{"id":220542,"date":"2021-11-15T00:25:28","date_gmt":"2021-11-15T00:25:28","guid":{"rendered":"https:\/\/tucuentavip.com\/es\/?p=220542"},"modified":"2021-11-14T08:32:24","modified_gmt":"2021-11-14T08:32:24","slug":"fotografiar-el-limbo","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2021\/11\/15\/fotografiar-el-limbo\/","title":{"rendered":"Fotografiar el limbo"},"content":{"rendered":"

La palabra limbo, que significa un estado de espera e incertidumbre, sol\u00eda ser el nombre de un lugar teol\u00f3gico.<\/em><\/p>\n

 <\/p>\n

\"\"
Florian Bachmeier. \u201cIn Limbo\u201d. Kertsch, Ukraine, 2015. Verlag Buchkunst, Berlin.<\/figcaption><\/figure>\n

Sean Sheehan<\/strong><\/a><\/p>\n

 <\/p>\n

Era un lugar, ni el Cielo ni el Infierno, un punto intermedio en el paisaje de Dios que ten\u00eda una exactitud geogr\u00e1fica: existiendo en la frontera del Infierno -el nombre viene del lat\u00edn limbus, que significa borde o frontera- el Limbo era una vasta sala de espera entre cuyos residentes se encontraban los ni\u00f1os que mor\u00edan antes de ser bautizados. Estos desgraciados carec\u00edan de visado para el Cielo, pero no merec\u00edan los rigores del Infierno; atrapados en el Limbo, la esperanza era escasa.<\/p>\n

El fot\u00f3grafo documentalista Florian Bachmeier sab\u00eda lo que hac\u00eda cuando eligi\u00f3\u00a0 In limbo\u00bb (En el limbo)<\/em> como t\u00edtulo para sus fotograf\u00edas tomadas en Ucrania durante los \u00faltimos ocho a\u00f1os. Sirve como met\u00e1fora del estado en el que se encuentran los ucranianos desde principios de 2014, cuando el conflicto pol\u00edtico dentro de su pa\u00eds dio un giro violento.<\/p>\n

Desde entonces, unos 10.000 han muerto y un mill\u00f3n y medio de ciudadanos se han visto desplazados de sus lugares de residencia habituales. Se han convertido en refugiados dentro de su propio pa\u00eds; habitantes de un nuevo limbo.<\/p>\n

\"\"
Florian Bachmeier. \u201cIn Limbo\u201d. Prypjat, Ukraine, 2015. Verlag Buchkunst, Berlin.<\/figcaption><\/figure>\n

Los factores pol\u00edticos y econ\u00f3micos que subyacen a la agitaci\u00f3n de Ucrania est\u00e1n bien documentados. La naci\u00f3n es v\u00edctima del legado de la Guerra Fr\u00eda, con Estados Unidos y Rusia apoyando a diferentes agrupaciones pol\u00edticas, y Bachmeier documenta el coste humano de una guerra por delegaci\u00f3n que sigue dividiendo al pa\u00eds.<\/p>\n

Los efectos acumulados de un conflicto pol\u00edtico, social y militar se reflejan no s\u00f3lo en las fotograf\u00edas individuales que componen In limbo\u00bb<\/em>, sino tambi\u00e9n en el dise\u00f1o altamente distintivo del libro, que consigue transmitir la sensaci\u00f3n de un desorden implacable que marca el cuerpo pol\u00edtico de Ucrania. La forma y el contenido van de la mano y el resultado es un libro fotogr\u00e1fico excepcional.
\nHay m\u00e1s de 100 fotograf\u00edas y, aunque algunas tienen una p\u00e1gina entera para s\u00ed mismas, otras se presentan en grupos de tres a lo largo de dos p\u00e1ginas.<\/p>\n

Cada una de estas p\u00e1ginas tiene una imagen central, mientras que a la izquierda y a la derecha hay partes de otras im\u00e1genes que parecen haberse filtrado desde la p\u00e1gina anterior o posterior. El efecto adopta la forma de un tr\u00edptico y transmite el impacto de un desorden continuo que se desborda en diferentes situaciones y momentos de la vida.<\/p>\n

\"\"
Florian Bachmeier. In Limbo\u201d. Mariupol, Ukraine, 2014. Verlag Buchkunst, Berlin.<\/figcaption><\/figure>\n

