{"id":270812,"date":"2024-02-26T00:25:14","date_gmt":"2024-02-26T00:25:14","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=270812"},"modified":"2024-02-22T22:20:52","modified_gmt":"2024-02-22T22:20:52","slug":"una-aproximacion-genetica-a-james-joyce","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2024\/02\/26\/una-aproximacion-genetica-a-james-joyce\/","title":{"rendered":"Una aproximaci\u00f3n gen\u00e9tica a James Joyce"},"content":{"rendered":"<p><em>Un enfoque gen\u00e9tico de una obra literaria examina lo que se escribi\u00f3 antes de la versi\u00f3n final, publicada, de la obra: cuadernos, borradores, correspondencia y cualquier otra cosa que pueda ofrecer pistas sobre c\u00f3mo un escritor lleg\u00f3 a la fase final de su obra.<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><span style=\"color: #003366;\"><strong><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-270820 alignright\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/02\/09122022190119_500x500.jpg\" alt=\"\" width=\"338\" height=\"509\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/02\/09122022190119_500x500.jpg 332w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/02\/09122022190119_500x500-133x200.jpg 133w\" sizes=\"auto, (max-width: 338px) 100vw, 338px\" \/>Sean Sheehan<\/strong><\/span><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p>Este nivel de investigaci\u00f3n no siempre es posible porque las huellas se han perdido, pero en el caso de James Joyce ha demostrado ser una forma muy eficaz de comprender y apreciar su escritura.<\/p>\n<p>El pasaje \u00abAnna Livia Plurabelle\u00bb de <em>\u201cFinnegans Wake\u201d<\/em> de Joyce, por ejemplo, fue redactado en 1924 y revisado al menos diecisiete veces en los catorce a\u00f1os siguientes.<\/p>\n<p>La conversaci\u00f3n que registra entre dos lavanderas de Dubl\u00edn se fue profundizando gradualmente mediante la adici\u00f3n de elementos multiling\u00fces y los nombres de los r\u00edos, de modo que \u00abGo on, go on\u00bb -una de las mujeres insta a la otra a continuar la historia- se convirti\u00f3 en \u00abGaronne, Garonne\u00bb; luego se a\u00f1ade \u00abI amstel waiting\u00bb, pero como \u00abI amstel waiting\u00bb.<\/p>\n<p>El texto final (\u00abI Amstel waiting. Garonne, Garonne\u00bb) expresa el mismo impulso de continuar la historia, pero con alusiones a un r\u00edo holand\u00e9s y otro franc\u00e9s.<\/p>\n<p><em>\u00abJoyce gen\u00e9tico\u00bb<\/em> sigue diferentes senderos para mostrar c\u00f3mo Joyce se dedic\u00f3 a escribir, y el libro es especialmente bueno a la hora de revelar la transici\u00f3n de <em>\u00abUlises\u00bb<\/em> a <em>\u201cFinnegans Wake\u201d<\/em><em>.<\/em><\/p>\n<figure id=\"attachment_270816\" aria-describedby=\"caption-attachment-270816\" style=\"width: 336px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-270816\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/02\/Roger_Fry_-_Virginia_Woolf-public-domain.jpg\" alt=\"\" width=\"336\" height=\"434\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/02\/Roger_Fry_-_Virginia_Woolf-public-domain.jpg 465w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/02\/Roger_Fry_-_Virginia_Woolf-public-domain-155x200.jpg 155w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/02\/Roger_Fry_-_Virginia_Woolf-public-domain-431x556.jpg 431w\" sizes=\"auto, (max-width: 336px) 100vw, 336px\" \/><figcaption id=\"caption-attachment-270816\" class=\"wp-caption-text\">Virginia Woolf, de Roger Fry. <a href=\"https:\/\/garystockbridge617.getarchive.net\/media\/roger-fry-virginia-woolf-46be5c\">Public domain<\/a>.<\/figcaption><\/figure>\n<p>Muestra, por poner otro ejemplo, c\u00f3mo el escritor se interes\u00f3 por primera vez por el cuento de Trist\u00e1n e Isolda cuando lleg\u00f3 a Par\u00eds en 1920 y tom\u00f3 notas sobre \u00e9l tres a\u00f1os despu\u00e9s, para dejarlo de lado hasta 1938, cuando insert\u00f3 una escena de la historia en <em>\u201cFinnegans Wake\u201d<\/em><em>.<\/em><\/p>\n<p>Es s\u00f3lo uno de los hilos de unos cincuenta cuadernos de Joyce que est\u00e1n a disposici\u00f3n de los estudiosos que buscan desentra\u00f1ar lo que pas\u00f3 en la novela que Joyce pas\u00f3 diecisiete a\u00f1os escribiendo.