{"id":266951,"date":"2023-10-23T00:25:15","date_gmt":"2023-10-22T23:25:15","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=266951"},"modified":"2023-10-21T23:11:00","modified_gmt":"2023-10-21T22:11:00","slug":"no-hay-que-pedir-perdon","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2023\/10\/23\/no-hay-que-pedir-perdon\/","title":{"rendered":"No hay que pedir perd\u00f3n"},"content":{"rendered":"<p><em>\u00abTo 2040\u00bb de Jorie Graham, que da t\u00edtulo a su \u00faltimo poemario, es una visi\u00f3n aterradora de lo que vendr\u00e1 despu\u00e9s del colapso ecol\u00f3gico al que nos aboca el actual orden econ\u00f3mico.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #003366;\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-266962 alignright\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/10\/Image-by-MariaD42530-from-Pixabay-1.jpg\" alt=\"\" width=\"518\" height=\"376\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/10\/Image-by-MariaD42530-from-Pixabay-1.jpg 1257w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/10\/Image-by-MariaD42530-from-Pixabay-1-276x200.jpg 276w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/10\/Image-by-MariaD42530-from-Pixabay-1-1024x742.jpg 1024w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/10\/Image-by-MariaD42530-from-Pixabay-1-431x312.jpg 431w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/10\/Image-by-MariaD42530-from-Pixabay-1-862x625.jpg 862w\" sizes=\"auto, (max-width: 518px) 100vw, 518px\" \/>Sean Sheehan<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>El sentido humano del paso del tiempo est\u00e1 en peligro, los minutos se vuelven indistinguibles unos de otros y, a medida que la divisi\u00f3n d\u00eda\/noche pierde su car\u00e1cter distintivo, lo \u00fanico que queda es el deseo de \u00abhacer florecer de nuevo el d\u00eda como un trozo de tiempo\u00bb. Si esto suena apocal\u00edptico, es porque lo es; m\u00e1s exactamente, los poemas se sit\u00faan en el futuro, en un paisaje postapocal\u00edptico donde no hay futuro porque las predicciones de un desastre ecol\u00f3gico han dado sus frutos muertos.<\/p>\n<p>En poes\u00eda, que difiere de la prosa en el uso de las l\u00edneas, la divisi\u00f3n entre ellas importa mucho. El uso que Graham hace de la lineaci\u00f3n es transformador, como en el primer poema de su nueva colecci\u00f3n, en el que el comienzo de una pregunta, impl\u00edcita en su t\u00edtulo \u00abAre We\u00bb, se completa en la primera estrofa, donde engendra m\u00e1s preguntas:<\/p>\n<p><span style=\"color: #003366;\"><em>SOMOS \/ <\/em><em>Extintos a\u00fan. Qui\u00e9n posee \/ <\/em><em>el mapa. Puedo \/ <\/em><em>mirar.<\/em><\/span><\/p>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-266971 alignleft\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/10\/book-cover.jpg\" alt=\"\" width=\"358\" height=\"449\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/10\/book-cover.jpg 796w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/10\/book-cover-159x200.jpg 159w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/10\/book-cover-431x541.jpg 431w\" sizes=\"auto, (max-width: 358px) 100vw, 358px\" \/><\/strong>El abandono de las sutilezas po\u00e9ticas -la convenci\u00f3n establece que los t\u00edtulos se separen del poema propiamente dicho- resulta totalmente apropiado ante el colapso social y medioambiental. La prosodia, el patr\u00f3n de acentuaci\u00f3n y entonaci\u00f3n del lenguaje, reclama una nueva voz, una nueva cadencia, en un mundo dislocado con una realidad temporal rota y una cartograf\u00eda desconocida.<\/p>\n<p>El poema, On the last day, habla de una \u00abrara estrechez inefable\u00bb que queda fuera del c\u00e1lculo &#8211; \u00abpor debajo de los n\u00fameros\u00bb-, un recordatorio del peligro que se mantiene oculto tras la m\u00e1scara de los pol\u00edticos y la industria que manipulan los datos para dar la impresi\u00f3n de que el cambio clim\u00e1tico puede gestionarse sin cambios radicales.