{"id":251579,"date":"2022-06-06T00:23:07","date_gmt":"2022-06-05T23:23:07","guid":{"rendered":"https:\/\/tucuentavip.com\/?p=251579"},"modified":"2022-06-02T18:28:12","modified_gmt":"2022-06-02T17:28:12","slug":"rafael-en-la-national-gallery","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2022\/06\/06\/rafael-en-la-national-gallery\/","title":{"rendered":"Rafael en la National Gallery"},"content":{"rendered":"<p><em>La <a href=\"https:\/\/www.nationalgallery.org.uk\/exhibitions\/the-credit-suisse-exhibition-raphael\">exposici\u00f3n de Rafael<\/a> en la National Gallery es una maravilla. Pinturas, grabados y dibujos procedentes de toda Europa, Estados Unidos, Reino Unido y colecciones privadas, as\u00ed como de la propia colecci\u00f3n de la National Gallery, se re\u00fanen por primera vez en un mismo lugar.<\/em><\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_251587\" aria-describedby=\"caption-attachment-251587\" style=\"width: 342px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-251587\" src=\"https:\/\/tucuentavip.com\/wp-content\/uploads\/2022\/06\/St-Catherine-National-Gallery-154x200.jpg\" alt=\"Raphael Saint Catherine of Alexandria copyright The National Gallery London.\" width=\"342\" height=\"445\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2022\/06\/St-Catherine-National-Gallery-154x200.jpg 154w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2022\/06\/St-Catherine-National-Gallery-789x1024.jpg 789w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2022\/06\/St-Catherine-National-Gallery-42x55.jpg 42w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2022\/06\/St-Catherine-National-Gallery-650x843.jpg 650w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2022\/06\/St-Catherine-National-Gallery.jpg 791w\" sizes=\"auto, (max-width: 342px) 100vw, 342px\" \/><figcaption id=\"caption-attachment-251587\" class=\"wp-caption-text\">Rafael, &#8216;Saint Catherine of Alexandria&#8217;, cerca de 1507. Copyright: The National Gallery, Londres.<\/figcaption><\/figure>\n<p><span style=\"color: #003366;\"><strong>Sean Sheehan<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>El cat\u00e1logo es una lectura interesante tanto antes como despu\u00e9s de ver la exposici\u00f3n, adem\u00e1s de ser la mejor opci\u00f3n si no se puede asistir a la muestra en persona.<\/p>\n<p>Cada una de las obras, que son casi 90, est\u00e1 profusamente ilustrada y contiene abundante informaci\u00f3n textual. Se han identificado las posibles o probables fuentes de inspiraci\u00f3n; al relacionar <em>La Madonna de Tempi<\/em> con las representaciones escult\u00f3ricas de Donatello o <em>La Madonna de Bridgewater<\/em> con un relieve en m\u00e1rmol de Miguel \u00c1ngel, se comprende que Rafael no era un genio solitario que trabajaba de forma aislada.<\/p>\n<p>El ensayo biogr\u00e1fico que abre el cat\u00e1logo traza su vida, desde su nacimiento en Urbino en 1483 hasta su repentina muerte a los 37 a\u00f1os, sus conocidos y sus influencias art\u00edsticas.<\/p>\n<p>Reconocido por su extraordinaria capacidad en vida, Rafael personifica el arte del Renacimiento de un modo que no fue cuestionado hasta la revoluci\u00f3n modernista de principios del siglo XX.<\/p>\n<p>La primera vez que se ve un cuadro de Rafael, la sensaci\u00f3n de asombro por el uso del color, la serenidad de sus Madonnas y el equilibrio de sus composiciones es abrumadora.<\/p>\n<figure id=\"attachment_251598\" aria-describedby=\"caption-attachment-251598\" style=\"width: 247px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-251598\" src=\"https:\/\/tucuentavip.com\/wp-content\/uploads\/2022\/06\/Raphael.-catalogue-National-Gallery-1-144x200.jpg\" alt=\"Catalogue. Copyright: The National Gallery.\" width=\"247\" height=\"343\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2022\/06\/Raphael.-catalogue-National-Gallery-1-144x200.jpg 144w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2022\/06\/Raphael.-catalogue-National-Gallery-1-40x55.jpg 40w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2022\/06\/Raphael.-catalogue-National-Gallery-1.jpg 486w\" sizes=\"auto, (max-width: 247px) 100vw, 247px\" \/><figcaption id=\"caption-attachment-251598\" class=\"wp-caption-text\">Cat\u00e1logo. Copyright: The National Gallery.<\/figcaption><\/figure>\n<p>Su capacidad para transmitir parad\u00f3jicamente la quietud y el movimiento dentro de la misma escena es evidente no s\u00f3lo en pinturas como <em>Santa Catalina de Alejandr\u00eda<\/em>, sino tambi\u00e9n en su dibujo para <em>La masacre de los inocentes<\/em> y el consiguiente grabado de Marcantonio Raimondi. Como en el antiguo drama griego, donde la verosimilitud psicol\u00f3gica es menos importante que la forma que coloca los cuerpos enmascarados en un espacio de representaci\u00f3n, o la forma en que la escultura griega da cuerpo a la experiencia humana a trav\u00e9s de la postura, la tragedia no se debilita, sino que se eleva por encima de la representaci\u00f3n emocional a algo sublime.