<\/p>\n<p>Los lectores intimidados por la supuesta complejidad de las dos \u00faltimas novelas de Joyce encontrar\u00e1n iluminaci\u00f3n en el relato de Daniel Ferrer sobre c\u00f3mo nunca hubo un plan maestro ni un significado secreto que pudiera descubrirse mediante un estudio diligente. Joyce nunca previ\u00f3 el resultado final de su escritura ni los planes que ten\u00eda para ella.<\/p>\n<p>Hubo contingencias, constantes reelaboraciones y replanteamientos del material, y la mec\u00e1nica de la creaci\u00f3n se expone con admirable claridad en este libro y se ilustra con unos cuarenta facs\u00edmiles de diversas p\u00e1ginas de los borradores y cuadernos de Joyce.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-263339\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/06\/libro-surreal-hombre-miedo-soledad-Pixabay.jpg\" alt=\"\" width=\"505\" height=\"272\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/06\/libro-surreal-hombre-miedo-soledad-Pixabay.jpg 960w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/06\/libro-surreal-hombre-miedo-soledad-Pixabay-300x162.jpg 300w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/06\/libro-surreal-hombre-miedo-soledad-Pixabay-431x232.jpg 431w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/06\/libro-surreal-hombre-miedo-soledad-Pixabay-862x464.jpg 862w\" sizes=\"auto, (max-width: 505px) 100vw, 505px\" \/>El cap\u00edtulo final examina las notas de Virginia Woolf sobre el primer episodio de <em>\u00abUlises\u00bb <\/em>(a principios de 1919) y lo que Ferrer llama acertadamente un \u00abdi\u00e1logo asim\u00e9trico\u00bb entre los dos escritores.<\/p>\n<p>A Woolf le disgustaban algunos aspectos de Joyce y \u00e9l recogi\u00f3 algunas de sus observaciones negativas (\u00abpobreza de mente\u00bb y \u00abrancio\/cosas de Joyce\u00bb) y las introdujo en su propia escritura. A Woolf no le gusta Joyce y, luchando por enfrentarse a lo que sabe que es una obra maestra, lo ve como su adversario. Sin embargo, su propia obra maestra, <em>\u00abLa se\u00f1ora Dalloway\u00bb<\/em>, es imposible imaginarla escrita sin la influencia de <em>\u00abUlises\u00bb.<\/em><\/p>\n<p><em>\u201cGenetic Joyce: Manuscripts and the dynamics of creation\u201d<\/em>, de Daniel Ferrer, est\u00e1 publicado por <a href=\"https:\/\/upf.com\/book.asp?id=9780813069715\">University Press of Florida<\/a>.<\/p>\n<p><strong><span style=\"color: #003366;\">(Traducido por Monica del Pilar Uribe Marin)<\/span><\/strong><\/p>\n<div class=\"twttr_buttons\"><div class=\"twttr_twitter\">\n\t\t\t\t\t<a href=\"http:\/\/twitter.com\/share?text=Una+aproximaci%C3%B3n+gen%C3%A9tica+a+James+Joyce\" class=\"twitter-share-button\" data-via=\"\" data-hashtags=\"\"  data-size=\"default\" data-url=\"https:\/\/theprisma.co.uk\/es\/2024\/02\/26\/una-aproximacion-genetica-a-james-joyce\/\" data-dnt=\"true\" data-related=\"\" target=\"_blank\">Tweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Un enfoque gen\u00e9tico de una obra literaria examina lo que se escribi\u00f3 antes de la versi\u00f3n final, publicada, de la obra: cuadernos, borradores, correspondencia y cualquier otra cosa que pueda ofrecer pistas sobre c\u00f3mo un escritor lleg\u00f3 a la fase final de su obra. \u00a0 Sean Sheehan \u00a0 Este nivel [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":263339,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-270812","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Una aproximaci\u00f3n gen\u00e9tica a James Joyce - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/?p=270813\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Una aproximaci\u00f3n gen\u00e9tica a James Joyce\" \/>\n<meta property=\"og:description\" content=\"Un enfoque gen\u00e9tico de una obra literaria examina lo que se escribi\u00f3 antes de la versi\u00f3n final, publicada, de la obra: cuadernos, borradores, correspondencia y cualquier otra cosa que pueda ofrecer pistas sobre c\u00f3mo un escritor lleg\u00f3 a la fase final de su obra.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/theprisma.co.uk\/?p=270813\" \/>\n<meta property=\"og:site_name\" content=\"ThePrisma.co.uk\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper\" \/>\n<meta property=\"article:published_time\" content=\"2024-02-26T00:25:14+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/10\/Libro-surreal-desierto-Pixabay.