{"id":257509,"date":"2022-12-12T00:22:37","date_gmt":"2022-12-12T00:22:37","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=257509"},"modified":"2022-12-12T06:50:43","modified_gmt":"2022-12-12T06:50:43","slug":"recuperar-lo-sagrado-en-el-arte","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2022\/12\/12\/recuperar-lo-sagrado-en-el-arte\/","title":{"rendered":"Recuperar lo sagrado en el arte"},"content":{"rendered":"<p><em>En el periodo entre periodos, entre confinamientos, fui a una exposici\u00f3n de arte en Whitechapel Gallery sobre la obra de Kai Althoff.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-206912 alignleft\" src=\"https:\/\/tucuentavip.com\/wp-content\/uploads\/2021\/02\/Recovering-sagrado-iglesia-religion-catoli-Pixabay.jpg\" alt=\"\" width=\"515\" height=\"342\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/02\/Recovering-sagrado-iglesia-religion-catoli-Pixabay.jpg 640w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/02\/Recovering-sagrado-iglesia-religion-catoli-Pixabay-300x200.jpg 300w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/02\/Recovering-sagrado-iglesia-religion-catoli-Pixabay-83x55.jpg 83w\" sizes=\"auto, (max-width: 515px) 100vw, 515px\" \/>\u00a0 <a href=\"https:\/\/tucuentavip.com\">Steve Latham<\/a><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>Las pinturas de Althoff, un artista alem\u00e1n de Colonia que ahora reside en los Estados Unidos, son figurativas en gran medida. Es lo apropiado, dada la inclinaci\u00f3n de la Whitechapel por el renacimiento del arte figurativo.<\/p>\n<p>Si bien no ignora los desarrollos del siglo XX, por ejemplo, en el Expresionismo y el Pop Art, esta nueva valorizaci\u00f3n de la figura humana reacciona contra el fr\u00edo conceptualismo del arte minimalista. Mientras estos ni\u00f1os del posmodernismo usan el medio para explorar la sexualidad, la raza y la sociedad, Althoff intenta algo diferente.<\/p>\n<p>Sus im\u00e1genes se basan en historias, iconograf\u00eda religiosa y folklore. Controla los dep\u00f3sitos del pasado para evocar emociones y efectos a un nivel psicoespiritual arquet\u00edpico.<\/p>\n<p>Su reencanto de la forma humana se sit\u00faa as\u00ed dentro de un marco m\u00e1s amplio, revelando la dependencia de la dignidad del ser humano en el origen divino, un ser arraigado en el misterio.<\/p>\n<p>En este sentido, los escritos del fenomen\u00f3logo franc\u00e9s Jean Luc Marion pueden arrojar algo de luz. Sugiere que el arte es un \u201cfen\u00f3meno saturado\u201d; es decir, depende de algo m\u00e1s que de s\u00ed mismo para su significado.<\/p>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-206911\" src=\"https:\/\/tucuentavip.com\/wp-content\/uploads\/2021\/02\/Recovering-sagrado-biblia-religion-catoli-Pixabay.jpg\" alt=\"\" width=\"517\" height=\"345\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/02\/Recovering-sagrado-biblia-religion-catoli-Pixabay.jpg 653w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/02\/Recovering-sagrado-biblia-religion-catoli-Pixabay-300x200.jpg 300w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/02\/Recovering-sagrado-biblia-religion-catoli-Pixabay-82x55.jpg 82w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/02\/Recovering-sagrado-biblia-religion-catoli-Pixabay-650x434.jpg 650w\" sizes=\"auto, (max-width: 517px) 100vw, 517px\" \/><\/strong>Seg\u00fan Marion, una obra de arte, como la Misa Cat\u00f3lica, es un producto humano, que necesariamente apunta m\u00e1s all\u00e1 de s\u00ed misma por su significado completo: trascendencia que surge de la inmanencia.<\/p>\n<p>No hay pruebas de que el mismo Althoff practique alguna fe religiosa en particular; aunque puede ha\u00a0 ber en el fondo una vaga influencia de la herencia cat\u00f3lica de Colonia, con su incre\u00edble catedral.