{"id":221914,"date":"2021-12-27T00:25:40","date_gmt":"2021-12-27T00:25:40","guid":{"rendered":"https:\/\/tucuentavip.com\/?p=221914"},"modified":"2021-12-26T02:25:23","modified_gmt":"2021-12-26T02:25:23","slug":"romper-la-narrativa","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2021\/12\/27\/romper-la-narrativa\/","title":{"rendered":"Romper la narrativa"},"content":{"rendered":"<p><em>La cesura es un t\u00e9rmino literario que se refiere a la ruptura entre palabras en una l\u00ednea de poes\u00eda. <\/em><em>\u201cThe saving line\u201d <\/em><em>es un estudio sobre la forma en que Walter Benjamin y Theodor Adorno identifican las cesuras narrativas en la obra de otros escritores como marcadores de interrupci\u00f3n.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/tucuentavip.com\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-221927 alignleft\" src=\"https:\/\/tucuentavip.com\/wp-content\/uploads\/2021\/12\/Photo-by-Jake-Ingle-on-Unsplash-1-300x200.jpg\" alt=\"\" width=\"415\" height=\"276\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/12\/Photo-by-Jake-Ingle-on-Unsplash-1-300x200.jpg 300w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/12\/Photo-by-Jake-Ingle-on-Unsplash-1-83x55.jpg 83w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/12\/Photo-by-Jake-Ingle-on-Unsplash-1-650x433.jpg 650w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/12\/Photo-by-Jake-Ingle-on-Unsplash-1.jpg 720w\" sizes=\"auto, (max-width: 415px) 100vw, 415px\" \/><\/a><a href=\"https:\/\/tucuentavip.com\"><strong>Sean Sheehan<\/strong><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>La lectura de Benjamin de <em>\u201cElective affinities\u201d (<\/em><em>Afinidades electivas)<\/em> de Goethe se centra en una frase cerca del final de la novela, cuando los amantes, Eduard y Ottilie, se abrazan por primera vez y esperan una vida feliz juntos: \u00abLa esperanza, como una estrella fugaz del cielo, se elev\u00f3 sobre sus cabezas y se alej\u00f3\u00bb.<\/p>\n<p>Los amantes est\u00e1n condenados, pero, para Benjamin, la estrella fugaz (que se consume en la atm\u00f3sfera) como imagen de su esperanza se transforma en una estrella fugaz (que se aleja a toda velocidad en una trayectoria desconocida).<\/p>\n<p>Los que esperan no tienen la certeza del fracaso y la esperanza tampoco se extingue para el narrador.<\/p>\n<p>La pervivencia de la esperanza se convierte en una verdad trascendente, por encima de las circunstancias particulares que en este caso despojar\u00e1n a Eduard y Ottilie de sus aspiraciones.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-221929 alignright\" src=\"https:\/\/tucuentavip.com\/wp-content\/uploads\/2021\/12\/Book-cover-saving-lines-2-133x200.jpg\" alt=\"\" width=\"246\" height=\"370\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/12\/Book-cover-saving-lines-2-133x200.jpg 133w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/12\/Book-cover-saving-lines-2-37x55.jpg 37w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/12\/Book-cover-saving-lines-2.jpg 333w\" sizes=\"auto, (max-width: 246px) 100vw, 246px\" \/>Su optimismo se ver\u00e1 defraudado, pero la esperanza que consagr\u00f3 se convierte en algo as\u00ed como un cometa cuya \u00f3rbita traer\u00e1 su regreso; la repetici\u00f3n se convierte en renovaci\u00f3n.<\/p>\n<p>La frase de la novela no es una cesura en el sentido propiamente literario del t\u00e9rmino, pero Benjamin la convierte en una en su ensayo sobre Goethe, un ensayo que comienza: \u00abAs\u00ed, el cr\u00edtico indaga en la verdad, cuya llama viva sigue ardiendo sobre los pesados troncos de lo pasado y las ligeras cenizas de lo vivido\u00bb.