{"id":265497,"date":"2023-09-04T00:28:05","date_gmt":"2023-09-03T23:28:05","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=265497"},"modified":"2023-09-08T11:35:08","modified_gmt":"2023-09-08T10:35:08","slug":"visiones-de-haiti","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2023\/09\/04\/visiones-de-haiti\/","title":{"rendered":"Visiones de Hait\u00ed"},"content":{"rendered":"

Entre el 18 y el 31 de octubre se llevar\u00e1 a cabo una celebraci\u00f3n de este pa\u00eds castigado repetidamente por su historia, que explora c\u00f3mo artistas y cineastas han respondido a la cultura, la historia y la resistencia del pa\u00eds a lo largo de siete d\u00e9cadas. Se trata de una oportunidad \u00fanica de conocer la producci\u00f3n cinematogr\u00e1fica, que en otros tiempos no era una prioridad frente a los retos cotidianos del pa\u00eds.<\/em><\/p>\n

 <\/p>\n

\"\"
\u00abFreda\u00bb, dirigida por Gessica G\u00e9n\u00e9us.<\/figcaption><\/figure>\n

Sarah Harvey<\/span><\/strong><\/p>\n

 <\/p>\n

El acto est\u00e1 organizado por Barbican Cinema e incluye en su programa pel\u00edculas, lecturas de poes\u00eda y debates que celebran la belleza y la complejidad de Hait\u00ed.<\/p>\n

Visiones de Hait\u00ed<\/em> ofrece una oportunidad \u00fanica de ver pel\u00edculas sobre el pa\u00eds y realizadas por cineastas del pa\u00eds, ofreciendo un retrato aut\u00e9ntico y polifac\u00e9tico de esta naci\u00f3n caribe\u00f1a.<\/p>\n

La temporada abarca unos 70 a\u00f1os de material, desde los diarios de viaje de Rudy Burckhard de los a\u00f1os 30 hasta los premiados cineastas contempor\u00e1neos nacidos en Hait\u00ed y Esery Mondesir. Gessica G\u00e9n\u00e9us y Miryam Charles.<\/p>\n

Visiones de Hait\u00ed<\/em> se inaugura con una proyecci\u00f3n doble: \u201cA fortress\u200b\/Une forteresse\u201d<\/em>, de la guionista y directora canadiense de origen haitiano Miryam Charles, y \u201cWhite zombie\u201d<\/em>, de Victor Halperin, considerada la primera pel\u00edcula de zombis de Hollywood. Ambas pel\u00edculas exploran los fantasmas del pasado colonial de Hait\u00ed de formas muy diferentes, canalizando elementos de la religi\u00f3n vud\u00fa del pa\u00eds. Este acto se inaugura con lecturas de poemas reci\u00e9n encargados por antiguos alumnos de Barbican Young Poets. M\u00e1s adelante, se proyectar\u00e1 la \u00f3pera prima de Miryam Charles, \u201cCette maison\u201d<\/em>, precedida de una lectura de poemas a cargo de la poeta y artista Esme Allman.<\/p>\n

\"\"
\u00abHaitian Corner\u00bb, dirigida por Raoul Peck.<\/em><\/figcaption><\/figure>\n

Outsider Lenses<\/em> presenta tres obras de cineastas afincados en Estados Unidos, todas ellas destinadas a documentar y comprender las costumbres y la vida cotidiana de las comunidades haitianas con las que se encuentran: \u201cHaiti\u201d<\/em> (1938) de Rudy Burckhardt; el innovador documental \u201cDivine horsemen: The living gods of Haiti\u201d<\/em> \u00a0(1954) de Maya Deren; y \u201cChants and dances for hand\u201d<\/em> (1991-2016) de Larry Gottheim.<\/p>\n

Tambi\u00e9n se proyectan: \u201cHait\u00ed: The way to freedom \/ Ayiti men chimin libete\u201d<\/em>, una pel\u00edcula militante de uno de los documentalistas m\u00e1s famosos de Hait\u00ed, Arnold Antonin, que se considera el primer largometraje haitiano; y la \u00f3pera prima de Raoul Peck, \u201cHaitian corner\u201d<\/em> \u00a0(1988), que cuenta la historia de un emigrante haitiano que, tras abandonar su pa\u00eds de origen, es perseguido por los recuerdos de su encarcelamiento y busca vengarse de su verdugo.<\/p>\n

