{"id":270470,"date":"2024-02-12T00:28:33","date_gmt":"2024-02-12T00:28:33","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=270470"},"modified":"2024-02-11T03:23:31","modified_gmt":"2024-02-11T03:23:31","slug":"hrwff-enfrentando-a-los-sistemas-de-poder","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2024\/02\/12\/hrwff-enfrentando-a-los-sistemas-de-poder\/","title":{"rendered":"HRWFF: Enfrentando a los sistemas de poder"},"content":{"rendered":"

El Festival de Cine de Human Rights Watch, que celebra su 28\u00aa edici\u00f3n en Londres, presenta un cartel de 10 largometrajes internacionales galardonados. <\/em>Se proyectar\u00e1n del 14 al 24 de marzo en Londres.<\/em><\/p>\n

\u00a0<\/em><\/p>\n

\"\"
\u201cCoconut head generation\u201d<\/figcaption><\/figure>\n

Informaci\u00f3n: Sarah Harvey<\/strong>
\n\u00a0<\/em><\/span><\/p>\n

El programa del festival, presentado en el Barbican y Rich Mix, incluye preguntas y respuestas en profundidad y mesas redondas con cineastas, participantes en las pel\u00edculas, activistas e investigadores de Human Rights Watch tras todas las proyecciones. La mayor parte del programa tambi\u00e9n se retransmitir\u00e1 en directo en el Reino Unido e Irlanda a trav\u00e9s del sitio web del festival del 18 al 24 de marzo.<\/p>\n

La edici\u00f3n de este a\u00f1o celebra la convergencia del arte y los derechos humanos y destaca el papel de la juventud a la hora de enfrentarse a los sistemas de poder.<\/p>\n

John Biaggi, director del Festival de Cine de Human Rights Watch, dice: \u00abEste a\u00f1o, nuestro programa de siete documentales y tres obras dram\u00e1ticas pone de relieve la energ\u00eda y la determinaci\u00f3n de los j\u00f3venes, el arte y los derechos humanos y los sistemas de poder opuestos, contados a trav\u00e9s de la lente de mujeres y ni\u00f1as, j\u00f3venes queer y trans, activistas medioambientales ind\u00edgenas y artistas exiliados\u00bb.<\/p>\n

Los actos de inauguraci\u00f3n y clausura tendr\u00e1n lugar en el Barbican, y a ambos asistir\u00e1n en persona los cineastas y expertos ponentes.<\/p>\n

\"\"
\u00abAfter the fire\u00bb<\/figcaption><\/figure>\n

La pel\u00edcula inaugural, \u00abMediha\u00bb<\/em>, realizada por el documentalista Hasan Oswald, es un relato \u00edntimo y conmovedor de Mediha Alhamad, una adolescente yazid\u00ed que acaba de regresar del cautiverio del Estado Isl\u00e1mico (EI) y que se pone a s\u00ed misma delante de la c\u00e1mara para investigar los cr\u00edmenes cometidos contra ella y, de paso, defender a su familia y al pueblo yazid\u00ed.<\/p>\n

En la pel\u00edcula de la noche de clausura, \u00abSummer Qamp\u00bb<\/em>, la cineasta no binaria Jen Markovitz ofrece una visi\u00f3n edificante, divertida y conmovedora del Campamento fYrefly en los bosques de Alberta, Canad\u00e1, donde los adolescentes LGBTQ+ exploran su aut\u00e9ntico yo, hacen amigos y construyen una comunidad, lejos de la feroz batalla pol\u00edtica que se libra contra ellos.<\/p>\n

La energ\u00eda y el poder de los j\u00f3venes contin\u00faan en otros dos t\u00edtulos del festival: \u00abLa generaci\u00f3n de la cabeza de coco\u00bb<\/em>, dirigida por Alain Kassanda, ofrece asientos de primera fila para debates animados, pol\u00edticos y apasionados en un club de cine estudiantil de Nigeria, en los que se abordan cuestiones cr\u00edticas a las que se enfrentan los j\u00f3venes de hoy: desde el colonialismo a la corrupci\u00f3n gubernamental, pasando por el g\u00e9nero y la igualdad.<\/p>\n

\"\"
\u00abInshallah a boy\u00bb<\/figcaption><\/figure>\n

En uno de los tres dramas del festival de este a\u00f1o, \u00abPower Alley\u00bb<\/em>, dirigido por Lillah Halla, muestra a un joven y vibrante equipo de voleibol LGBTQ+ de Brasil que se apoya y lucha por la dignidad y los derechos de los dem\u00e1s, especialmente cuando uno de sus miembros debe abortar en un pa\u00eds donde est\u00e1 penalizado en la mayor\u00eda de los casos.<\/p>\n

Decir la verdad al poder es el tema central de cuatro pel\u00edculas del festival, entre las que destacan dos dramas. La \u00f3pera prima de Mehdi Fikri, ex periodista reconvertido en director de largometrajes, \u00abAfter the fire\u00bb<\/em>, es una mirada devastadora a la lucha de una familia por la verdad y la justicia tras la muerte de su hijo a manos de la polic\u00eda, que descorre el tel\u00f3n sobre la historia de perfiles raciales y violencia policial en Francia. Inshallah a Boy, dirigida por Amjad Al Rasheed, presenta a Nawal, una poderosa madre jordana cuyo marido fallece inesperadamente, lo que le obliga a luchar contra un sistema legal patriarcal y los intentos de su cu\u00f1ado de reclamar todos sus bienes y la tutela de su hija.<\/p>\n