<\/p>\n<p>M\u00e1s bien, el hecho de que Althoff se adue\u00f1e del pasado representa un profundo anhelo por algo m\u00e1s que la herencia cultural desilusionada del secularismo. La gu\u00eda impresa de la exposici\u00f3n menciona esta influencia de la fe, pero la llama una \u201cproliferaci\u00f3n maligna de la fe total\u201d.<\/p>\n<p>\u00bfPor qu\u00e9 \u201cmaligna\u201d? Imagino que porque lo consideran totalmente negativo: quiz\u00e1s debido a un rechazo de la religi\u00f3n como tal, quiz\u00e1s porque confunden el conservadurismo cultural con el religioso.<\/p>\n<p>Sin embargo, la recuperaci\u00f3n de im\u00e1genes hist\u00f3ricas por parte de Althoff es, en el mejor de los casos, ambigua. Expone de forma simult\u00e1nea la alienaci\u00f3n y y la adoraci\u00f3n.<\/p>\n<p>Aunque su enfoque alude al Impresionismo franc\u00e9s y al alem\u00e1n, como artista autodidacta, su habilidad es similar a <em>Art Naif<\/em>, en su m\u00e1s ingenuo exponente.<\/p>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-206910 alignleft\" src=\"https:\/\/tucuentavip.com\/wp-content\/uploads\/2021\/02\/Recovering-caleidosc-multitud-diverso-multicult-Pixabay.jpg\" alt=\"\" width=\"517\" height=\"290\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/02\/Recovering-caleidosc-multitud-diverso-multicult-Pixabay.jpg 598w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/02\/Recovering-caleidosc-multitud-diverso-multicult-Pixabay-300x169.jpg 300w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2021\/02\/Recovering-caleidosc-multitud-diverso-multicult-Pixabay-98x55.jpg 98w\" sizes=\"auto, (max-width: 517px) 100vw, 517px\" \/><\/strong>Para \u00e9l, el legado del pasado es finalmente irrecuperable, como se revela en la mala calidad de su pintura.<\/p>\n<p>Y, sin embargo, desde dentro de esta mezcla primitivista no ense\u00f1ada, desarrollada dentro de la cultura de clubes de su Renania natal, emerge un hambre de significado.<\/p>\n<p>El\u00e9ctrica en su aullido animal de dolor ps\u00edquico, esta hambre se asemeja a la desesperaci\u00f3n existencial germano-n\u00f3rdica de Knut Hamsun, en novelas como <em>\u00ab<\/em><em>Hambre\u00bb<\/em>. Tambi\u00e9n se conecta con el trabajo del fil\u00f3sofo Jean-Luc Nancy sobre nuestra necesidad humana de \u201cadoraci\u00f3n\u201d. Para el apologista cristiano C. S. Lewis, tal experiencia humana universal mejora la realidad de lo divino.<\/p>\n<p>Para Nancy, todo lo que queda es un concepto filos\u00f3fico abstracto sin referencia. Para Althoff, un anhelo emocional por algo m\u00e1s, inconcluso, un pasado perdido para siempre.<\/p>\n<p>Muy diferente es la nueva novela de Susanna Clarke, <em>Piranesi<\/em>. Evocando de nuevo a Lewis, sugiere que hay \u201cotros mundos\u201d.<\/p>\n<p>Estas realidades paralelas son accesibles para nosotros y ofrecen cuidado y alimento a nuestra vida carente de significado.<\/p>\n<p><strong><a href=\"http:\/\/&lt;em&gt;In the time between times, between lockdowns, I went to an art exhibition in Whitechapel Gallery, of work by Kai Althoff.&lt;\/em&gt; &amp;nbsp; &lt;strong&gt;&lt;img class=&quot;wp-image-206912 alignleft&quot; src=&quot;https:\/\/tucuentavip.com\/wp-content\/uploads\/2021\/02\/Recovering-sagrado-iglesia-religion-catoli-Pixabay.jpg&quot; alt=&quot;&quot; width=&quot;515&quot; height=&quot;342&quot; \/&gt;&lt;a href=&quot;https:\/\/tucuentavip.com&quot;&gt;Steve Latham&lt;\/a&gt;&lt;\/strong&gt; &amp;nbsp; A German-born artist from Cologne, now resident in the US, Althoff\u2019s paintings are largely figurative. This is appropriate, given the Whitechapel\u2019s championing of a revival in figurative art. While not ignoring Twentieth Century developments, for example in Expressionism and Pop Art, this new valorising of the human figure reacts against the cool conceptualism of minimalist art. Where these children of postmodernism use the medium to explore sexuality, race and society, however, Althoff