cel libro no sigue una l\u00ednea argumental cinematogr\u00e1fica directa\u201d, se\u00f1ala Durgun, \u201cen cambio, refleja mis relaciones y mi impresi\u00f3n de las historias que la gente comparti\u00f3 conmigo\u201d. Responde a una pregunta en una entrevista (impresa al final del libro) con el Pr\u00edncipe Emrah, refugiado no conformista de Turkmenist\u00e1n y fundador de House of Royals: un colectivo de actuaci\u00f3n que ofrece oportunidades a los artistas refugiados y solicitantes de asilo LGBTQIA+ (las siglas son cada vez m\u00e1s dif\u00edciles de manejar).<\/p>\n<p>A pesar de las reservas que uno pueda tener sobre cualquier grupo que invoque la realeza como t\u00e9rmino de referencia, la implicaci\u00f3n de Durgun con Emrah cre\u00f3 las condiciones para sus notables fotograf\u00edas.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-219827 alignright\" src=\"https:\/\/tucuentavip.com\/wp-content\/uploads\/2021\/10\/fOTOS-PROVIDED-BY-THE-PUBLISHER-Kehrer-3.jpg\" alt=\"\" width=\"457\" height=\"305\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/10\/fOTOS-PROVIDED-BY-THE-PUBLISHER-Kehrer-3.jpg 827w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/10\/fOTOS-PROVIDED-BY-THE-PUBLISHER-Kehrer-3-300x200.jpg 300w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/10\/fOTOS-PROVIDED-BY-THE-PUBLISHER-Kehrer-3-82x55.jpg 82w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/10\/fOTOS-PROVIDED-BY-THE-PUBLISHER-Kehrer-3-650x434.jpg 650w\" sizes=\"auto, (max-width: 457px) 100vw, 457px\" \/>Es ver las fotograf\u00edas y tomar nota de las personas que aparecen en ellas lo que hace que su realidad llegue a quienes no conocen su presencia en Berl\u00edn.<\/p>\n<p>Sin las fotograf\u00edas, los refugiados y solicitantes de asilo queer corren el riesgo de ser invisibles y\/o de quedar relegados a un \u201cproblema\u201d o \u201ccuesti\u00f3n\u201d social, que queda a cargo de las autoridades.<\/p>\n<p>La cuesti\u00f3n de la (in)visibilidad se plantea en m\u00e1s de una fotograf\u00eda, incluida la que abre el libro, que muestra a un grupo acurrucado entre los \u00e1rboles con la luz m\u00e1s tenue.<\/p>\n<p>Un uso igualmente expresivo de la luz se da en otra fotograf\u00eda de dos personas que permanecen ocultas por el chorro de una fuente en la Isla de los Museos de Berl\u00edn.<\/p>\n<p>Su presencia es espectral, casi invisible, como si su desaparici\u00f3n en la invisibilidad estuviera a punto de producirse.<\/p>\n<p>Muchas de las fotograf\u00edas de <em>\u201cCome get your honey\u201d (Ven por tu miel) <\/em>son una alegre r\u00e9plica a la amenaza de la invisibilidad. Los retratos de mujeres y hombres, sabiendo que una c\u00e1mara los va a grabar, afirman su existencia de forma no pol\u00e9mica.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-219826 alignleft\" src=\"https:\/\/tucuentavip.com\/wp-content\/uploads\/2021\/10\/fOTOS-PROVIDED-BY-THE-PUBLISHER-Kehrer-2.jpg\" alt=\"\" width=\"394\" height=\"591\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/10\/fOTOS-PROVIDED-BY-THE-PUBLISHER-Kehrer-2.jpg 473w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/10\/fOTOS-PROVIDED-BY-THE-PUBLISHER-Kehrer-2-133x200.jpg 133w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/10\/fOTOS-PROVIDED-BY-THE-PUBLISHER-Kehrer-2-37x55.jpg 37w\" sizes=\"auto, (max-width: 394px) 100vw, 394px\" \/> Ya sea devolviendo la mirada al objetivo o mirando a otra parte, el espectador los observa a ellos, a sus pertenencias o al entorno construido, y como consecuencia llegan a existir para otros, tout court:<\/p>\n<p>Cada cosa mortal hace una cosa y la misma;<\/p>\n<p>Reparte ese ser en el interior cada uno mora;<\/p>\n<p>Yo mismo &#8211; se va; yo mismo habla y hechiza,<\/p>\n<p>Llorando Lo que hago es yo: para eso vine.<\/p>\n<p>(Gerard Manley Hopkins, \u201cComo los martines pescadores se incendian\u201d)<\/p>\n<p><em>\u201cCome get your honey\u201d,<\/em> \u00a0de Samet Durgan, est\u00e1 publicado por\u00a0 .<\/p>\n<p><a href=\"https:\/\/www.kehrerverlag.com\/en\/samet-durgun-come-get-your-honey-978-3-96900-031-1\"><em>(Fotos suministradas por la editorial)<\/em><\/a><\/p>\n<div class=\"twttr_buttons\"><div class=\"twttr_twitter\">\n\t\t\t\t\t<a href=\"http:\/\/twitter.com\/share?text=Lo+que+hago+soy+yo%3A+para+eso+he+venido\" class=\"twitter-share-button\" data-via=\"\" data-hashtags=\"\"  data-size=\"default\" data-url=\"https:\/\/theprisma.co.uk\/es\/2021\/10\/18\/lo-que-hago-soy-yo-para-eso-he-venido\/\" data-dnt=\"true\" data-related=\"\" target=\"_blank\">Tweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Una de las paradojas de la f\u00edsica cu\u00e1ntica es que la realidad de una part\u00edcula est\u00e1 determinada por el hecho de ser observada por una conciencia. &nbsp; Sean Sheehan &nbsp; Antes de su observaci\u00f3n, la realidad es una multiplicidad fluida -fluctuaciones cu\u00e1nticas provocadas por el colapso de la funci\u00f3n de [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":219825,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26,1],"tags":[],"class_list":["post-219823","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - 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