En el documental \u00abLand of my dreams\u00bb<\/em> (La tierra de mis sue\u00f1os), la cineasta Nausheen Khan recurre a su identidad como mujer musulmana india. Capta \u00edntimamente a mujeres intergeneracionales y multiconfesionales al frente de un movimiento nacional de resistencia no violenta, que comenz\u00f3 en Shaheen Bagh, un barrio musulm\u00e1n de Delhi, para protestar contra la Ley de Enmienda de la Ciudadan\u00eda del gobierno indio, que discrimina abiertamente a los musulmanes.<\/p>\n

\"\"
\u00abLand of my dreams\u00bb<\/figcaption><\/figure>\n

\u00abSomos guardianes\u00bb<\/em>, codirigida por Edivan Guajajara, Chelsea Greene y Rob Grobman, se centra en el trabajo esencial y peligroso de los guardianes ind\u00edgenas de los bosques que luchan contra la indiferencia gubernamental, las empresas agr\u00edcolas con conexiones pol\u00edticas, los ganaderos y los madereros ilegales en su lucha por proteger sus tierras tradicionales en la cada vez m\u00e1s vulnerable selva amaz\u00f3nica.<\/p>\n

La intersecci\u00f3n entre arte y derechos humanos queda patente en dos pel\u00edculas del festival. \u00abUna revoluci\u00f3n sobre lienzo\u00bb<\/em> es un perfil de uno de los artistas m\u00e1s revolucionarios de Ir\u00e1n, Nickzad (Nicky) Nodjoumi. Los cineastas Sara Nodjoumi, su hija, y Till Schauder crean un rico tapiz de historia familiar, libertad art\u00edstica, pol\u00edtica y persecuci\u00f3n que revela con audacia el poder del arte en la lucha por los derechos humanos. \u00ab\u00c1rbol de la violencia\u00bb<\/em>, dirigida por Anna Moiseenko, da vida al trabajo de la artista gr\u00e1fica y activista rusa Victoria (Vika) Lomasko a trav\u00e9s de una impactante mezcla de animaci\u00f3n.<\/p>\n

La pel\u00edcula sigue a Vika en su investigaci\u00f3n de la conexi\u00f3n entre la violencia dom\u00e9stica y estatal y el patriarcado a trav\u00e9s de su arte, mientras se desarrolla la invasi\u00f3n de Ucrania y su seguridad personal en su patria se hace cada vez menos segura.<\/p>\n

\"\"
\u00abSummer Qamp\u00bb<\/figcaption><\/figure>\n

Por otro lado, se sabe que cinco de las pel\u00edculas del festival de este a\u00f1o contar\u00e1n con audiodescripci\u00f3n y se proyectar\u00e1n con subt\u00edtulos, con transcripci\u00f3n en directo de las conversaciones posteriores. Consulte en la web las especificaciones de accesibilidad de cada pel\u00edcula de la programaci\u00f3n.<\/p>\n

M\u00e1s informaci\u00f3n sobre las proyecciones y los debates: : \u00a0The Human Rights Watch Film Festival<\/a>, #HRWFFLDN @hrwfilmfestival<\/p>\n

(Fotos: Oficina de prensa del festival)<\/em><\/span><\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

El Festival de Cine de Human Rights Watch, que celebra su 28\u00aa edici\u00f3n en Londres, presenta un cartel de 10 largometrajes internacionales galardonados. Se proyectar\u00e1n del 14 al 24 de marzo en Londres. \u00a0 Informaci\u00f3n: Sarah Harvey \u00a0 El programa del festival, presentado en el Barbican y Rich Mix, incluye […]<\/p>\n","protected":false},"author":9,"featured_media":270480,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25,24,10,15],"tags":[],"class_list":["post-270470","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cinema","category-cultura","category-globo","category-reino-unido"],"yoast_head":"\nHRWFF: Enfrentando a los sistemas de poder - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/?p=270471\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"HRWFF: Enfrentando a los sistemas de poder\" \/>\n<meta property=\"og:description\" content=\"HRWFF: Enfrentando a los sistemas de poder\" \/>\n<meta property=\"og:url\" content=\"https:\/\/theprisma.co.uk\/?p=270471\" \/>\n<meta property=\"og:site_name\" content=\"ThePrisma.co.uk\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper\" \/>\n<meta property=\"article:published_time\" content=\"2024-02-12T00:28:33+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/02\/HRWFF-photos-Sarah-Harvey-Land-of-my-dreams.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"760\" \/>\n\t<meta property=\"og:image:height\" content=\"480\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"ThePrisma\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:site\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"ThePrisma\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=270471#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=270471\"},\"author\":{\"name\":\"ThePrisma\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/person\\\/24f5091d3dc50052d73cbea6ecd09df7\"},\"headline\":\"HRWFF: Enfrentando a los sistemas de poder\",\"datePublished\":\"2024-02-12T00:28:33+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=270471\"},\"wordCount\":1076,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=270471#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/HRWFF-photos-Sarah-Harvey-1.jpg\",\"articleSection\":[\"Cinema\",\"Cultura\",\"Globo\",\"Reino Unido\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/theprisma.co.uk\\\/?p=270471#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=270471\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=270471\",\"name\":\"HRWFF: Enfrentando a los sistemas de poder - 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