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1047\" \/>\n\t<meta property=\"og:image:height\" content=\"639\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"ThePrisma\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:site\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"ThePrisma\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=270813#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=270813\"},\"author\":{\"name\":\"ThePrisma\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/person\\\/24f5091d3dc50052d73cbea6ecd09df7\"},\"headline\":\"Una aproximaci\u00f3n gen\u00e9tica a James Joyce\",\"datePublished\":\"2024-02-26T00:25:14+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=270813\"},\"wordCount\":590,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=270813#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2023\\\/06\\\/libro-surreal-hombre-miedo-soledad-Pixabay.jpg\",\"articleSection\":[\"Cultura\",\"En Foco\",\"Opini\u00f3n\",\"P\u00e1ginas\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/theprisma.co.uk\\\/?p=270813#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=270813\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=270813\",\"name\":\"Una aproximaci\u00f3n gen\u00e9tica a James Joyce - ThePrisma.co.uk\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=270813#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=270813#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2023\\\/06\\\/libro-surreal-hombre-miedo-soledad-Pixabay.jpg\",\"datePublished\":\"2024-02-26T00:25:14+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=270813#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/theprisma.co.uk\\\/?p=270813\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=270813#primaryimage\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2023\\\/06\\\/libro-surreal-hombre-miedo-soledad-Pixabay.jpg\",\"contentUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2023\\\/06\\\/libro-surreal-hombre-miedo-soledad-Pixabay.jpg\",\"width\":960,\"height\":517},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=270813#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/theprisma.co.uk\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Una aproximaci\u00f3n gen\u00e9tica a James Joyce\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#website\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/\",\"name\":\"ThePrisma.co.uk\",\"description\":\"Ethical and Independent Journalism\u2026 Journalism for immigrants\",\"publisher\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/theprisma.co.uk\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\",\"name\":\"ThePrisma.co.uk\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/Logo-TP-May-3-2026.jpg\",\"contentUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/Logo-TP-May-3-2026.jpg\",\"width\":2171,\"height\":353,\"caption\":\"ThePrisma.co.uk\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/ThePrismaTheMulticulturalNewspaper\",\"https:\\\/\\\/x.com\\\/The_Prisma\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/person\\\/24f5091d3dc50052d73cbea6ecd09df7\",\"name\":\"ThePrisma\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g\",\"caption\":\"ThePrisma\"},\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/author\\\/theprisma\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Una aproximaci\u00f3n gen\u00e9tica a James Joyce - ThePrisma.co.uk","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/theprisma.co.uk\/?p=270813","og_locale":"es_ES","og_type":"article","og_title":"Una aproximaci\u00f3n gen\u00e9tica a James Joyce","og_description":"Un enfoque gen\u00e9tico de una obra literaria examina lo que se escribi\u00f3 antes de la versi\u00f3n final, publicada, de la obra: cuadernos, borradores, correspondencia y cualquier otra cosa que pueda ofrecer pistas sobre c\u00f3mo un escritor lleg\u00f3 a la fase final de su obra.","og_url":"https:\/\/theprisma.co.uk\/?p=270813","og_site_name":"ThePrisma.co.uk","article_publisher":"https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper","article_published_time":"2024-02-26T00:25:14+00:00","og_image":[{"width":1047,"height":639,"url":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/10\/Libro-surreal-desierto-Pixabay.jpg","type":"image\/jpeg"}],"author":"ThePrisma","twitter_card":"summary_large_image","twitter_creator":"@The_Prisma","twitter_site":"@The_Prisma","twitter_misc":{"Escrito