{"id":264660,"date":"2023-08-07T00:25:05","date_gmt":"2023-08-06T23:25:05","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=264660"},"modified":"2023-08-08T05:55:04","modified_gmt":"2023-08-08T04:55:04","slug":"fotografia-internacional-capturando-comunidades","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2023\/08\/07\/fotografia-internacional-capturando-comunidades\/","title":{"rendered":"Fotograf\u00eda internacional: capturando comunidades"},"content":{"rendered":"

Dos notables series de fotograf\u00edas de Sirkka-Liisa Konttinen captan la vida de la clase trabajadora del noreste de Inglaterra en el \u00faltimo cuarto del siglo XX: \u00abByker\u00bb (1969-83), que toma el nombre de un barrio de Newcastle, y \u00abWriting in the Sand\u00bb (1978-98), sobre el tiempo libre en la costa local. <\/em><\/p>\n

 <\/p>\n

\"\"
Sirkka-Liisa Konttinen<\/figcaption><\/figure>\n

<\/b>Sean Sheehan<\/strong><\/span><\/p>\n

 <\/p>\n

Lleg\u00f3 a Inglaterra en los a\u00f1os sesenta desde su Finlandia natal por razones perfectamente comprensibles – \u00abLondres era el lugar de moda, y me hab\u00eda enamorado de los Beatles\u00bb- y abandon\u00f3 un curso de cine en Londres para unirse a un colectivo de fotograf\u00eda en Newcastle.<\/p>\n

En la arquitectura de esa ciudad, en la industria naval de la regi\u00f3n y en comunidades obreras como Byker, donde vivi\u00f3 durante siete a\u00f1os, descubri\u00f3 otro lugar \u00abdonde aquello estaba\u00bb, como explica en un v\u00eddeo de la Tate. En una \u00e9poca en la que la fotograf\u00eda documental, especialmente de la clase trabajadora, no era una forma de arte reconocida, el colectivo cre\u00f3 su propia galer\u00eda; Chris Killip<\/a> form\u00f3 parte de ella durante un tiempo.<\/p>\n

Las fotograf\u00edas de Sirkka-Liisa Konttinen son el tema de uno de los cuatro excelentes libros a precio asequible de la serie Tate Photography.<\/p>\n

\"\"
Sabelo Mlangeni<\/figcaption><\/figure>\n

Cada uno de ellos se abre con una sucinta introducci\u00f3n y una entrevista con el fot\u00f3grafo, en la que se ofrece informaci\u00f3n destacada sobre su trabajo y sus valores, seguida de una selecci\u00f3n de sus fotograf\u00edas.<\/p>\n

Cada uno de los cuatro se siente atra\u00eddo por comunidades que, por razones de clase y prejuicios sociales, no reciben el reconocimiento que merecen.<\/p>\n

Para Sabelo Mlangeni, nacido cerca de Johannesburgo en 1980, esto inclu\u00eda las zonas rurales de los alrededores de su ciudad natal y, en su serie \u00abMujeres invisibles\u00bb<\/em> (2006), las barrenderas nocturnas de Johannesburgo. Al igual que Konttinen tuvo que llegar a ser aceptado en Byker, Mlangeni tard\u00f3 ocho meses en conocer a los barrenderos, a veces barriendo junto a ellos con su c\u00e1mara dejada en casa.<\/p>\n

Aparecer como un simple visitante con c\u00e1mara, al modo de los documentales can\u00f3nicos, habr\u00eda sido una afrenta a lo que pretend\u00eda registrar. Para \u00abCountry girls\u00bb<\/em> (2003-9), fotografi\u00f3 comunidades queer en una zona rral donde creci\u00f3.<\/p>\n

\"\"
Sheba Chhachhi<\/figcaption><\/figure>\n

Sheba Chhachhi ha dado voz a las comunidades del sur de Asia mediante fotograf\u00edas escenificadas en colaboraci\u00f3n e instalaciones multimedia.<\/p>\n

Su primera fotograf\u00eda fue de una mujer asceta en la veranda de un templo por el que sol\u00eda pasar de camino a la universidad. De ella surgi\u00f3 \u00abInitiation chronicle\u00bb<\/em>, un proyecto sobre un grupo de mujeres sadhus (renunciantes religiosas), cuyas fotograf\u00edas y otras aparecen en el libro sobre ella. La entrevista con ella es fascinante.<\/p>\n

\"\"Liz Johnson Artur, la cuarta artista de la serie Tate Photography, se uni\u00f3 a los manifestantes en los actos de Black Lives Matter en Londres en 2020.<\/p>\n

En su entrevista explica c\u00f3mo y por qu\u00e9 fotografi\u00f3 los acontecimientos e imprimi\u00f3 su trabajo en ediciones en braille de dos libros que obran en su poder.<\/p>\n

Esperemos que sigan m\u00e1s libros en una valiosa serie que traza y celebra la fotograf\u00eda significativa de todo el mundo.<\/p>\n

Tate Photography: Sabelo Mlangeni<\/em>, Tate Photography: Liz Johnson-Artur<\/em>, Tate Photography: Sirkka-Liisa Konttinen<\/em>, Tate Photography: Sheba Chhachhi<\/em> \u00a0son publicados por Tate Publishing<\/a>.<\/p>\n

(Traducido por Camila M\u00e1rquez)<\/strong> – Fotograf\u00edas propiedad de Tate Publishing.<\/em><\/span><\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

Dos notables series de fotograf\u00edas de Sirkka-Liisa Konttinen captan la vida de la clase trabajadora del noreste de Inglaterra en el \u00faltimo cuarto del siglo XX: \u00abByker\u00bb (1969-83), que toma el nombre de un barrio de Newcastle, y \u00abWriting in the Sand\u00bb (1978-98), sobre el tiempo libre en la costa […]<\/p>\n","protected":false},"author":9,"featured_media":264672,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-264660","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"\nFotograf\u00eda internacional: capturando comunidades - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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