{"id":262168,"date":"2023-05-22T00:25:36","date_gmt":"2023-05-21T23:25:36","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=262168"},"modified":"2023-05-16T19:01:58","modified_gmt":"2023-05-16T18:01:58","slug":"pathos-y-paganismo-en-el-teatro-nacional","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2023\/05\/22\/pathos-y-paganismo-en-el-teatro-nacional\/","title":{"rendered":"Pathos y paganismo en el Teatro Nacional"},"content":{"rendered":"

El teatro es m\u00e1gico. En un momento se cruza el puente de Waterloo para llegar al Teatro Nacional, con vistas de arquitectura moderna a ambos lados, y despu\u00e9s, una vez encontrado el asiento para su producci\u00f3n de \u00abBailando en Lughnasa\u00bb, de Brian Friel, una id\u00edlica escena irlandesa nos sit\u00faa en otra dimensi\u00f3n. <\/em><\/p>\n

 <\/p>\n

\"\"
\u00abDancing at Lughnasa de Friel\u00bb. The National Theatre, Olivier Theatre, 2023.\u00a0 Cr\u00e9dito: Johan Persson.<\/figcaption><\/figure>\n

Sean Sheehan<\/span><\/strong><\/p>\n

 <\/p>\n

La obra a\u00fan no ha empezado y no ha aparecido ni un solo actor, pero el escenario ya est\u00e1 montado y, aprovechando al m\u00e1ximo todo el amplio espacio, un radiante paisaje rural te saca de ti mismo: un camino desciende por la ladera de una colina hasta el interior de una casa de campo; las proyecciones de una monta\u00f1a resplandeciente y un cielo azul forman un tel\u00f3n de fondo reluciente.<\/p>\n

El lugar es un pueblo de Donegal, la \u00e9poca 1936, y cinco hermanas solteras est\u00e1n a punto de ver sus vidas deshechas. Con una econom\u00eda dram\u00e1tica que convierte a Brian Friel (1929-2015) en uno de los m\u00e1s grandes dramaturgos irlandeses, sus rutinas diarias se desarrollan en medio de preocupaciones familiares cada vez m\u00e1s acuciantes.<\/p>\n

Una de las hermanas tiene un hijo de siete a\u00f1os al que sus adoradas t\u00edas besan y hablan, pero que es invisible en el escenario, y sus recuerdos de aquella \u00e9poca y de lo sucedido son narrados por el actor que interpreta al ni\u00f1o mayor. Es una maravillosa puesta en escena, que entrelaza el pasado y el presente en una evocadora narraci\u00f3n que enmarca las conmovedoras experiencias de las hermanas.<\/p>\n

\"\"
\u00abDancing at Lughnasa de Friel\u00bb. The National Theatre, Olivier Theatre, 2023.\u00a0 Cr\u00e9dito: Johan Persson.<\/figcaption><\/figure>\n

El hermano mayor de las hermanas, el padre Jack, ha regresado de Uganda, donde hab\u00eda sido sacerdote durante muchos a\u00f1os. Ha sido enviado a casa -aunque \u00e9l no lo sabe- por \u00abvolverse nativo\u00bb y encontrar la cultura no cristiana de Uganda m\u00e1s espiritual y agradable que el catolicismo que se supon\u00eda que representaba.<\/p>\n

Otro nuevo visitante de la caba\u00f1a es el simp\u00e1tico padre del ni\u00f1o, que hace una aparici\u00f3n inesperada pero que resulta ser demasiado fantasioso para ser de mucha utilidad a la madre de su hijo.<\/p>\n

Es la \u00e9poca de la cosecha y los vestigios de las ceremonias paganas que celebran una deidad celta, \u02d7 Lugh; de ah\u00ed Lughnasa \u02d7 han sobrevivido en las partes m\u00e1s salvajes de la campi\u00f1a de Donegal. Un esp\u00edritu de libertad se adhiere a estos recuerdos de una Irlanda precristiana y las hermanas lo experimentan por s\u00ed mismas cuando hacen alarde an\u00e1rquico con la idea de asistir a un baile local y rompen espont\u00e1neamente en una danza ext\u00e1ticamente alegre.<\/p>\n

La observaci\u00f3n de Hegel sobre el b\u00faho de Minerva que vuela s\u00f3lo al anochecer apunta al modo en que la sabidur\u00eda s\u00f3lo puede funcionar en el modo de la retrospecci\u00f3n. S\u00f3lo mirando hacia atr\u00e1s, despu\u00e9s de que algo haya sucedido, llegamos a comprender lo que significaba.<\/p>\n

\"\"
\u00abDancing at Lughnasa de Friel\u00bb. The National Theatre, Olivier Theatre, 2023.\u00a0 Credit: Johan Persson.<\/figcaption><\/figure>\n

Los anhelos libidinales perturban el fr\u00e1gil equilibrio del hogar femenino y, en el transcurso de este drama magn\u00edficamente producido, las vulnerabilidades quedan al descubierto, el catolicismo y el patriarcado aplastan el deseo y el cambio se convierte en una amenaza.<\/p>\n

La angustia de todo ello es recordada con ternura por el hijo adulto y su dolor llega a ser compartido por el p\u00fablico. Al final, lo \u00fanico que todos tienen son recuerdos y, gracias a unas interpretaciones, una coreograf\u00eda y una direcci\u00f3n luminosas, \u00e9ste y otros significados que encierra la obra van saliendo poco a poco a la superficie,<\/p>\n

\u00abDancing at Lughnasa\u00bb<\/em> se representa en el The National Theatre<\/a>.<\/p>\n

(Traducido por Monica del Pilar Uribe Marin)<\/strong> – Im\u00e1genes suministradas por el Teatro Nacional.<\/em><\/span><\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

El teatro es m\u00e1gico. En un momento se cruza el puente de Waterloo para llegar al Teatro Nacional, con vistas de arquitectura moderna a ambos lados, y despu\u00e9s, una vez encontrado el asiento para su producci\u00f3n de \u00abBailando en Lughnasa\u00bb, de Brian Friel, una id\u00edlica escena irlandesa nos sit\u00faa en […]<\/p>\n","protected":false},"author":9,"featured_media":262178,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-262168","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"\nPathos y paganismo en el Teatro Nacional - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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