Lo que aparece en la periferia de un pliego se convierte, al pasar la p\u00e1gina, en la imagen central de la p\u00e1gina siguiente, y esto encarna la naturaleza continua de un cisma en la identidad de Ucrania que se manifiesta de diversas maneras.<\/p>\n

Al principio del libro, una fotograf\u00eda muestra el rostro pensativo de un empleado ucraniano mientras mira por la ventana del tren que le lleva al lugar de la cat\u00e1strofe del reactor de Chern\u00f3bil.<\/p>\n

Trabaja para el consorcio franc\u00e9s Novaka, que se encarg\u00f3 de construir una cubierta protectora alrededor del emplazamiento.<\/p>\n

Fue en 1986 cuando la central nuclear se descontrol\u00f3 y liber\u00f3 radiaci\u00f3n a la atm\u00f3sfera; en retrospectiva, el desastre aparece como una premonici\u00f3n de una explosi\u00f3n interna a\u00fan por llegar.<\/p>\n

In limbo\u00bb<\/em>, de Florian Bachmeier, est\u00e1 publicado por Buchkunst Berlin<\/a><\/em>.<\/p>\n

(Fotos suministradas por la editorial)<\/em><\/a><\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

La palabra limbo, que significa un estado de espera e incertidumbre, sol\u00eda ser el nombre de un lugar teol\u00f3gico.   Sean Sheehan   Era un lugar, ni el Cielo ni el Infierno, un punto intermedio en el paisaje de Dios que ten\u00eda una exactitud geogr\u00e1fica: existiendo en la frontera del […]<\/p>\n","protected":false},"author":9,"featured_media":220546,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26,1],"tags":[],"class_list":["post-220542","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas","category-uncategorized"],"yoast_head":"\nFotografiar el limbo - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/es\/2021\/11\/15\/fotografiar-el-limbo\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fotografiar el limbo - ThePrisma.co.uk\" \/>\n<meta property=\"og:description\" content=\"La palabra limbo, que significa un estado de espera e incertidumbre, sol\u00eda ser el nombre de un lugar teol\u00f3gico.   Sean Sheehan   Era un lugar, ni el Cielo ni el Infierno, un punto intermedio en el paisaje de Dios que ten\u00eda una exactitud geogr\u00e1fica: existiendo en la frontera del […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/theprisma.co.uk\/es\/2021\/11\/15\/fotografiar-el-limbo\/\" \/>\n<meta property=\"og:site_name\" content=\"ThePrisma.co.uk\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper\" \/>\n<meta property=\"article:published_time\" content=\"2021-11-15T00:25:28+00:00\" \/>\n<meta name=\"author\" content=\"ThePrisma\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"30\" \/>\n<meta name=\"twitter:description\" content=\"false\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/11\/Florian-Bachmeier-IN-LIIMBO_Kertsch-Ukraine-2015_VERLAG-BUCHKUNST-BERLIN-Photos-by-the-pubisher-.jpg\" \/>\n<meta name=\"twitter:creator\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:site\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"ThePrisma\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2021\\\/11\\\/15\\\/fotografiar-el-limbo\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2021\\\/11\\\/15\\\/fotografiar-el-limbo\\\/\"},\"author\":{\"name\":\"ThePrisma\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/person\\\/24f5091d3dc50052d73cbea6ecd09df7\"},\"headline\":\"Fotografiar el limbo\",\"datePublished\":\"2021-11-15T00:25:28+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2021\\\/11\\\/15\\\/fotografiar-el-limbo\\\/\"},\"wordCount\":646,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2021\\\/11\\\/15\\\/fotografiar-el-limbo\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2021\\\/11\\\/Florian-Bachmeier-IN-LIIMBO_Kertsch-Ukraine-2015_VERLAG-BUCHKUNST-BERLIN-Photos-by-the-pubisher-.jpg\",\"articleSection\":[\"Cultura\",\"En Foco\",\"Opini\u00f3n\",\"P\u00e1ginas\",\"Uncategorized\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2021\\\/11\\\/15\\\/fotografiar-el-limbo\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2021\\\/11\\\/15\\\/fotografiar-el-limbo\\\/\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2021\\\/11\\\/15\\\/fotografiar-el-limbo\\\/\",\"name\":\"Fotografiar el limbo - ThePrisma.co.uk\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2021\\\/11\\\/15\\\/fotografiar-el-limbo\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2021\\\/11\\\/15\\\/fotografiar-el-limbo\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2021\\\/11\\\/Florian-Bachmeier-IN-LIIMBO_Kertsch-Ukraine-2015_VERLAG-BUCHKUNST-BERLIN-Photos-by-the-pubisher-.jpg\",\"datePublished\":\"2021-11-15T00:25:28+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2021\\\/11\\\/15\\\/fotografiar-el-limbo\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2021\\\/11\\\/15\\\/fotografiar-el-limbo\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2021\\\/11\\\/15\\\/fotografiar-el-limbo\\\/#primaryimage\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2021\\\/11\\\/Florian-Bachmeier-IN-LIIMBO_Kertsch-Ukraine-2015_VERLAG-BUCHKUNST-BERLIN-Photos-by-the-pubisher-.jpg\",\"contentUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2021\\\/11\\\/Florian-Bachmeier-IN-LIIMBO_Kertsch-Ukraine-2015_VERLAG-BUCHKUNST-BERLIN-Photos-by-the-pubisher-.jpg\",\"width\":975,\"height\":650,\"caption\":\"Florian Bachmeier. \u201cIn Limbo\u201d. Kertsch, Ukraine, 2015. Verlag Buchkunst, Berlin.\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2021\\\/11\\\/15\\\/fotografiar-el-limbo\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/theprisma.co.uk\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Fotografiar el limbo\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#website\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/\",\"name\":\"ThePrisma.co.uk\",\"description\":\"Ethical and Independent Journalism\u2026 Journalism for immigrants\",\"publisher\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/theprisma.co.uk\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\",\"name\":\"ThePrisma.co.uk\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/Logo-TP-May-3-2026.jpg\",\"contentUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/Logo-TP-May-3-2026.jpg\",\"width\":2171,\"height\":353,\"caption\":\"ThePrisma.co.uk\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/ThePrismaTheMulticulturalNewspaper\",\"https:\\\/\\\/x.com\\\/The_Prisma\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/person\\\/24f5091d3dc50052d73cbea6ecd09df7\",\"name\":\"ThePrisma\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g\",\"caption\":\"ThePrisma\"},\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/author\\\/theprisma\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Fotografiar el limbo - ThePrisma.co.uk","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/theprisma.co.uk\/es\/2021\/11\/15\/fotografiar-el-limbo\/","og_locale":"es_ES","og_type":"article","og_title":"Fotografiar el limbo - ThePrisma.co.uk","og_description":"La palabra limbo, que significa un estado de espera e incertidumbre, sol\u00eda ser el nombre de un lugar teol\u00f3gico.   Sean Sheehan   Era un lugar, ni el Cielo ni el Infierno, un punto intermedio en el paisaje de Dios que ten\u00eda una exactitud geogr\u00e1fica: existiendo en la frontera del […]","og_url":"https:\/\/theprisma.co.uk\/es\/2021\/11\/15\/fotografiar-el-limbo\/","og_site_name":"ThePrisma.co.uk","article_publisher":"https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper","article_published_time":"2021-11-15T00:25:28+00:00","author":"ThePrisma","twitter_card":"summary_large_image","twitter_title":"30","twitter_description":"false","twitter_image":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/11\/Florian-Bachmeier-IN-LIIMBO_Kertsch-Ukraine-2015_VERLAG-BUCHKUNST-BERLIN-Photos-by-the-pubisher-.jpg","twitter_creator":"@The_Prisma","twitter_site":"@The_Prisma","twitter_misc":{"Escrito por":"ThePrisma","Tiempo de lectura":"4 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/theprisma.co.uk\/es\/2021\/11\/15\/fotografiar-el-limbo\/#article","isPartOf":{"@id":"https:\/\/theprisma.co.uk\/es\/2021\/11\/15\/fotografiar-el-limbo\/"},"author":{"name":"ThePrisma","@id":"https:\/\/theprisma.co.uk\/#\/schema\/person\/24f5091d3dc50052d73cbea6ecd09df7"},"headline":"Fotografiar el