{"id":252981,"date":"2022-07-18T00:25:50","date_gmt":"2022-07-17T23:25:50","guid":{"rendered":"https:\/\/tucuentavip.com\/?p=252981"},"modified":"2022-07-26T23:45:44","modified_gmt":"2022-07-26T22:45:44","slug":"una-trilogia-uzbeka","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2022\/07\/18\/una-trilogia-uzbeka\/","title":{"rendered":"Una trilog\u00eda uzbeka\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0"},"content":{"rendered":"

La clave del \u00e9xito comercial de los autores que escriben ficci\u00f3n convencional en Occidente se reduce a menudo a su habilidad para mantener la tracci\u00f3n narrativa con personajes psicol\u00f3gicamente interesantes.<\/em><\/p>\n

 <\/p>\n

\"\"Sean Sheehan<\/strong><\/span><\/strong><\/p>\n

 <\/p>\n

A menudo se establece una empat\u00eda emocional con uno o varios personajes centrales o, en el caso de los villanos y psic\u00f3patas, un compromiso vicario con el lado oscuro de la naturaleza humana.<\/p>\n

El escritor uzbeko Hamid Ismailov se acerca a este enfoque de la escritura de ficci\u00f3n en sus novelas, tres de las cuales se han traducido por primera vez al ingl\u00e9s: \u201cTh<\/em>e Devil\u2019s dance\u201d<\/em> (<\/em>La danza del diablo, 2018)<\/em>, \u201cOf strangers and bees\u201d \u00a0<\/em>(<\/em>De extra\u00f1os y abejas, 2019)<\/em> y \u00abManaschi\u00bb<\/em> (2021).<\/p>\n

La educaci\u00f3n de Ismailov en varias rep\u00fablicas sovi\u00e9ticas de Asia Central le introdujo en la poes\u00eda uzbeka y en la tradici\u00f3n narrativa que se encuentra en los cuentos populares de libros como \u00abLas mil y una noches\u00bb<\/em>.<\/p>\n

Su conciencia literaria y pol\u00edtica se profundiz\u00f3 en los a\u00f1os de la perestroika, pero la independencia de Uzbekist\u00e1n supuso la vuelta a la represi\u00f3n gubernamental y sus instintos democr\u00e1ticos le habr\u00edan acarreado graves problemas de no haberse exiliado. Finalmente se instal\u00f3 en Gran Breta\u00f1a y trabaj\u00f3 para la BBC. Sus libros est\u00e1n prohibidos en Uzbekist\u00e1n.<\/p>\n

\"\"En \u201cTh<\/em>e Devil\u2019s dance\u201d<\/em> un autor encarcelado, que hab\u00eda estado investigando la vida de Oxyon, la segunda esposa de un emir de principios del siglo XIX en Asia Central, a\u00f1ora su existencia familiar. Su situaci\u00f3n refleja la del escritor Abdullah Qodiriy, que fue encerrado por la polic\u00eda secreta de Stalin y su novela inacabada fue destruida.<\/p>\n

Ismailov, reimaginando la situaci\u00f3n de Qodiriy y las conversaciones que mantiene con otros presos, entrelaza historias, f\u00e1bulas y versos de diversa \u00edndole.<\/p>\n

\u201cOf strangers and bees\u201d <\/em>traza la vida de un ficticio escritor uzbeko que viaja por Occidente mientras la Uni\u00f3n Sovi\u00e9tica implosiona y, una vez m\u00e1s, varias tradiciones narrativas se superponen e informan la novela.<\/p>\n

La vida y los tiempos del fil\u00f3sofo y m\u00e9dico del siglo X, Avicena<\/a>, se entrelazan con la autobiograf\u00eda de una abeja que se encuentra exiliada de su colmena, y tambi\u00e9n se encuentra espacio para un encuentro con el ciclista uzbeko Jamal Abdoujaparov<\/a>.<\/p>\n

La tercera y m\u00e1s reciente novela publicada, \u201cManaschi\u201d<\/em>, est\u00e1 ambientada en el actual Kirguist\u00e1n, donde Ismailov naci\u00f3 en 1954.<\/p>\n