<\/p>\n<p>La comodidad en la literatura que se sugiere aqu\u00ed se opone a los h\u00e1bitos de lectura burgueses que se conforman con el disfrute vicario de las modas emotivass.<\/p>\n<p>La cesura que capta la atenci\u00f3n de Adorno se produce en el excurso de <em>\u201cDialectic of enlightenment\u201d (<\/em><em>Dial\u00e9ctica de la ilustraci\u00f3n)<\/em>, donde un verso del libro 22 de la Odisea describe el linchamiento de las criadas desleales por parte de Odiseo, parte de la venganza que desata tras su regreso a la patria despu\u00e9s de a\u00f1os de vagabundeo despu\u00e9s de Troya: \u00abJadearon, los pies se crisparon por un momento, pero no por mucho tiempo\u00bb.<\/p>\n<p>Para Adorno, hay aqu\u00ed algo que provoca una ruptura en el lenguaje -una especie de cesura- porque registra la finalidad de la muerte, la incapacidad de la raz\u00f3n para vencer un fen\u00f3meno natural, el colapso de la autoconservaci\u00f3n.<\/p>\n<p>Los \u00faltimos momentos de agon\u00eda de las criadas se sufren en silencio y, en palabras de Adornos, \u00abel indecible tormento interminable del \u00fanico segundo\u00bb interrumpe el flujo narrativo.<\/p>\n<p><em><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-221530 alignleft\" src=\"https:\/\/tucuentavip.com\/wp-content\/uploads\/2021\/12\/Gangster-mafia-crimen-oscuridad-fantasia-voencia-Pixabay-300x200.jpg\" alt=\"\" width=\"410\" height=\"273\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/12\/Gangster-mafia-crimen-oscuridad-fantasia-voencia-Pixabay-300x200.jpg 300w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/12\/Gangster-mafia-crimen-oscuridad-fantasia-voencia-Pixabay-83x55.jpg 83w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/12\/Gangster-mafia-crimen-oscuridad-fantasia-voencia-Pixabay.jpg 623w\" sizes=\"auto, (max-width: 410px) 100vw, 410px\" \/>\u201cThe saving line\u201d (<\/em><em>La l\u00ednea salvadora)<\/em> abarca mucho m\u00e1s que un solo momento de la novela de Goethe y una l\u00ednea de la \u00abOdisea\u00bb, y el breve relato que aqu\u00ed se hace no puede hacer justicia a la riqueza de las lecturas minuciosas que el autor hace de los pasajes textuales de Benjamin y Adorno.<\/p>\n<p>El autor combina el an\u00e1lisis filos\u00f3fico y literario para revelar nuevas conexiones entre los escritores y nuevas perspectivas de su pensamiento.<\/p>\n<p>Como obra acad\u00e9mica, el tono erudito exige un lector atento y la recompensa hace que merezca la pena.<\/p>\n<p><em>\u201cThe saving line<\/em>\u201d, de M\u00e1rton Dornbach, est\u00e1 publicado por Northwestern University Press <a href=\"https:\/\/tucuentavip.com\"><strong>(Traducido por Monica del Pilar Uribe Marin)<\/strong><\/a><a href=\"http:\/\/(Photos: Unsplash ad Pixabay)\"><em> &#8211; Fotos: Unsplash ad Pixabay)<\/em><\/a><\/p>\n<div class=\"twttr_buttons\"><div class=\"twttr_twitter\">\n\t\t\t\t\t<a href=\"http:\/\/twitter.com\/share?text=Romper+la+narrativa\" class=\"twitter-share-button\" data-via=\"\" data-hashtags=\"\"  data-size=\"default\" data-url=\"https:\/\/theprisma.co.uk\/es\/2021\/12\/27\/romper-la-narrativa\/\" data-dnt=\"true\" data-related=\"\" target=\"_blank\">Tweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>La cesura es un t\u00e9rmino literario que se refiere a la ruptura entre palabras en una l\u00ednea de poes\u00eda. \u201cThe saving line\u201d es un estudio sobre la forma en que Walter Benjamin y Theodor Adorno identifican las cesuras narrativas en la obra de otros escritores como marcadores de interrupci\u00f3n. &nbsp; [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-221914","post","type-post","status-publish","format-standard","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - 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