por":"ThePrisma","Tiempo de lectura":"4 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/theprisma.co.uk\/?p=270813#article","isPartOf":{"@id":"https:\/\/theprisma.co.uk\/?p=270813"},"author":{"name":"ThePrisma","@id":"https:\/\/theprisma.co.uk\/#\/schema\/person\/24f5091d3dc50052d73cbea6ecd09df7"},"headline":"Una aproximaci\u00f3n gen\u00e9tica a James Joyce","datePublished":"2024-02-26T00:25:14+00:00","mainEntityOfPage":{"@id":"https:\/\/theprisma.co.uk\/?p=270813"},"wordCount":590,"commentCount":0,"publisher":{"@id":"https:\/\/theprisma.co.uk\/#organization"},"image":{"@id":"https:\/\/theprisma.co.uk\/?p=270813#primaryimage"},"thumbnailUrl":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/06\/libro-surreal-hombre-miedo-soledad-Pixabay.jpg","articleSection":["Cultura","En Foco","Opini\u00f3n","P\u00e1ginas"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/theprisma.co.uk\/?p=270813#respond"]}]},{"@type":"WebPage","@id":"https:\/\/theprisma.co.uk\/?p=270813","url":"https:\/\/theprisma.co.uk\/?p=270813","name":"Una aproximaci\u00f3n gen\u00e9tica a James Joyce - ThePrisma.co.uk","isPartOf":{"@id":"https:\/\/theprisma.co.uk\/#website"},"primaryImageOfPage":{"@id":"https:\/\/theprisma.co.uk\/?p=270813#primaryimage"},"image":{"@id":"https:\/\/theprisma.co.uk\/?p=270813#primaryimage"},"thumbnailUrl":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/06\/libro-surreal-hombre-miedo-soledad-Pixabay.jpg","datePublished":"2024-02-26T00:25:14+00:00","breadcrumb":{"@id":"https:\/\/theprisma.co.uk\/?p=270813#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/theprisma.co.uk\/?p=270813"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/theprisma.co.uk\/?p=270813#primaryimage","url":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/06\/libro-surreal-hombre-miedo-soledad-Pixabay.jpg","contentUrl":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/06\/libro-surreal-hombre-miedo-soledad-Pixabay.jpg","width":960,"height":517},{"@type":"BreadcrumbList","@id":"https:\/\/theprisma.co.uk\/?p=270813#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/theprisma.co.uk\/"},{"@type":"ListItem","position":2,"name":"Una aproximaci\u00f3n gen\u00e9tica a James Joyce"}]},{"@type":"WebSite","@id":"https:\/\/theprisma.co.uk\/#website","url":"https:\/\/theprisma.co.uk\/","name":"ThePrisma.co.uk","description":"Ethical and Independent Journalism\u2026 Journalism for immigrants","publisher":{"@id":"https:\/\/theprisma.co.uk\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/theprisma.co.uk\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/theprisma.co.uk\/#organization","name":"ThePrisma.co.uk","url":"https:\/\/theprisma.co.uk\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/theprisma.co.uk\/#\/schema\/logo\/image\/","url":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/05\/Logo-TP-May-3-2026.jpg","contentUrl":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/05\/Logo-TP-May-3-2026.jpg","width":2171,"height":353,"caption":"ThePrisma.co.uk"},"image":{"@id":"https:\/\/theprisma.co.uk\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper","https:\/\/x.com\/The_Prisma"]},{"@type":"Person","@id":"https:\/\/theprisma.co.uk\/#\/schema\/person\/24f5091d3dc50052d73cbea6ecd09df7","name":"ThePrisma","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/secure.gravatar.com\/avatar\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g","caption":"ThePrisma"},"url":"https:\/\/theprisma.co.uk\/es\/author\/theprisma\/"}]}},"_links":{"self":[{"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/posts\/270812","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/comments?post=270812"}],"version-history":[{"count":4,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/posts\/270812\/revisions"}],"predecessor-version":[{"id":270825,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/posts\/270812\/revisions\/270825"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/media\/263339"}],"wp:attachment":[{"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/media?parent=270812"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/categories?post=270812"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/tags?post=270812"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}