Para Matthew Barrington, curador del Barbican Cinema, afirma que \u00abA lo largo de los a\u00f1os se han realizado muchas obras interesantes de cineastas o artistas haitianos que responden a elementos de la cultura haitiana, pero nunca se ha prestado demasiada atenci\u00f3n a ellos; por eso quer\u00eda crear este ciclo\u00bb.<\/p>\n

\"\"
\u00abCette maison\u00bb, dirigida por <\/em> Miryam Charles<\/figcaption><\/figure>\n

Explica que una de las razones por las que a menudo se pasan por alto estas historias se \u201cremonta a la Revoluci\u00f3n Haitiana (1791-1804), en la que los esclavos del pa\u00eds, liderados por Toussaint Louverture, se alzaron contra los colonizadores franceses y tomaron el poder, convirti\u00e9ndose en el primer pa\u00eds fundado por antiguos esclavos. Pero, temiendo otras revueltas, muchas potencias europeas condenaron a la naci\u00f3n al ostracismo y la agobiaron con enormes deudas, dejando a la poblaci\u00f3n en dificultades financieras, un legado que contin\u00faa hoy en d\u00eda\u201d.<\/p>\n

Es un pa\u00eds que ha sido castigado repetidamente por su historia. Tras la revoluci\u00f3n, uno de los mayores problemas fue que el pa\u00eds tuvo que pagar a Francia una enorme suma de dinero por su libertad, que tard\u00f3 122 a\u00f1os en saldarse. Barrington \u00a0dice que, a lo largo de los a\u00f1os, se han extra\u00eddo enormes cantidades de recursos del pa\u00eds, creando inestabilidad. En consecuencia, la producci\u00f3n cinematogr\u00e1fica nacional no era realmente una prioridad frente a los retos cotidianos\u00bb.<\/p>\n

Pata ver la programaci\u00f3n completa delas proyecciones haga clic aqu\u00ed<\/a>. Para m\u00e1s informaci\u00f3n, haga clic aqu\u00ed<\/a>.<\/p>\n

(Fotos suministradas por Ofina de Prensa \/ Sara Harvey)<\/span><\/em><\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

Entre el 18 y el 31 de octubre se llevar\u00e1 a cabo una celebraci\u00f3n de este pa\u00eds castigado repetidamente por su historia, que explora c\u00f3mo artistas y cineastas han respondido a la cultura, la historia y la resistencia del pa\u00eds a lo largo de siete d\u00e9cadas. Se trata de una […]<\/p>\n","protected":false},"author":9,"featured_media":265502,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25,24,10,15],"tags":[],"class_list":["post-265497","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cinema","category-cultura","category-globo","category-reino-unido"],"yoast_head":"\nVisiones de Hait\u00ed - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/es\/2023\/09\/04\/visiones-de-haiti\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Visiones de Hait\u00ed\" \/>\n<meta property=\"og:description\" content=\"Entre el 18 y el 31 de octubre se llevar\u00e1 a cabo una celebraci\u00f3n de este pa\u00eds castigado repetidamente por su historia, que explora c\u00f3mo artistas y cineastas han respondido a la cultura, la historia y la resistencia del pa\u00eds a lo largo de siete d\u00e9cadas. Se trata de una oportunidad \u00fanica de conocer la producci\u00f3n cinematogr\u00e1fica, que en otros tiempos no era una prioridad frente a los retos cotidianos del pa\u00eds.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/theprisma.co.uk\/es\/2023\/09\/04\/visiones-de-haiti\/\" \/>\n<meta property=\"og:site_name\" content=\"ThePrisma.co.uk\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper\" \/>\n<meta property=\"article:published_time\" content=\"2023-09-03T23:28:05+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-09-08T10:35:08+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/09\/Freda-Director-Gessica-Geneus.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1380\" \/>\n\t<meta property=\"og:image:height\" content=\"776\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"ThePrisma\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Visiones de Hait\u00ed\" \/>\n<meta name=\"twitter:description\" content=\"Entre el 18 y el 31 de octubre se llevar\u00e1 a cabo una celebraci\u00f3n de este pa\u00eds castigado repetidamente por su historia, que explora c\u00f3mo artistas y cineastas han respondido a la cultura, la historia y la resistencia del pa\u00eds a lo largo de siete d\u00e9cadas. 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