{"id":252955,"date":"2022-07-11T00:26:21","date_gmt":"2022-07-10T23:26:21","guid":{"rendered":"https:\/\/tucuentavip.com\/?p=252955"},"modified":"2022-07-14T04:08:26","modified_gmt":"2022-07-14T03:08:26","slug":"la-quimera-del-destino","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2022\/07\/11\/la-quimera-del-destino\/","title":{"rendered":"La quimera del destino"},"content":{"rendered":"

En\u00a0 \u201cMaritza la fugitiva\u201d Jorge Eli\u00e9cer Pardo se introduce en un tiempo que crea una escena generosa y abierta como para que la cuesti\u00f3n del Destino sea casi una enorme paradoja a la que el dolor y la crueldad no han conseguido quitarle el misterio que encierra\u00a0 toda vida.<\/em><\/p>\n

 <\/p>\n

\"\"Mario Catelli*<\/strong><\/span><\/p>\n

 <\/p>\n

No s\u00e9 si llegar\u00e9 a saber alg\u00fan d\u00eda si nacemos librados a nuestra suerte, a nuestra pura suerte, o si por el contario el destino nos tiene dispuestas unas cartas que tarde o temprano saldr\u00e1n tal y como \u00e9l dispone. Tampoco si hay un terreno intermedio en el que podemos dar alg\u00fan m\u00ednimo golpe de tim\u00f3n que llegue al menos a a\u00f1adir una curva m\u00e1s en el camino, un giro que de validez a Schopenhauer cuando afirma:\u00a0\u00abEl destino baraja las cartas y nosotros jugamos\u00bb.<\/p>\n

Sea como sea, toda novela, toda ficci\u00f3n que elige el terreno de la literatura y no el de la historia para constituirse, acaba debatiendo, ante ese monumental espejo, sobre el valor de sentencia o de accidente que pueda tener el Destino cuando pasa a ser nuestra historia en min\u00fasculas: la vida. Nuestra vida. Nada menos.<\/p>\n

Jorge Eli\u00e9cer Pardo, en \u201cMaritza la fugitiva\u201d<\/em> (novela ganadora de la XVI Bienal Internacional de Novela Jos\u00e9 Eustasio Rivera, 2018), se introduce en un tiempo y una geograf\u00eda que levantan una escenograf\u00eda y una escena generosa y abierta como para que la cuesti\u00f3n del Destino sea casi una enorme paradoja a la que el dolor y la crueldad no han conseguido quitarle el misterio que encierra todo destino, toda vida.<\/p>\n

\"\"
Jorge Eli\u00e9cer Pardo<\/figcaption><\/figure>\n

La historia de Latinoam\u00e9rica durante los \u00faltimos cincuenta a\u00f1os del siglo XX es el terreno com\u00fan en el que nos podemos encontrar muchas mujeres y hombres de nuestra generaci\u00f3n, y desde Colombia a Uruguay, Chile, Brasil, Argentina, Bolivia o Venezuela, nuestro destino ha estado poblado por tiempos construidos desde la crueldad, la tortura, la muerte, las dictaduras y la p\u00e9rdida de libertades esenciales, en una especie de lucha siniestra por la desigualdad.<\/p>\n

Los que hemos sobrevivido y necesitamos contarlo, buscamos a veces en estos artefactos (novelas, cuentos, poemas, canciones\u2026) una l\u00f3gica que nos confirme que al menos somos nosotros los que jugamos las cartas, aunque no las hayamos repartido; y tambi\u00e9n que aunque muchas veces parezca que podamos haber perdido la partida, tantos, como lo hace Jorge Eli\u00e9cer Pardo, manifiestan a trav\u00e9s de su obra la voluntad de seguir jug\u00e1ndola, porque el juego no ha acabado.<\/p>\n

\u201cMaritza la fugitiva\u201d <\/em>es el terreno que ha elegido Pardo para construir este gran escenario donde nos invita a entrar y a vivir m\u00e1s de cinco d\u00e9cadas de la historia del siglo XX, en Colombia, pero no solo en Colombia.<\/p>\n

La novela empieza con la imagen de las torres gemelas en llamas, despu\u00e9s del ataque, y el recuerdo del narrador, Federico Bernal, de la explosi\u00f3n en 1989 del Boeing 727 de Avianca, donde \u00e9l (bisnieto de Sa\u00fal Aguirre) deber\u00eda haber estado, pero por esas cosas del destino, no lleg\u00f3 a abordar. Y Maritza, nieta de madame Laurine, llegada a Colombia en 1920 para huir de la Europa destrozada por la Gran Guerra.<\/p>\n

