{"id":263403,"date":"2023-07-03T00:25:26","date_gmt":"2023-07-02T23:25:26","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=263403"},"modified":"2023-06-28T22:08:27","modified_gmt":"2023-06-28T21:08:27","slug":"ensayos-de-distincion","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2023\/07\/03\/ensayos-de-distincion\/","title":{"rendered":"Ensayos de distinci\u00f3n"},"content":{"rendered":"<p><em>Elizabeth Hardwick no utiliza clich\u00e9s ni escribe con condescendencia. Tiene su propio estilo y si un supuesto ensayo de Hardwick resultara haber sido creado por la IA, probablemente la literatura habr\u00eda llegado a un callej\u00f3n sin salida.<\/em><\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_263465\" aria-describedby=\"caption-attachment-263465\" style=\"width: 342px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-263465\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/07\/Young-girl-reading-by-Jean-Honore-Fragonard-Wikimedia-Commons-Creative-Commons-License.jpg\" alt=\"\" width=\"342\" height=\"429\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/07\/Young-girl-reading-by-Jean-Honore-Fragonard-Wikimedia-Commons-Creative-Commons-License.jpg 774w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/07\/Young-girl-reading-by-Jean-Honore-Fragonard-Wikimedia-Commons-Creative-Commons-License-159x200.jpg 159w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/07\/Young-girl-reading-by-Jean-Honore-Fragonard-Wikimedia-Commons-Creative-Commons-License-431x541.jpg 431w\" sizes=\"auto, (max-width: 342px) 100vw, 342px\" \/><figcaption id=\"caption-attachment-263465\" class=\"wp-caption-text\">\u00abMujer joven leyendo\u00bb de Jean Honor\u00e9 Fragonard. <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Jean_Honor%C3%A9_Fragonard,_Young_Girl_Reading,_c._1769,_NGA_46303.jpg\">Wikimedia<\/a> Commons. <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Jean_Honor%C3%A9_Fragonard,_Young_Girl_Reading,_c._1769,_NGA_46303.jpg\">CCO License<\/a>..<\/figcaption><\/figure>\n<p><span style=\"color: #003366;\">Sean Sheehan<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>En \u00abThe art of the essay\u00bb, la primera pieza de <em>\u00abThe uncollected essays of Elizabeth Hardwick\u00bb <\/em>se refiere a \u00abla firma personal del solista que fluye a trav\u00e9s del texto\u00bb y su propia voz muy distintiva se escucha en estos ensayos.<\/p>\n<p>Nacida en 1916 en Lexington, Kentucky, creci\u00f3 con personas que \u00abse imaginan a s\u00ed mismas sure\u00f1as, se imaginan a s\u00ed mismas blancas\u00bb en la cari\u00f1osa creencia de que \u00e9sta es una respuesta a la pregunta de qui\u00e9nes son.<\/p>\n<p>Ella los ve como los aztecas con su dios p\u00e1jaro &#8211; \u00abprofec\u00edas que tra\u00edan dolor incesante eran sin embargo un consuelo diario\u00bb- pero esto no agria sus recuerdos.<\/p>\n<p>Su recuerdo del lugar roza la melancol\u00eda, en sinton\u00eda con la \u00abm\u00fasica tranquila y triste de la humanidad\u00bb de Wordworth, imperturbable ante la banal mediocridad de la ciudad.<\/p>\n<p>Maine era un lugar al que le gustaba escaparse, respondiendo a su lento despertar primaveral y encontrando \u00abun remanente puritano en sus placeres\u00bb; aprende que \u00abse puede esperar &#8211; y tambi\u00e9n se puede prescindir\u00bb.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-263463 alignright\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/07\/Book-cover.jpg\" alt=\"\" width=\"330\" height=\"528\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/07\/Book-cover.jpg 405w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/07\/Book-cover-125x200.jpg 125w\" sizes=\"auto, (max-width: 330px) 100vw, 330px\" \/>Hardwick se fija en la enigm\u00e1tica presencia que poseen determinados individuos: Faye Dunaway en la pantalla -piensa en <em>Chinatown<\/em>&#8211; \u00abcrea desasosiego, una dislocaci\u00f3n de los sentimientos\u00bb por la forma en que la actriz atrae la atenci\u00f3n a trav\u00e9s de la negaci\u00f3n: \u00abPor lo que no es\u00bb: un rostro liso y plano; unos ojos que se resisten a la empat\u00eda del espectador; una voz que dice muy poco (\u00abmuchos silencios, sombreros negros\u00bb); \u00abque expresa una soledad ins\u00f3lita, antirrom\u00e1ntica\u00bb.