{"id":265391,"date":"2023-09-04T00:25:51","date_gmt":"2023-09-03T23:25:51","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=265391"},"modified":"2023-09-07T15:42:52","modified_gmt":"2023-09-07T14:42:52","slug":"un-conservador-simpatico","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2023\/09\/04\/un-conservador-simpatico\/","title":{"rendered":"Un conservador simp\u00e1tico"},"content":{"rendered":"<p><em>\u201cThe recognitions\u201d, de William Gaddis, existe desde 1955, pero -a lo que no ayuda el hecho de tener casi mil p\u00e1ginas- sigue siendo una novela que en su mayor parte no se lee. <\/em><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #003366;\"><strong><em><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-265418\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/09\/man-2590655_1920.jpg\" alt=\"\" width=\"515\" height=\"401\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/09\/man-2590655_1920.jpg 960w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/09\/man-2590655_1920-257x200.jpg 257w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/09\/man-2590655_1920-431x335.jpg 431w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/09\/man-2590655_1920-862x671.jpg 862w\" sizes=\"auto, (max-width: 515px) 100vw, 515px\" \/><\/em>Sean Sheehan<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Al igual que <em>\u00abUlises\u00bb<\/em>, parte de la raz\u00f3n por la que ha adquirido fama de dif\u00edcil es que los lectores navegan por los primeros cap\u00edtulos, pero luego se rinden gradualmente a lo que se considera una densidad de lenguaje y una trama serpenteante<\/p>\n<p>As\u00ed como la novela de Joyce puede disfrutarse hasta el final con la ayuda de anotaciones, <em>\u201cThe recognitions\u201d (Los reconocimientos)<\/em> puede leerse en su totalidad con la ayuda de la gu\u00eda del lector de Stephen Moore. Sin embargo, la ayuda, no es necesaria con los primeros cap\u00edtulos ambientados en los a\u00f1os veinte sobre el reverendo Gwynn y la muerte de su esposa a causa de una apendicitis y un falso m\u00e9dico.<\/p>\n<p>El hijo de Gwynn, Wyatt, se cr\u00eda con la ayuda de una t\u00eda ultrarreligiosa, pero \u00e9l se desentiende de su fundamentalismo y se dedica a pintar falsificaciones de viejos maestros, encontrando y reconociendo la originalidad a trav\u00e9s de la imitaci\u00f3n.<\/p>\n<p><em><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-265402 alignright\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/09\/cover.jpg\" alt=\"\" width=\"338\" height=\"499\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/09\/cover.jpg 338w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/09\/cover-135x200.jpg 135w\" sizes=\"auto, (max-width: 338px) 100vw, 338px\" \/><\/em>Existe la tentaci\u00f3n de hojear y saltarse secciones de la novela, y los res\u00famenes en l\u00ednea de Moore son \u00fatiles para retomar el hilo y terminar lo que es un aspirante al libro de cabecera por excelencia.<\/p>\n<p>La curiosidad sobre el autor le llevar\u00e1 a <em><a href=\"https:\/\/www.nyrb.com\/products\/the-letters-of-william-gaddis\">\u201cThe letters of William Gaddis<\/a><\/em><em>\u201d (<\/em><em>Las cartas de William Gaddis)<\/em>, que revelan a un hombre singular cuyos a\u00f1os de juventud estuvieron dedicados a una obsesi\u00f3n por viajar, primero por su pa\u00eds y luego por M\u00e9xico, Am\u00e9rica Central y Europa, financiada en parte con el dinero que su madre le ped\u00eda constantemente.