{"id":262542,"date":"2023-06-05T00:25:11","date_gmt":"2023-06-04T23:25:11","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=262542"},"modified":"2023-06-11T23:00:54","modified_gmt":"2023-06-11T22:00:54","slug":"vanessa-winship-fotografiando-la-incertidumbre","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2023\/06\/05\/vanessa-winship-fotografiando-la-incertidumbre\/","title":{"rendered":"Vanessa Winship: fotografiar la incertidumbre"},"content":{"rendered":"

Para T.S. Eliot, el invierno es amn\u00e9sico y deficiente, \u00abcubriendo \/ la Tierra de nieve olvidadiza, alimentando \/ una peque\u00f1a vida con tub\u00e9rculos secos\u00bb, pero en \u00abSnow\u00bb de Winship es un tiempo pre\u00f1ado, un periodo de espera, una estaci\u00f3n meditativa; no el despertar, el exceso o la melancol\u00eda de otras divisiones del a\u00f1o.<\/em><\/p>\n

 <\/p>\n

\"\"<\/em>Sean Sheehan<\/strong><\/span><\/p>\n

 <\/p>\n

Algunas de sus fotograf\u00edas son en blanco y negro, otras en colores apagados, algunas utilizan un papel m\u00e1s ligero y permeable.<\/p>\n

Su tem\u00e1tica se limita al campo y, cuando aparecen personas, se trata de los Amish, un pueblo de la periferia.<\/p>\n

La habitual afinidad de Winship por las comunidades humanas y sus lugares la abandona cuando se ve arrastrada e inquieta por la introspecci\u00f3n de la naturaleza.<\/p>\n

Winship tom\u00f3 estas fotos en Ohio, que visit\u00f3 por primera vez en un encargo distinto, y el lugar se le meti\u00f3 en la piel sin ninguna raz\u00f3n obvia en aquel momento. Las visitas posteriores le llevaron a enviar las fotos a un viejo amigo, el poeta y novelista Jem Poster, en busca de palabras que pudieran acompa\u00f1ar a sus im\u00e1genes.<\/p>\n

Su respuesta, una breve pieza de ficci\u00f3n que se entrelaza con las fotos de \u201cSnow\u201d<\/em>, habla de un fot\u00f3grafo por encargo cuya visita a un escultor en un lugar aislado se convierte en una experiencia cada vez m\u00e1s desconcertante.<\/p>\n

\"\"<\/em>Su t\u00edtulo, \u00abIce\u00bb(Hielo)<\/em>, podr\u00eda ser una met\u00e1fora de la fina membrana que separa una superficie aparentemente segura de la precariedad y la incertidumbre, convirtiendo el texto en una c\u00e1mara de eco de un estado del ser que se hace sentir en las im\u00e1genes de la escarcha que recubre finamente la vegetaci\u00f3n latente bajo cielos silenciosos. Poster da voz a los paisajes liminales y sin palabras de las fotograf\u00edas de Winship<\/p>\n

Su c\u00e1mara mira fijamente la realidad sin ofrecer una explicaci\u00f3n a la indirecci\u00f3n que tiene ante s\u00ed, y sus im\u00e1genes no pueden reducirse a representaciones mim\u00e9ticas de la realidad. Esta postura es distinta de la del personaje que maneja la c\u00e1mara en \u00abIce\u00bb<\/em>: ella procede del mundo de la fotograf\u00eda art\u00edstica, con su seguridad en s\u00ed misma y su sentido del derecho, y se enfrenta a la picard\u00eda del escultor y su obra de arte, que la deja despojada, despojada de sus certezas.<\/p>\n

Las im\u00e1genes poseen un distanciamiento de la modernidad similar al de Amish: las escasas casas de tablas de madera y las vallas publicitarias abandonadas se retratan sin la resistencia de los \u00e1rboles desnudos, las rocas y el agua que existen en sus proximidades.<\/p>\n

\"\"<\/em>El significado est\u00e1 abandonado, falta la agencia en el rostro irresoluble de la recalcitrancia de la naturaleza; no hay sublimidad. Las fotos evocan visualmente la naturaleza enigm\u00e1tica que el novelista John M Harrison evoc\u00f3 con tanta destreza en \u201cThe sunken land begins to rise again<\/a><\/em>\u201d (<\/em>La tierra hundida comienza a resurgir)<\/em>.\u00a0 En una obra\u00a0 suya anterior, Winship fotografi\u00f3 una peque\u00f1a ciudad portuaria del sur de Francia, S\u00e8te, y las tonalidades tranquilas y poco elocuentes que encontr\u00f3 en aquel lugar, hallan eco en los paisajes invernales de Ohio.<\/p>\n

La obra \u201cSnow\u201d <\/em>de Vanessa Winship ha sido publicada por Deadbeat Club<\/a>.<\/p>\n

(Traducido por Monica del Pilar Uribe Marin)<\/strong> – Fotos suministradas por la editorial y autorizadas para su publicaci\u00f3n.<\/em><\/span><\/p>\n

\"\" \"\" \"\"<\/p>\n

 <\/p>\n

 <\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

Para T.S. Eliot, el invierno es amn\u00e9sico y deficiente, \u00abcubriendo \/ la Tierra de nieve olvidadiza, alimentando \/ una peque\u00f1a vida con tub\u00e9rculos secos\u00bb, pero en \u00abSnow\u00bb de Winship es un tiempo pre\u00f1ado, un periodo de espera, una estaci\u00f3n meditativa; no el despertar, el exceso o la melancol\u00eda de otras […]<\/p>\n","protected":false},"author":9,"featured_media":250696,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-262542","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"\nVanessa Winship: fotografiar la incertidumbre - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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