<\/p>\n<p>\u00abThe \u00c9migr\u00e9\u00bb, un ensayo sobre las contribuciones a EE.UU. de los inmigrantes, fue escrito en 1983 y da un peso sombr\u00edo a su uso de la palabra \u00abraro\u00bb en su frase final: \u00abLo que les ofrecimos y lo que recibimos a cambio se logr\u00f3 con un raro equilibrio hist\u00f3rico y humano\u00bb.<\/p>\n<p>Tres a\u00f1os m\u00e1s tarde, compone un desprecio visionario del racista sure\u00f1o George Wallace: \u00abSu ret\u00f3rica es astuta para comprender el resentimiento, pero no promete nada salvo el placer de ganar una pelea de bandas\u00bb.<\/p>\n<p>Entiende el atractivo del populismo, aprovechando las vidas descontentas e infelices: \u00abAlguien tiene que responder por la falta de alegr\u00eda\u00bb.<\/p>\n<p>Entiende el valor de la rutina y la repetici\u00f3n: sin ellas, cada nuevo d\u00eda ser\u00eda testigo de \u00abuna agotadora necesidad de descubrimiento y experimentaci\u00f3n\u00bb, y la mayor\u00eda de nosotros, supone, \u00abno podr\u00edamos soportar levantarnos sin el suspiro de una bendita monoton\u00eda que nos lleve durante parte de cada hora\u00bb.<\/p>\n<figure id=\"attachment_263469\" aria-describedby=\"caption-attachment-263469\" style=\"width: 450px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-263469\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/07\/Mujer-joven-leyendo-prensa-soledad-Pixabay.jpg\" alt=\"\" width=\"450\" height=\"300\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/07\/Mujer-joven-leyendo-prensa-soledad-Pixabay.jpg 1280w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/07\/Mujer-joven-leyendo-prensa-soledad-Pixabay-300x200.jpg 300w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/07\/Mujer-joven-leyendo-prensa-soledad-Pixabay-1024x682.jpg 1024w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/07\/Mujer-joven-leyendo-prensa-soledad-Pixabay-431x287.jpg 431w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/07\/Mujer-joven-leyendo-prensa-soledad-Pixabay-862x574.jpg 862w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><figcaption id=\"caption-attachment-263469\" class=\"wp-caption-text\">Foto: Pixabay<\/figcaption><\/figure>\n<p>Pero no cuando nos lleva a tener ideas fijas de nosotros mismos y de los que nos rodean. Pensar que &#8216;lo tenemos todo bien y colocado para siempre&#8217; -dice alguien cuyo marido durante 23 a\u00f1os la abandonar\u00eda abruptamente por otra mujer- &#8216;es la muerte'\u00bb.\u00a0 Hardwick no muri\u00f3 de un coraz\u00f3n roto y le sobrevivi\u00f3 30 a\u00f1os.<\/p>\n<p><em>\u00abThe uncollected essays of Elizabeth Hardwick\u00bb<\/em>, editado por Alex Andriesse, ha sido publicado por <a href=\"https:\/\/www.nyrb.com\/products\/the-uncollected-essays-of-elizabeth-hardwick\">New York Review of Books<\/a>.<\/p>\n<p><span style=\"color: #003366;\"><strong>(Traducido por Moncia del Pilar Uribe Marin)<\/strong> \u2013<br \/>\n<\/span><\/p>\n<div class=\"twttr_buttons\"><div class=\"twttr_twitter\">\n\t\t\t\t\t<a href=\"http:\/\/twitter.com\/share?text=Ensayos+de+distinci%C3%B3n\" class=\"twitter-share-button\" data-via=\"\" data-hashtags=\"\"  data-size=\"default\" data-url=\"https:\/\/theprisma.co.uk\/es\/2023\/07\/03\/ensayos-de-distincion\/\" data-dnt=\"true\" data-related=\"\" target=\"_blank\">Tweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Elizabeth Hardwick no utiliza clich\u00e9s ni escribe con condescendencia. Tiene su propio estilo y si un supuesto ensayo de Hardwick resultara haber sido creado por la IA, probablemente la literatura habr\u00eda llegado a un callej\u00f3n sin salida. &nbsp; Sean Sheehan &nbsp; En \u00abThe art of the essay\u00bb, la primera pieza [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":263470,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-263403","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ensayos de distinci\u00f3n - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/?p=263404\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ensayos de distinci\u00f3n\" \/>\n<meta property=\"og:description\" content=\"Elizabeth Hardwick no utiliza clich\u00e9s ni escribe con condescendencia. 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