{"id":271434,"date":"2024-03-11T00:25:14","date_gmt":"2024-03-11T00:25:14","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=271434"},"modified":"2024-03-09T03:07:53","modified_gmt":"2024-03-09T03:07:53","slug":"interrumpiendo-y-reensamblando-imagenes-hannah-hoch-y-john-heartfield","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2024\/03\/11\/interrumpiendo-y-reensamblando-imagenes-hannah-hoch-y-john-heartfield\/","title":{"rendered":"Interrumpiendo y reensamblando im\u00e1genes: H\u00f6ch y Heartfield"},"content":{"rendered":"<p><em>Hannah H\u00f6ch vio la naturaleza fracturada de su sociedad y utiliz\u00f3 el fotomontaje y el collage para representarla e interrogarla. Form\u00f3 parte del movimiento dada\u00edsta de Berl\u00edn, centrado en los hombres, e influy\u00f3 en otros modernistas como John Heartfield.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #003366;\"><strong> <img loading=\"lazy\" decoding=\"async\" class=\"wp-image-271442 alignright\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/03\/9783791388533.jpg\" alt=\"\" width=\"354\" height=\"438\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/03\/9783791388533.jpg 404w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/03\/9783791388533-162x200.jpg 162w\" sizes=\"auto, (max-width: 354px) 100vw, 354px\" \/>Sean Sheehan<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>La declaraci\u00f3n de Hoch en 1929: \u00abQuiero demostrar que lo peque\u00f1o puede ser grande, y lo grande peque\u00f1o, s\u00f3lo cambia el punto de vista desde el que juzgamos\u00bb, confirma su ruptura con el realismo ingenuo, la creencia de que todo lo externo a nosotros est\u00e1 ah\u00ed y lo vemos tal como es. Su fascinaci\u00f3n por cortar y fragmentar im\u00e1genes de cuerpos es una expresi\u00f3n de su deseo de alienar a los espectadores, y en sus collages tambi\u00e9n hay im\u00e1genes de artefactos coloniales y m\u00e1scaras. Este tipo de arte era un anatema para los nazis y en 1935, cuando regres\u00f3 a Alemania tras seis a\u00f1os de ausencia, supo que ten\u00eda que agachar la cabeza, se traslad\u00f3 a las afueras de Berl\u00edn y esper\u00f3 en silencio la derrota de los nazis. Cuando \u00e9sta lleg\u00f3, en 1945, pudo escribir: \u00abEn mi alma hay una calma que no hab\u00eda sentido en muchos a\u00f1os\u00bb.<\/p>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-271446 alignright\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/03\/9783039421725_n3ylhe.jpg\" alt=\"\" width=\"354\" height=\"474\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/03\/9783039421725_n3ylhe.jpg 582w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/03\/9783039421725_n3ylhe-149x200.jpg 149w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/03\/9783039421725_n3ylhe-431x578.jpg 431w\" sizes=\"auto, (max-width: 354px) 100vw, 354px\" \/><\/strong>El libro de Prestel <em>\u00abHannah H\u00f6ch\u00bb<\/em>, publicado por primera vez cuando se celebr\u00f3 una exposici\u00f3n en la <a href=\"https:\/\/www.whitechapelgallery.org\/exhibitions\/hannah-hoch\/\">Whitechapel Gallery<\/a>, est\u00e1 generosamente ilustrado y contiene una serie de ensayos que abarcan aspectos de su obra desde 1912 hasta 1978. Otro libro, <em>\u00abMundos ensamblados\u00bb (<\/em><em>Assembled worlds)<\/em>, fruto de una exposici\u00f3n en Berna el a\u00f1o pasado y de otra en Viena de junio a octubre de 2024, se centra en la atenci\u00f3n que H\u00f6ch prest\u00f3 al mundo del cine y a la nueva cultura visual de su \u00e9poca.<\/p>\n<p>Incluye un texto de H\u00f6ch de 1948 y otros importantes textos breves de colegas vanguardistas, as\u00ed como m\u00e1s de 150 ilustraciones en color.<\/p>\n<p>John Heartfield tambi\u00e9n form\u00f3 parte del movimiento Dad\u00e1, y la forma en que utiliz\u00f3 el fotomontaje con fines pol\u00edticos durante el ascenso del nazismo es el tema de la <em>\u00abBelleza revolucionaria\u00bb<\/em> <em>(<\/em><em>Revolutionary beauty<\/em><em>) <\/em>de Kriebel. Su estudio, erudito pero accesible, es la descripci\u00f3n m\u00e1s detallada de un artista extra\u00f1amente olvidado en las historias del arte del siglo XX a pesar de su influencia. Cada uno de sus cap\u00edtulos comienza con una mirada atenta a uno de sus fotomontajes antes de ampliar el alcance de la investigaci\u00f3n. Kriebel considera que su obra -y esto es lo que documenta con acierto- se ocupa de la \u00abcontinua anomia del capitalismo\u00bb y de c\u00f3mo su \u00abingenio sofocante\u00bb se convierte en \u00abun acicate para que concibamos alternativas\u00bb.