attempts something different. His images draw on stories, religious iconography and folklore. He raids the deposits of the past to evoke emotions and effects at an archetypal psycho-spiritual level. His re-enchantment of the human form is thus set within a larger frame, disclosing the dependence of the dignity of the human on the divine origin, a being rooted in mystery. Here, writings by French phenomenologist Jean Luc Marion may shed some light. He suggests that art is a \u201csaturated phenomenon\u201d; that is, it depends on something more than itself for its meaning. &lt;strong&gt;&lt;img class=&quot;alignright wp-image-206911&quot; src=&quot;https:\/\/tucuentavip.com\/wp-content\/uploads\/2021\/02\/Recovering-sagrado-biblia-religion-catoli-Pixabay.jpg&quot; alt=&quot;&quot; width=&quot;517&quot; height=&quot;345&quot; \/&gt;&lt;\/strong&gt;An artwork, like the Catholic Mass, says Marion, is a human product, which necessarily points beyond itself for its full significance: transcendence arising from immanence. There is no evidence that Althoff himself practises any particular religious faith; although there may be a vague background influence of Cologne\u2019s Catholic inheritance, with its striking Cathedral. Rather, Althoff\u2019s plundering of the past represents a profound longing for something more than the culturally denuded heritage of secularism. The printed guide to the exhibition mentions this influence of faith, but calls it a \u201cmalignant proliferation of total faith\u201d. Why \u201cmalignant\u201d? Presumably, because they see it as wholly negative: perhaps because of a rejection of religion as such, maybe confusing cultural with religious conservatism. Althoff\u2019s recovery of historical imagery, however, is at best ambiguous. He exhibits simultaneously, alienation and adoration. Although his approach alludes to French Impressionism and German Expressionism, as a self-taught artist, his skill is similar to &lt;em&gt;Art Naif&lt;\/em&gt;, at its most na\u00efve. &lt;strong&gt;&lt;img class=&quot;wp-image-206910 alignleft&quot; src=&quot;https:\/\/tucuentavip.com\/wp-content\/uploads\/2021\/02\/Recovering-caleidosc-multitud-diverso-multicult-Pixabay.jpg&quot; alt=&quot;&quot; width=&quot;517&quot; height=&quot;290&quot; \/&gt;&lt;\/strong&gt;For him, the legacy of the past is ultimately irrecoverable, as revealed in the poor quality of his paintwork. And yet, from within this untaught, primitivist mix, developed within the clubbing culture of his native Rhineland, there emerges a hunger for meaning. Electric in its animal howl of psychic pain, this is a hunger like Knut Hamsun\u2019s Germano-Nordic existential despair, in novels such as &lt;em&gt;&quot;&lt;\/em&gt;&lt;em&gt;Hunger&lt;\/em&gt;&lt;em&gt;&quot;&lt;\/em&gt;. It also connects with work by philosopher, Jean-Luc Nancy, on our human need for \u201cadoration\u201d. For Christian apologist C. S, Lewis, such universal human experience betoken the reality of the divine. For Nancy, all that remains is an abstract philosophical concept with no referent. For Althoff, an inchoate emotional yearning for something more, a past forever lost. Very different is Susanna Clarke\u2019s new novel, &lt;em&gt;Piranesi&lt;\/em&gt;. Drawing again on Lewis, she suggests there are \u201cother worlds\u201d. These parallel realities are accessible to us, and proffer care and nurture for our meaning-starved lives. &lt;em&gt;&lt;a href=&quot;http:\/\/pixabay.com&quot;&gt;(Photos&quot; Pixabay)&lt;\/a&gt;&lt;\/em&gt;\">(Traducido por Iris Mar\u00eda Gab\u00e1s Blanco<\/a> \u2013 <a href=\"mailto:irisbg7@gmail.com\">irisbg7@gmail.com<\/a>)<\/strong><a href=\"http:\/\/wwwpixabay.com\"><em> &#8211; Fotos: Pixabay<\/em><\/a><strong><br \/>\n<\/strong><\/p>\n<div class=\"twttr_buttons\"><div class=\"twttr_twitter\">\n\t\t\t\t\t<a