<\/p>\n<p>Cuando regresa a Nueva York, en 1951 ingresa en una biblioteca y lee sobre \u00abfalsificaciones, imitaciones, imposturas y fraudes\u00bb, que se convertir\u00e1n en el tema de su novela. Cuatro a\u00f1os m\u00e1s tarde, aparentemente ajeno a lo ocurrido en Hiroshima y Nagasaki, env\u00eda una copia a Robert Oppenheimer, elogiando al f\u00edsico por un discurso que pronunci\u00f3 <a href=\"https:\/\/www.findingpatterns.info\/scrapbook\/prospects-in-the-arts-and-sciences-j-r-oppenheimer.html\">(disponible aqu\u00ed)<\/a> en un acto universitario.<\/p>\n<p>Gaddis, citando a Oppenheimer, dice que su novela muestra \u00abla integridad de lo \u00edntimo, de lo detallado, del verdadero arte, la integridad de la artesan\u00eda y la preservaci\u00f3n de lo familiar, de lo humor\u00edstico y de lo bello\u00bb.<\/p>\n<p>Estas palabras (por extra\u00f1a que sea la est\u00e9tica de la mente del m\u00e1ximo fabricante de bombas) permiten entender <em>\u201cThe recognitions\u201d <\/em>como la obra de un conservador desilusionado y at\u00f3nito por vivir en un mundo ca\u00eddo.<\/p>\n<p>La riqueza de alusiones literarias y culturales de la novela encarna la idea del arte como resistencia a una cultura de la mercanc\u00eda en la que la producci\u00f3n, como dice uno de sus personajes, se dise\u00f1a \u00abpensando s\u00f3lo en su desgaste y sustituci\u00f3n, y en que esa sustituci\u00f3n sea sustituida\u00bb.<\/p>\n<p><em><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-265420\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/09\/fLOR-PINTURA-SURREAL-PIXABAY.jpg\" alt=\"\" width=\"516\" height=\"345\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/09\/fLOR-PINTURA-SURREAL-PIXABAY.jpg 1076w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/09\/fLOR-PINTURA-SURREAL-PIXABAY-300x200.jpg 300w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/09\/fLOR-PINTURA-SURREAL-PIXABAY-1024x685.jpg 1024w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/09\/fLOR-PINTURA-SURREAL-PIXABAY-431x288.jpg 431w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/09\/fLOR-PINTURA-SURREAL-PIXABAY-862x577.jpg 862w\" sizes=\"auto, (max-width: 516px) 100vw, 516px\" \/><\/em>Cuando se encuentra una pieza rota de cer\u00e1mica de una colonia romana del norte de \u00c1frica, su valor de uso, como algo hecho para durar, trasciende su valor de cambio y la \u00abtiran\u00eda de la empresa comercial\u00bb. En una carta a un amigo editor y a su esposa, se pregunta \u00ab\u00bfpor qu\u00e9 soy siempre el Mejor Escritor Desconocido de Am\u00e9rica?\u00bb.<\/p>\n<p><em>\u201cThe recognitions\u201d<\/em>, de William Gaddis, est\u00e1 publicado por <a href=\"https:\/\/www.nyrb.com\/products\/the-recognitions\">New York Review of Books<\/a> y tambi\u00e9n lo est\u00e1 <em><a href=\"https:\/\/www.nyrb.com\/products\/the-letters-of-william-gaddis\">\u201cThe letters of William Gaddis<\/a>\u201d<\/em>.<\/p>\n<p><span style=\"color: #003366;\"><strong>(Traducido por Monica del Pilar Uribe Marin)<\/strong> <em>\u2013 Fotos: Pixabay<br \/>\n<\/em><\/span><\/p>\n<div class=\"twttr_buttons\"><div class=\"twttr_twitter\">\n\t\t\t\t\t<a href=\"http:\/\/twitter.com\/share?text=Un+conservador+simp%C3%A1tico\" class=\"twitter-share-button\" data-via=\"\" data-hashtags=\"\"  data-size=\"default\" data-url=\"https:\/\/theprisma.co.uk\/es\/2023\/09\/04\/un-conservador-simpatico\/\" data-dnt=\"true\" data-related=\"\" target=\"_blank\">Tweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>\u201cThe recognitions\u201d, de William Gaddis, existe desde 1955, pero -a lo que no ayuda el hecho de tener casi mil p\u00e1ginas- sigue siendo una novela que en su mayor parte no se lee. &nbsp; Sean Sheehan &nbsp; Al igual que \u00abUlises\u00bb, parte de la raz\u00f3n por la que ha adquirido [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":265421,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-265391","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - 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