\"\"
Foto: Pixabay<\/figcaption><\/figure>\n

Ese espacio com\u00fan, Colombia (como podr\u00eda ser Uruguay, Argentina, Chile…), laboratorio del destino, intenta relatarse mientras nos hace a la vez protagonistas y espectadores de nuestra danza derviche, giramos sin parar y al mismo tiempo intentamos mirarnos a nosotros mismos, como si busc\u00e1ramos la clave para detenernos en el propio movimiento.<\/p>\n

\u201cMaritza la fugitiva\u201d<\/em>, enraizada en su pasado m\u00e1s lejano, tanto como en sus m\u00e1s cercanos sue\u00f1os de juventud, en Borges, en Cort\u00e1zar y Mar\u00eda Kodama, y tambi\u00e9n en John Lennon y Yoko Ono; y Jorge Eli\u00e9cer Pardo, jugando con distintos narradores, tiempos y objetos y con una extraordinaria habilidad para girar y girar y hacernos girar con \u00e9l casi sin darnos cuenta, nos permite leer la tragedia distanci\u00e1ndonos de ella lo justo como para que el dolor no nos ciegue, para que la nostalgia no nos enmudezca, y para que ese Destino al que pareciera no podemos escapar, nos consiga amarrarnos y dejarnos inm\u00f3viles ante nosotros mismos.<\/p>\n

\"\"
Foto: Pixabay<\/figcaption><\/figure>\n

\u00abMaritza la Fugitiva\u00bb<\/em> es una novela ambiciosa que consigue su cometido, si es que se me permite conjeturar sobre \u00e9l de forma muy sint\u00e9tica: poder mirarnos a nosotros mismos sin culpas ni acusaciones, y deleitarnos con un fresco a veces \u201cgoyesco\u201d, a veces \u201cvelazquiano\u201d, a veces \u201cdaliniano\u201d, que nos puede convertir en mejores lectores y en mejores sujetos de nuestro propio destino.<\/p>\n

*Mario Catelli: Escritor argentino-espa\u00f1ol, ganador del IV Premio internacional de novela Bruguera.<\/span> <\/em><\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

En\u00a0 \u201cMaritza la fugitiva\u201d Jorge Eli\u00e9cer Pardo se introduce en un tiempo que crea una escena generosa y abierta como para que la cuesti\u00f3n del Destino sea casi una enorme paradoja a la que el dolor y la crueldad no han conseguido quitarle el misterio que encierra\u00a0 toda vida.   […]<\/p>\n","protected":false},"author":9,"featured_media":229729,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,10,12,26,15],"tags":[],"class_list":["post-252955","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-globo","category-latinoamerica","category-paginas","category-reino-unido"],"yoast_head":"\nLa quimera del destino - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/es\/2022\/07\/11\/la-quimera-del-destino\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"-1184\" \/>\n<meta property=\"og:description\" content=\"30\" \/>\n<meta property=\"og:url\" content=\"https:\/\/theprisma.co.uk\/es\/2022\/07\/11\/la-quimera-del-destino\/\" \/>\n<meta property=\"og:site_name\" content=\"ThePrisma.co.uk\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper\" \/>\n<meta property=\"article:published_time\" content=\"2022-07-10T23:26:21+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-07-14T03:08:26+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2022\/03\/tune-flores-surreal-Pixabay.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"864\" \/>\n\t<meta property=\"og:image:height\" content=\"576\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"ThePrisma\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2022\/03\/tune-flores-surreal-Pixabay.jpg\" \/>\n<meta name=\"twitter:creator\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:site\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"ThePrisma\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2022\\\/07\\\/11\\\/la-quimera-del-destino\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2022\\\/07\\\/11\\\/la-quimera-del-destino\\\/\"},\"author\":{\"name\":\"ThePrisma\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/person\\\/24f5091d3dc50052d73cbea6ecd09df7\"},\"headline\":\"La quimera del destino\",\"datePublished\":\"2022-07-10T23:26:21+00:00\",\"dateModified\":\"2022-07-14T03:08:26+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2022\\\/07\\\/11\\\/la-quimera-del-destino\\\/\"},\"wordCount\":828,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2022\\\/07\\\/11\\\/la-quimera-del-destino\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2022\\\/03\\\/tune-flores-surreal-Pixabay.jpg\",\"articleSection\":[\"Cultura\",\"Globo\",\"Latinoamerica\",\"P\u00e1ginas\",\"Reino Unido\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2022\\\/07\\\/11\\\/la-quimera-del-destino\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2022\\\/07\\\/11\\\/la-quimera-del-destino\\\/\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2022\\\/07\\\/11\\\/la-quimera-del-destino\\\/\",\"name\":\"La quimera del destino - 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