{"id":258852,"date":"2023-02-13T00:25:20","date_gmt":"2023-02-13T00:25:20","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=258852"},"modified":"2023-02-11T08:12:16","modified_gmt":"2023-02-11T08:12:16","slug":"buen-arte-reaccionario","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2023\/02\/13\/buen-arte-reaccionario\/","title":{"rendered":"Buen arte reaccionario"},"content":{"rendered":"<p><em>Perry Anderson es un potente analista de las corrientes hist\u00f3ricas y pol\u00edticas y ser\u00eda un error ir por la vida sin leerle, pero aunque \u00abDiferentes velocidades, mismas furias\u00bb no es t\u00edpico de sus preocupaciones, es caracter\u00edstico por su destreza intelectual, su disecci\u00f3n cl\u00ednica y la frialdad de su tono.\u00a0 <\/em><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><span style=\"color: #003366;\"><em><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-258856\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/02\/Book-covers-1.jpg\" alt=\"\" width=\"313\" height=\"563\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/02\/Book-covers-1.jpg 749w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/02\/Book-covers-1-111x200.jpg 111w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/02\/Book-covers-1-570x1024.jpg 570w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/02\/Book-covers-1-431x775.jpg 431w\" sizes=\"auto, (max-width: 313px) 100vw, 313px\" \/><\/strong><\/em><strong>Sean Sheehan<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>El libro consta de cuatro ensayos sobre las novelas de dos escritores &#8211; <em>\u00abEn busca del tiempo perdido\u00bb<\/em>, de Marcel Proust, y <em>\u00abDanza al son de la m\u00fasica del tiempo\u00bb<\/em>, de Anthony Powell (una secuencia de doce novelas interconectadas) -, compar\u00e1ndolas y contrast\u00e1ndolas para producir un juicio que resulta sorprendente.<\/p>\n<p>Empieza con la biograf\u00eda de Hilary Spurling sobre Powell (pronunciado \u00abpole\u00bb) y su fracaso a la hora de traspasar la apariencia superficial de un autor ingl\u00e9s supremamente urbano. En sus memorias, a prop\u00f3sito de su reticencia a revelar mucho de s\u00ed mismo, Powell observ\u00f3 que \u00abno todo el mundo puede soportar la tensi\u00f3n de mirar hacia abajo demasiado tiempo en el cr\u00e1ter personal, con su escena de las actividades de <a href=\"https:\/\/theprisma.co.uk\/2022\/08\/15\/bosch\/\">Hieronymus Bosch<\/a> que tienen lugar en las profundidades\u00bb.<\/p>\n<p>La famosa novela de Proust tiene aproximadamente la misma extensi\u00f3n que las novelas de <em>Danza<\/em>, pero mientras miles de libros se han ocupado de ella, s\u00f3lo una docena se han dedicado a la de Powell. Anderson reconoce plenamente el logro de Proust -la escala monumental de la narraci\u00f3n, la intensa interioridad de sus personajes, que mezclan lo c\u00f3mico y lo tr\u00e1gico, y el primer tratamiento prolongado de las relaciones entre personas del mismo sexo en la literatura occidental-, pero llama la atenci\u00f3n sobre su perspectiva limitadora del tiempo en t\u00e9rminos puramente existenciales.<\/p>\n<p><em><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-258858 alignright\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/02\/Book-covers-3.jpg\" alt=\"\" width=\"292\" height=\"364\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/02\/Book-covers-3.jpg 613w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/02\/Book-covers-3-161x200.jpg 161w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/02\/Book-covers-3-431x536.jpg 431w\" sizes=\"auto, (max-width: 292px) 100vw, 292px\" \/><\/em>La historia se reduce a la materia de la nostalgia rom\u00e1ntica y \u00abla m\u00edstica de la memoria involuntaria\u00bb es \u00abesencialmente defensiva\u00bb, un baluarte contra la mutabilidad y la se\u00f1alizaci\u00f3n irreversible del tiempo hacia la muerte.