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-271445\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/03\/9780520276185.jpg\" alt=\"\" width=\"310\" height=\"446\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/03\/9780520276185.jpg 641w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/03\/9780520276185-139x200.jpg 139w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/03\/9780520276185-431x620.jpg 431w\" sizes=\"auto, (max-width: 310px) 100vw, 310px\" \/>En el 2022 retrato de Julian Assange realizado por el vital artista brit\u00e1nico <a href=\"https:\/\/www.peterkennard.com\/\">Peter Kennard<\/a>, el t\u00edtulo de cuyo propio libro <em><a href=\"https:\/\/www.plutobooks.com\/9780745339870\/peter-kennard\/\">\u00abVisual Dissent\u00bb<\/a><\/em> sirve para mostrar lo que tienen en com\u00fan Heartfield y H\u00f6ch, se percibe vivamente la continua influencia de John Heartfield.<\/p>\n<p><em>\u00abHannah H\u00f6ch\u00bb<\/em>, Whitechapel Gallery, ha sido publicado por <a href=\"https:\/\/prestelpublishing.penguinrandomhouse.de\/book\/Hannah-Hoech\/Dawn-Ades\/Prestel-com\/e452200.rhd\">Prestel<\/a>; <em>\u00abAssembled Worlds\u00bb<\/em>, editado por Stella Rollig, Martin Waldmeier y Nina Zimmer, ha sido publicado por <a href=\"https:\/\/www.scheidegger-spiess.ch\/en\/product\/hannah-hoech\/1446\">Scheidegger and Spiess<\/a>; <em>\u00abRevolutionary beauty: the radical photmontages of John Heartfield\u00bb<\/em>, de Sabine T. Kriebel, publicado por <a href=\"https:\/\/www.ucpress.edu\/book\/9780520276185\/revolutionary-beauty\">University of California Press<\/a>.<\/p>\n<p><strong><span style=\"color: #003366;\">(Traducido por Camila Marquez)<\/span><\/strong><\/p>\n<div class=\"twttr_buttons\"><div class=\"twttr_twitter\">\n\t\t\t\t\t<a href=\"http:\/\/twitter.com\/share?text=Interrumpiendo+y+reensamblando+im%C3%A1genes%3A+H%C3%B6ch+y+Heartfield\" class=\"twitter-share-button\" data-via=\"\" data-hashtags=\"\"  data-size=\"default\" data-url=\"https:\/\/theprisma.co.uk\/es\/2024\/03\/11\/interrumpiendo-y-reensamblando-imagenes-hannah-hoch-y-john-heartfield\/\" data-dnt=\"true\" data-related=\"\" target=\"_blank\">Tweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Hannah H\u00f6ch vio la naturaleza fracturada de su sociedad y utiliz\u00f3 el fotomontaje y el collage para representarla e interrogarla. Form\u00f3 parte del movimiento dada\u00edsta de Berl\u00edn, centrado en los hombres, e influy\u00f3 en otros modernistas como John Heartfield. &nbsp; Sean Sheehan &nbsp; La declaraci\u00f3n de Hoch en 1929: \u00abQuiero [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":265204,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,8,7,26],"tags":[],"class_list":["post-271434","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-editorial","category-opinion","category-paginas"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Interrumpiendo y reensamblando im\u00e1genes: H\u00f6ch y Heartfield - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/?p=271432\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Interrumpiendo y reensamblando im\u00e1genes: H\u00f6ch y Heartfield\" \/>\n<meta property=\"og:description\" content=\"Hannah H\u00f6ch vio la naturaleza fracturada de su sociedad y utiliz\u00f3 el fotomontaje y el collage para representarla e interrogarla. Form\u00f3 parte del movimiento dada\u00edsta de Berl\u00edn, centrado en los hombres, e influy\u00f3 en otros modernistas como John Heartfield.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/theprisma.co.uk\/?p=271432\" \/>\n<meta property=\"og:site_name\" content=\"ThePrisma.co.uk\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper\" \/>\n<meta property=\"article:published_time\" content=\"2024-03-11T00:25:14+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/02\/sURREAL-CARA-ROSTRO-TRABAJADOR-pIXABAY.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1152\" \/>\n\t<meta property=\"og:image:height\" content=\"692\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"ThePrisma\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:site\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"ThePrisma\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=271432#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=271432\"},\"author\":{\"name\":\"ThePrisma\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/person\\\/24f5091d3dc50052d73cbea6ecd09df7\"},\"headline\":\"Interrumpiendo y reensamblando im\u00e1genes: H\u00f6ch y Heartfield\",\"datePublished\":\"2024-03-11T00:25:14+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=271432\"},\"wordCount\":553,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=271432#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2023\\\/08\\\/huevo-surreal-separacion-union-Pixabay-2.jpg\",\"articleSection\":[\"Cultura\",\"Editorial\",\"Opini\u00f3n\",\"P\u00e1ginas\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/theprisma.co.uk\\\/?p=271432#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=271432\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=271432\",\"name\":\"Interrumpiendo y reensamblando im\u00e1genes: H\u00f6ch y Heartfield - 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