{"id":261560,"date":"2023-05-08T00:25:54","date_gmt":"2023-05-07T23:25:54","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=261560"},"modified":"2023-05-04T19:37:22","modified_gmt":"2023-05-04T18:37:22","slug":"dolor-y-sexualidad-en-un-campo-de-refugiados","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2023\/05\/08\/dolor-y-sexualidad-en-un-campo-de-refugiados\/","title":{"rendered":"Dolor y sexualidad en un campo de refugiados"},"content":{"rendered":"

Sulaiman Addonia, autor de <\/em>\u201cSilence is my mother tongue\u201d, tuvo que huir de Eritrea con su madre y sus hermanos a un campo de refugiados en Sud\u00e1n cuando era ni\u00f1a. <\/em><\/p>\n

 <\/p>\n

\"\"Sean Sheehan<\/span><\/strong><\/p>\n

 <\/p>\n

Saba, su hermano mayor Hagos y la madre de ambos son los personajes centrales de su novela, lo que a\u00f1ade otro nivel de autenticidad al relato de la vida de los refugiados que dise\u00f1a en torno a ellos.<\/p>\n

Saba lucha con las figuras de autoridad de su comunidad exiliada -la comadrona, el juez, el comit\u00e9 de ancianos, su madre- y la sexualidad se convierte en un prisma para sus conflictos con quienes pretenden imponer su voluntad, sus tradiciones culturales y, en el mundo m\u00e1s amplio, su pol\u00edtica: Mas, para la eritreo-et\u00edope Saba, \u00abmitad de un pa\u00eds ocupado y la otra mitad del ocupante, el conflicto era permanente\u00bb.<\/p>\n

Saba estaba estudiando mucho en la escuela, trabajando por su ambici\u00f3n de convertirse en m\u00e9dica, cuando su nueva vida un \u00a0campo de refugiados sin escuela lo interrumpe todo.<\/p>\n

Decidida a no renunciar a su sue\u00f1o, tambi\u00e9n tiene que enfrentarse a la incomprensi\u00f3n por parte de los dem\u00e1s de su estrecha relaci\u00f3n con su hermano mudo.<\/p>\n

\"\"Su afecto mutuo trasciende la necesidad del lenguaje hablado y les permite sentirse c\u00f3modos con la inversi\u00f3n de sus papeles de g\u00e9nero.<\/p>\n

A Hagos le gusta cocinar y se interesa mucho m\u00e1s por la ropa, el peinado y el maquillaje que su hermana. A Saba se la podr\u00eda calificar de luchadora, una etiqueta que a los hombres les viene muy bien cuando se enfrentan a mujeres en\u00e9rgicas e independientes.<\/p>\n

Algunos consideran transgresor el intercambio de masculinidad y feminidad entre Saba y Hagos, especialmente cuando la comadrona del campo confunde la delicada intimidad de su relaci\u00f3n con la evidencia de una relaci\u00f3n sexual il\u00edcita.<\/p>\n

El cuerpo de la mujer se convierte en un violento campo de batalla en el campo de refugiados: las costumbres sexuales, r\u00edgidamente impuestas por los conservadores ansiosos por preservar la identidad cultural de la comunidad, son desafiadas.<\/p>\n

\"\"Saba se masturba casi como un acto de desaf\u00edo: \u00abComo la bandera de un pa\u00eds libre, plant\u00f3 placer en su cuerpo agredido con los dedos\u00bb.<\/p>\n

Saba no es la \u00fanica que persigue un sue\u00f1o.<\/p>\n

La novela comienza con Jamal, un joven que trabaj\u00f3 en un cine en su vida anterior a los refugiados, que ha colgado una gran s\u00e1bana blanca entre postes de madera y ha hecho un gran agujero cuadrado en su centro.<\/p>\n

Llama a su improvisado teatro Cinema Silenziso y organiza representaciones: \u00abEl problema era que yo, como muchos, me hab\u00eda hecho la ilusi\u00f3n de que la s\u00e1bana era una pantalla de verdad y que todo lo que hab\u00eda dentro era una pel\u00edcula real: escena tras escena hecha en un lugar lejano\u00bb.<\/p>\n

Esta necesidad de ilusi\u00f3n se convierte en una met\u00e1fora de la necesidad de la comunidad de creer que sus vidas no se reducen permanentemente a una existencia de refugiados.<\/p>\n

\"\"\u201cSilence is my mother tongue\u201d (El silencio es mi lengua materna)<\/em> es una novela audaz y cuenta una historia conmovedora y edificante sobre la liberaci\u00f3n personal en una situaci\u00f3n desesperada.<\/p>\n

\u201cSilence is my mother tongue\u201d<\/em>, de Sulaiman Addonia, ha sido publicada por Indigo Press<\/a>.<\/p>\n

(Traducido por Monica del Pilar Uribe Marin) <\/strong>– Fotos: Pixabay<\/em>
\n<\/strong><\/span><\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

Sulaiman Addonia, autor de \u201cSilence is my mother tongue\u201d, tuvo que huir de Eritrea con su madre y sus hermanos a un campo de refugiados en Sud\u00e1n cuando era ni\u00f1a.   Sean Sheehan   Saba, su hermano mayor Hagos y la madre de ambos son los personajes centrales de su […]<\/p>\n","protected":false},"author":9,"featured_media":255287,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-261560","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"\nDolor y sexualidad en un campo de refugiados - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/?p=261556\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dolor y sexualidad en un campo de refugiados\" \/>\n<meta property=\"og:description\" content=\"Saba estaba estudiando mucho en la escuela, trabajando por su ambici\u00f3n de convertirse en m\u00e9dica, cuando su nueva vida un \u00a0campo de refugiados sin escuela lo interrumpi\u00f3 todo.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/theprisma.co.uk\/?p=261556\" \/>\n<meta property=\"og:site_name\" content=\"ThePrisma.co.uk\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper\" \/>\n<meta property=\"article:published_time\" content=\"2023-05-07T23:25:54+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/05\/Refugiados-migrantes-exilio-Pixabay-2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"996\" \/>\n\t<meta property=\"og:image:height\" content=\"560\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"ThePrisma\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Dolor y sexualidad en un campo de refugiados\" \/>\n<meta name=\"twitter:description\" content=\"Saba estaba estudiando mucho en la escuela, trabajando por su ambici\u00f3n de convertirse en m\u00e9dica, cuando su nueva vida un \u00a0campo de refugiados sin escuela lo interrumpi\u00f3 todo.\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/05\/Refugiados-migrantes-exilio-Pixabay-2.jpg\" \/>\n<meta name=\"twitter:creator\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:site\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"ThePrisma\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=261556#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=261556\"},\"author\":{\"name\":\"ThePrisma\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/person\\\/24f5091d3dc50052d73cbea6ecd09df7\"},\"headline\":\"Dolor y sexualidad en un campo de refugiados\",\"datePublished\":\"2023-05-07T23:25:54+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=261556\"},\"wordCount\":589,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=261556#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2022\\\/09\\\/cabana-atardecer-refugio-noche-tardePixabay.jpg\",\"articleSection\":[\"Cultura\",\"En Foco\",\"Opini\u00f3n\",\"P\u00e1ginas\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/theprisma.co.uk\\\/?p=261556#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=261556\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=261556\",\"name\":\"Dolor y sexualidad en un campo de refugiados - 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