limbo","datePublished":"2021-11-15T00:25:28+00:00","mainEntityOfPage":{"@id":"https:\/\/theprisma.co.uk\/es\/2021\/11\/15\/fotografiar-el-limbo\/"},"wordCount":646,"commentCount":0,"publisher":{"@id":"https:\/\/theprisma.co.uk\/#organization"},"image":{"@id":"https:\/\/theprisma.co.uk\/es\/2021\/11\/15\/fotografiar-el-limbo\/#primaryimage"},"thumbnailUrl":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/11\/Florian-Bachmeier-IN-LIIMBO_Kertsch-Ukraine-2015_VERLAG-BUCHKUNST-BERLIN-Photos-by-the-pubisher-.jpg","articleSection":["Cultura","En Foco","Opini\u00f3n","P\u00e1ginas","Uncategorized"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/theprisma.co.uk\/es\/2021\/11\/15\/fotografiar-el-limbo\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/theprisma.co.uk\/es\/2021\/11\/15\/fotografiar-el-limbo\/","url":"https:\/\/theprisma.co.uk\/es\/2021\/11\/15\/fotografiar-el-limbo\/","name":"Fotografiar el limbo - ThePrisma.co.uk","isPartOf":{"@id":"https:\/\/theprisma.co.uk\/#website"},"primaryImageOfPage":{"@id":"https:\/\/theprisma.co.uk\/es\/2021\/11\/15\/fotografiar-el-limbo\/#primaryimage"},"image":{"@id":"https:\/\/theprisma.co.uk\/es\/2021\/11\/15\/fotografiar-el-limbo\/#primaryimage"},"thumbnailUrl":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/11\/Florian-Bachmeier-IN-LIIMBO_Kertsch-Ukraine-2015_VERLAG-BUCHKUNST-BERLIN-Photos-by-the-pubisher-.jpg","datePublished":"2021-11-15T00:25:28+00:00","breadcrumb":{"@id":"https:\/\/theprisma.co.uk\/es\/2021\/11\/15\/fotografiar-el-limbo\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/theprisma.co.uk\/es\/2021\/11\/15\/fotografiar-el-limbo\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/theprisma.co.uk\/es\/2021\/11\/15\/fotografiar-el-limbo\/#primaryimage","url":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/11\/Florian-Bachmeier-IN-LIIMBO_Kertsch-Ukraine-2015_VERLAG-BUCHKUNST-BERLIN-Photos-by-the-pubisher-.jpg","contentUrl":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/11\/Florian-Bachmeier-IN-LIIMBO_Kertsch-Ukraine-2015_VERLAG-BUCHKUNST-BERLIN-Photos-by-the-pubisher-.jpg","width":975,"height":650,"caption":"Florian Bachmeier. \u201cIn Limbo\u201d. Kertsch, Ukraine, 2015. Verlag Buchkunst, Berlin."},{"@type":"BreadcrumbList","@id":"https:\/\/theprisma.co.uk\/es\/2021\/11\/15\/fotografiar-el-limbo\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/theprisma.co.uk\/"},{"@type":"ListItem","position":2,"name":"Fotografiar el limbo"}]},{"@type":"WebSite","@id":"https:\/\/theprisma.co.uk\/#website","url":"https:\/\/theprisma.co.uk\/","name":"ThePrisma.co.uk","description":"Ethical and Independent Journalism\u2026 Journalism for immigrants","publisher":{"@id":"https:\/\/theprisma.co.uk\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/theprisma.co.uk\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/theprisma.co.uk\/#organization","name":"ThePrisma.co.uk","url":"https:\/\/theprisma.co.uk\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/theprisma.co.uk\/#\/schema\/logo\/image\/","url":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/05\/Logo-TP-May-3-2026.jpg","contentUrl":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/05\/Logo-TP-May-3-2026.jpg","width":2171,"height":353,"caption":"ThePrisma.co.uk"},"image":{"@id":"https:\/\/theprisma.co.uk\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper","https:\/\/x.com\/The_Prisma"]},{"@type":"Person","@id":"https:\/\/theprisma.co.uk\/#\/schema\/person\/24f5091d3dc50052d73cbea6ecd09df7","name":"ThePrisma","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/secure.gravatar.com\/avatar\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g","caption":"ThePrisma"},"url":"https:\/\/theprisma.co.uk\/es\/author\/theprisma\/"}]}},"_links":{"self":[{"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/posts\/220542","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/comments?post=220542"}],"version-history":[{"count":5,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/posts\/220542\/revisions"}],"predecessor-version":[{"id":220558,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/posts\/220542\/revisions\/220558"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/media\/220546"}],"wp:attachment":[{"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/media?parent=220542"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/categories?post=220542"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/tags?post=220542"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}