Habla de un locutor de radio, Bekesh, que est\u00e1 convencido de que se convertir\u00e1 en un manaschi, un venerado narrador y cham\u00e1n kirgu\u00eds que recita e interpreta un venerado poema \u00e9pico, \u00abManas\u00bb<\/em>.<\/p>\n

\"\"El h\u00e9roe ep\u00f3nimo de la epopeya es un guerrero que reuni\u00f3 a varias tribus kirguisas para oponerse a un enemigo com\u00fan.<\/p>\n

Cuando Bekesh regresa a su pueblo natal, se enfrenta a la realidad de la Iniciativa de la Franja y la Ruta de Chi<\/a>na<\/a> y a las disputas fronterizas con el vecino Tayikist\u00e1n.<\/p>\n

Las tres novelas de Isamailov exploran el mito y la par\u00e1bola, el nacionalismo, el peso de la historia y las fuerzas de la modernidad, el misticismo y la nostalgia, el exilio y la pertenencia.<\/p>\n

Se trata de un c\u00f3ctel bastante ecum\u00e9nico y el lector debe desprenderse de la moda actual de la verosimilitud psicol\u00f3gica putativa si quiere disfrutar de una profunda calada de la literatura uzbeka.<\/p>\n

\u201cThe Devil\u2019s dance\u201d, \u201cOf strangers and bees\u201d<\/em> \u00a0y \u00abManaschi\u00bb<\/em>, de Hamid Ismailov, han sido publicados por Tilted Axis Press<\/a>.<\/p>\n

(Traducido por Monica del Pilar Uribe Marin)<\/span><\/strong><\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

La clave del \u00e9xito comercial de los autores que escriben ficci\u00f3n convencional en Occidente se reduce a menudo a su habilidad para mantener la tracci\u00f3n narrativa con personajes psicol\u00f3gicamente interesantes.   Sean Sheehan   A menudo se establece una empat\u00eda emocional con uno o varios personajes centrales o, en el […]<\/p>\n","protected":false},"author":9,"featured_media":252997,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,39],"tags":[],"class_list":["post-252981","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-plastica"],"yoast_head":"\nUna trilog\u00eda uzbeka\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/es\/2022\/07\/18\/una-trilogia-uzbeka\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"-1177\" \/>\n<meta property=\"og:description\" content=\"30\" \/>\n<meta property=\"og:url\" content=\"https:\/\/theprisma.co.uk\/es\/2022\/07\/18\/una-trilogia-uzbeka\/\" \/>\n<meta property=\"og:site_name\" content=\"ThePrisma.co.uk\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper\" \/>\n<meta property=\"article:published_time\" content=\"2022-07-17T23:25:50+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-07-26T22:45:44+00:00\" \/>\n<meta name=\"author\" content=\"ThePrisma\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2022\/07\/Luna-noche-misterio-oscuridad-Pixabay.jpg\" \/>\n<meta name=\"twitter:creator\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:site\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"ThePrisma\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2022\\\/07\\\/18\\\/una-trilogia-uzbeka\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2022\\\/07\\\/18\\\/una-trilogia-uzbeka\\\/\"},\"author\":{\"name\":\"ThePrisma\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/person\\\/24f5091d3dc50052d73cbea6ecd09df7\"},\"headline\":\"Una trilog\u00eda uzbeka\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\",\"datePublished\":\"2022-07-17T23:25:50+00:00\",\"dateModified\":\"2022-07-26T22:45:44+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2022\\\/07\\\/18\\\/una-trilogia-uzbeka\\\/\"},\"wordCount\":612,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2022\\\/07\\\/18\\\/una-trilogia-uzbeka\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2022\\\/07\\\/Luna-noche-misterio-oscuridad-Pixabay.jpg\",\"articleSection\":[\"Cultura\",\"En Foco\",\"Opini\u00f3n\",\"Pl\u00e1stica\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2022\\\/07\\\/18\\\/una-trilogia-uzbeka\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2022\\\/07\\\/18\\\/una-trilogia-uzbeka\\\/\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2022\\\/07\\\/18\\\/una-trilogia-uzbeka\\\/\",\"name\":\"Una trilog\u00eda uzbeka\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 - 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