<\/p>\n<p>Powell tambi\u00e9n se enfrenta a cuestiones existenciales, pero dentro del marco hist\u00f3rico de las novelas (1914-1971), cada d\u00e9cada est\u00e1 delineada con acontecimientos clave -de Sarajevo a Versalles, Guerra Civil espa\u00f1ola, M\u00fanich, Segunda Guerra Mundial, Guerra Fr\u00eda- que envuelven a muchos de los 400 personajes (300 en Proust).<\/p>\n<p>Pol\u00edticamente, Powell era de derechas y a los liberales no les gust\u00f3 que tachara de insustancial la ficci\u00f3n inglesa de posguerra, pero su juicio sobre el tipo de escritores que ten\u00eda en mente -William Golding, Muriel Spark, Margaret Drabble, Iris Murdoch y los Amises- tiene mucho a su favor.<\/p>\n<p><em><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-258860\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/02\/Book-covers-2.jpg\" alt=\"\" width=\"295\" height=\"500\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/02\/Book-covers-2.jpg 295w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/02\/Book-covers-2-118x200.jpg 118w\" sizes=\"auto, (max-width: 295px) 100vw, 295px\" \/><\/em>Anderson cita con aprobaci\u00f3n la noci\u00f3n de que \u00abhay buen arte reaccionario y hay mal arte reaccionario\u00bb y argumenta que la \u00abpar\u00e1bola tonal\u00bb de Powell ayuda a cimentar la arquitectura de doce novelas a trav\u00e9s del tiempo.<\/p>\n<p>El resultado es un \u00abarte reaccionario\u00bb de alto nivel, y la comparaci\u00f3n que Anderson hace de los dos escritores es muy rica, ya que contrasta la hip\u00e9rbole de Proust, cuyo humor se al\u00eda con la s\u00e1tira, con las litotes de Powell y su descripci\u00f3n de la comedia m\u00e1s general de la vida.<\/p>\n<p>El \u00faltimo ensayo de esta serie de cuatro ofrece una visi\u00f3n general de la novela hist\u00f3rica como g\u00e9nero, pasando por las <em>\u00abCartas persas\u00bb<\/em> de Montesquieu, Tolstoi, <em>\u00abEl atlas de las nubes<\/em>\u00bb de David Mitchell y <em>\u00abEl libro de Jacob\u00bb<\/em> de Olga Tokarczuk. El conjunto de estos cuatro ensayos hace de \u00e9ste un libro valioso.<\/p>\n<p><em>\u201cDifferent speeds, same furies\u201d<\/em>, de Perry Anderson, ha sido publicado por \u00a0<a href=\"https:\/\/www.versobooks.com\/books\/4144-different-speeds-same-furies\">Verso<\/a>.<\/p>\n<p><span style=\"color: #003366;\"><strong>(Traducido por Monica del Pilar Uribe Marin)<\/strong><\/span><\/p>\n<div class=\"twttr_buttons\"><div class=\"twttr_twitter\">\n\t\t\t\t\t<a href=\"http:\/\/twitter.com\/share?text=Buen+arte+reaccionario\" class=\"twitter-share-button\" data-via=\"\" data-hashtags=\"\"  data-size=\"default\" data-url=\"https:\/\/theprisma.co.uk\/es\/2023\/02\/13\/buen-arte-reaccionario\/\" data-dnt=\"true\" data-related=\"\" target=\"_blank\">Tweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Perry Anderson es un potente analista de las corrientes hist\u00f3ricas y pol\u00edticas y ser\u00eda un error ir por la vida sin leerle, pero aunque \u00abDiferentes velocidades, mismas furias\u00bb no es t\u00edpico de sus preocupaciones, es caracter\u00edstico por su destreza intelectual, su disecci\u00f3n cl\u00ednica y la frialdad de su tono.\u00a0 \u00a0 [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":258867,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-258852","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - 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