<\/p>\n<p>Es esencial repetir las visitas a la obra de Rafael y, aunque la entrada a la exposici\u00f3n es costosa (24 libras), <a href=\"https:\/\/www.nationalgallery.org.uk\/membership\">los planes de afiliaci\u00f3n<\/a> tienen una buena relaci\u00f3n calidad-precio y permiten tantas visitas a \u00e9sta y a todas las dem\u00e1s exposiciones como sea posible.<\/p>\n<p>El cat\u00e1logo impreso ayuda a llamar la atenci\u00f3n sobre detalles exquisitos como las sandalias azules de dise\u00f1o en la <em>Madonna de Alba<\/em>\u00ab, el turbante de rayas azules y doradas en <em>La Fornarina<\/em> o -cuando a\u00fan no ten\u00eda veinte a\u00f1os y quiz\u00e1s era un poco fashionista- la t\u00fanica de damasco azul oscuro y la camisa estampada en <em>San Sebasti\u00e1n<\/em>.<\/p>\n<figure id=\"attachment_251614\" aria-describedby=\"caption-attachment-251614\" style=\"width: 355px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-251614\" src=\"https:\/\/tucuentavip.com\/wp-content\/uploads\/2022\/06\/1038px-Raphael_-_The_Alba_Madonna_-_Google_Art_Project-193x200.jpg\" alt=\"\" width=\"355\" height=\"367\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2022\/06\/1038px-Raphael_-_The_Alba_Madonna_-_Google_Art_Project-193x200.jpg 193w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2022\/06\/1038px-Raphael_-_The_Alba_Madonna_-_Google_Art_Project-53x55.jpg 53w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2022\/06\/1038px-Raphael_-_The_Alba_Madonna_-_Google_Art_Project-650x673.jpg 650w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2022\/06\/1038px-Raphael_-_The_Alba_Madonna_-_Google_Art_Project.jpg 779w\" sizes=\"auto, (max-width: 355px) 100vw, 355px\" \/><figcaption id=\"caption-attachment-251614\" class=\"wp-caption-text\">Rafael. La Virgen y el N\u00f1o con el infante San Juan El Bautista (&#8216;The Alba Madonna&#8217;), cerca de 1509-1. Cortes\u00eda de National Gallery of Art, Washington.<\/figcaption><\/figure>\n<p>La madre de Rafael muri\u00f3 cuando \u00e9l ten\u00eda ocho a\u00f1os y el fallecimiento de su padre, tres a\u00f1os despu\u00e9s, le dej\u00f3 hu\u00e9rfano. Sabiendo esto, hay conmoci\u00f3n en sus retratos de madres con sus beb\u00e9s y en las tiernas escenas de intimidad familiar que trascienden su intenci\u00f3n ostensiblemente religiosa. Esta compasi\u00f3n y la sensibilidad por la belleza se plasman con un conocimiento t\u00e9cnico preciso: el an\u00e1lisis de <em>La Virgen de Ansidei<\/em> revela c\u00f3mo se pint\u00f3 sobre una cuadr\u00edcula incisa que divid\u00eda la superficie en nueve cuadrados verticales y seis horizontales. La perfecci\u00f3n requiere una regla.<\/p>\n<p>La exposici\u00f3n de Rafael se encuentra en la National Gallery de Londres hasta el 31 de julio. El cat\u00e1logo que acompa\u00f1a a la exposici\u00f3n ha sido publicado por la <a href=\"https:\/\/www.nationalgallery.co.uk\/products\/raphael-catalogue\/p_1048789\">National Galler<\/a>y.<\/p>\n<p><span style=\"color: #003366;\"><strong>(Traducido por M\u00f3nica del Pilar Uribe Mar\u00edn)<\/strong><br \/>\n<\/span><\/p>\n<div class=\"twttr_buttons\"><div class=\"twttr_twitter\">\n\t\t\t\t\t<a href=\"http:\/\/twitter.com\/share?text=Rafael+en+la+National+Gallery\" class=\"twitter-share-button\" data-via=\"\" data-hashtags=\"\"  data-size=\"default\" data-url=\"https:\/\/theprisma.co.uk\/es\/2022\/06\/06\/rafael-en-la-national-gallery\/\" data-dnt=\"true\" data-related=\"\" target=\"_blank\">Tweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>La exposici\u00f3n de Rafael en la National Gallery es una maravilla. Pinturas, grabados y dibujos procedentes de toda Europa, Estados Unidos, Reino Unido y colecciones privadas, as\u00ed como de la propia colecci\u00f3n de la National Gallery, se re\u00fanen por primera vez en un mismo lugar. &nbsp; Sean Sheehan &nbsp; El [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":251586,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,39],"tags":[],"class_list":["post-251579","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-plastica"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Rafael en la National Gallery - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/es\/2022\/06\/06\/rafael-en-la-national-gallery\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rafael en la National Gallery - 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