<\/p>\n<p>Tambi\u00e9n se refiere a la forma en que el lenguaje evita aceptar la verdad &#8211; \u00ablos alfabetos y sus colmenas, enjambres\u00bb-, mientras que otro poema, \u00abYo\u00bb, se detiene en la mentira f\u00e1cil y autoenga\u00f1osa de que podemos mirar dentro de nosotros mismos y encontrar un yo verdadero:<\/p>\n<p><span style=\"color: #003366;\"><em>Yo \/ <\/em><em>Me conozco \/ <\/em><em>me digo \/ <\/em><em>a m\u00ed mismo \/ <\/em><em>no puedo \/ <\/em><em>extraviado<\/em><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-266964 alignleft\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/10\/Image-by-Alexander-Roy-from-Pixabay.jpg\" alt=\"\" width=\"358\" height=\"638\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/10\/Image-by-Alexander-Roy-from-Pixabay.jpg 1123w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/10\/Image-by-Alexander-Roy-from-Pixabay-112x200.jpg 112w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/10\/Image-by-Alexander-Roy-from-Pixabay-575x1024.jpg 575w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/10\/Image-by-Alexander-Roy-from-Pixabay-862x1535.jpg 862w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/10\/Image-by-Alexander-Roy-from-Pixabay-431x768.jpg 431w\" sizes=\"auto, (max-width: 358px) 100vw, 358px\" \/>La introspecci\u00f3n descubre a \u00abalguien m\u00e1s ah\u00ed dentro\u00bb con \u00abla voluntad en sus\/ ojos desenfrenada como una vela \/ en el viento\u00bb &#8211; esa parte de nosotros mismos que no hace caso a las advertencias del colapso ecol\u00f3gico.<\/p>\n<p><em>&#8230;T\u00fa ah\u00ed detr\u00e1s, \u00bfest\u00e1s ah\u00ed detr\u00e1s escuch\u00e1ndome?<\/em><\/p>\n<p><em>soy audible \u00bfqu\u00e9 hago<\/em><\/p>\n<p><em>hago para que esto<\/em><\/p>\n<p><em>audible no te olvides de pedir cuando te llegue la hora de la presencia.<\/em><\/p>\n<p><em>No pidas perd\u00f3n&#8230;<\/em><\/p>\n<p>La sintaxis y el escaso lirismo de Graham son una voz po\u00e9tica que se hace eco de la urgencia que anima Extinction Rebellion y le aporta una singular evocaci\u00f3n de lo que ella llama, en I catch sight of the Now, \u00abThe roomlessness of your suddenly\u00bb.<\/p>\n<p>Se encuentra en una ducha y observa el vapor en el cristal: \u00abel deslizamiento de siempre &amp; para siempre\u00bb, el paso de un momento irrecuperable que es \u00abs\u00f3lo el planeta \/ girando una y otra vez dentro y fuera de la \/ oscuridad que no es en s\u00ed misma realmente oscura \/ en absoluto\u00bb.<\/p>\n<p><em>\u00abTo 2040\u00bb<\/em>, de Jorrie Graham, ha sido publicado por <a href=\"https:\/\/www.carcanet.co.uk\/cgi-bin\/indexer?product=2462\">Carcanet.<\/a><\/p>\n<p><span style=\"color: #003366;\"><strong>(Traducido por Caila Marquez)<\/strong> &#8211; <em>Fotos Pixabay<\/em><\/span><\/p>\n<div class=\"twttr_buttons\"><div class=\"twttr_twitter\">\n\t\t\t\t\t<a href=\"http:\/\/twitter.com\/share?text=No+hay+que+pedir+perd%C3%B3n\" class=\"twitter-share-button\" data-via=\"\" data-hashtags=\"\"  data-size=\"default\" data-url=\"https:\/\/theprisma.co.uk\/es\/2023\/10\/23\/no-hay-que-pedir-perdon\/\" data-dnt=\"true\" data-related=\"\" target=\"_blank\">Tweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>\u00abTo 2040\u00bb de Jorie Graham, que da t\u00edtulo a su \u00faltimo poemario, es una visi\u00f3n aterradora de lo que vendr\u00e1 despu\u00e9s del colapso ecol\u00f3gico al que nos aboca el actual orden econ\u00f3mico. &nbsp; Sean Sheehan &nbsp; El sentido humano del paso del tiempo est\u00e1 en peligro, los minutos se vuelven [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":266963,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-266951","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - 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