href=\"http:\/\/twitter.com\/share?text=Recuperar+lo+sagrado+en+el+arte\" class=\"twitter-share-button\" data-via=\"\" data-hashtags=\"\"  data-size=\"default\" data-url=\"https:\/\/theprisma.co.uk\/es\/2022\/12\/12\/recuperar-lo-sagrado-en-el-arte\/\" data-dnt=\"true\" data-related=\"\" target=\"_blank\">Tweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>En el periodo entre periodos, entre confinamientos, fui a una exposici\u00f3n de arte en Whitechapel Gallery sobre la obra de Kai Althoff. &nbsp; \u00a0 Steve Latham &nbsp; Las pinturas de Althoff, un artista alem\u00e1n de Colonia que ahora reside en los Estados Unidos, son figurativas en gran medida. Es lo [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":224826,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14,7],"tags":[],"class_list":["post-257509","post","type-post","status-publish","format-standard","has-post-thumbnail","category-en-foco","category-opinion"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Recuperar lo sagrado en el arte - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/es\/2022\/12\/12\/recuperar-lo-sagrado-en-el-arte\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Recuperar lo sagrado en el arte\" \/>\n<meta property=\"og:description\" content=\"En el periodo entre periodos, entre confinamientos, fui a una exposici\u00f3n de arte en Whitechapel Gallery sobre la obra de Kai Althoff.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/theprisma.co.uk\/es\/2022\/12\/12\/recuperar-lo-sagrado-en-el-arte\/\" \/>\n<meta property=\"og:site_name\" content=\"ThePrisma.co.uk\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper\" \/>\n<meta property=\"article:published_time\" content=\"2022-12-12T00:22:37+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-12-12T06:50:43+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2015\/10\/god-for-atheist-pixabay-bibli.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"640\" \/>\n\t<meta property=\"og:image:height\" content=\"426\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"ThePrisma\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Recuperar lo sagrado en el arte\" \/>\n<meta name=\"twitter:description\" content=\"En el periodo entre periodos, entre confinamientos, fui a una exposici\u00f3n de arte en Whitechapel Gallery sobre la obra de Kai Althoff.\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2015\/10\/god-for-atheist-pixabay-bibli.jpg\" \/>\n<meta name=\"twitter:creator\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:site\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"ThePrisma\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2022\\\/12\\\/12\\\/recuperar-lo-sagrado-en-el-arte\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2022\\\/12\\\/12\\\/recuperar-lo-sagrado-en-el-arte\\\/\"},\"author\":{\"name\":\"ThePrisma\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/person\\\/24f5091d3dc50052d73cbea6ecd09df7\"},\"headline\":\"Recuperar lo sagrado en el arte\",\"datePublished\":\"2022-12-12T00:22:37+00:00\",\"dateModified\":\"2022-12-12T06:50:43+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2022\\\/12\\\/12\\\/recuperar-lo-sagrado-en-el-arte\\\/\"},\"wordCount\":645,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2022\\\/12\\\/12\\\/recuperar-lo-sagrado-en-el-arte\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2015\\\/10\\\/god-for-atheist-pixabay-bibli.jpg\",\"articleSection\":[\"En Foco\",\"Opini\u00f3n\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2022\\\/12\\\/12\\\/recuperar-lo-sagrado-en-el-arte\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2022\\\/12\\\/12\\\/recuperar-lo-sagrado-en-el-arte\\\/\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2022\\\/12\\\/12\\\/recuperar-lo-sagrado-en-el-arte\\\/\",\"name\":\"Recuperar lo sagrado en el arte - 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