{"id":2717,"date":"2026-06-22T00:24:39","date_gmt":"2026-06-21T23:24:39","guid":{"rendered":"https:\/\/tucuentavip.com\/?p=2717"},"modified":"2026-06-20T07:08:13","modified_gmt":"2026-06-20T06:08:13","slug":"pinturas-rehenes","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2026\/06\/22\/pinturas-rehenes\/","title":{"rendered":"Obras maestras, rehenes del mercado clandestino"},"content":{"rendered":"

El robo de cinco pinturas en el Museo de Arte Moderno de Par\u00eds aliment\u00f3 hace varios a\u00f1os teor\u00edas que van mucho m\u00e1s all\u00e1 del simple hurto. Se habl\u00f3 de un mercado donde las obras de arte pueden servir como garant\u00eda para operaciones criminales, instrumentos de especulaci\u00f3n o activos imposibles de vender, pero demasiado valiosos para devolver.<\/em><\/p>\n

\u00a0<\/strong><\/p>\n

\"\"<\/em>Fausto Triana<\/strong><\/span><\/p>\n

 <\/p>\n

Si las caracter\u00edsticas de las cinco pinturas robadas hace unos a\u00f1os en el Museo de Arte Moderno de Par\u00eds se\u00f1alan que son invendibles, entonces parecen destinadas a convertirse en rehenes de la especulaci\u00f3n.<\/p>\n

Claro que se trata de otro tipo de especulaci\u00f3n, es decir la nueva o m\u00e1s bien ya firme modalidad del mercado de las artes. Los cultores de la pl\u00e1stica no atinan a otra cosa que halarse los pelos, en el sufrimiento de que las obras puedan da\u00f1arse.<\/p>\n

El director del Palais de Tokyo, Pierre Cornett de Saint-Cyr, en cuya instalaci\u00f3n se ubica el Museo de Arte Moderno, calific\u00f3 a los ladrones de imb\u00e9ciles. \u00abDevuelvan los cuadros, jam\u00e1s podr\u00e1n venderlos\u00bb, dijo con cierto dramatismo.<\/p>\n

Cinco joyas valoradas en 500 millones de euros que aparentemente no tendr\u00edan salida en el comercio ilegal por su clasificaci\u00f3n, estilos, aseguradoras y la intensa investigaci\u00f3n que realizar\u00e1n los m\u00e1s reputados detectives del mundo, adem\u00e1s de la Interpol.<\/p>\n

\"\"De la elegante zona conocida como ‘Colina de los Museos\u00bb, a pocos metros del puente del Alma donde muri\u00f3 Lady Di y del cabaret nudista \u00abCrazy Horse\u00bb, con el Sena a sus espaldas y no lejos de la Torre Eiffel, fueron sacudidos maestros de la pintura. Le pigeon aux petits pois<\/em>, de Pablo Picasso, La pastorale<\/em>, de Henri Matisse, L’olivier pr\u00e9s de l’Estaque<\/em>, de George Braque, La femme \u00e0 l’\u00e9ventail<\/em>, de Amedeo Modigliani, y Nature morte aux chandeliers<\/em>, de Fernand L\u00e9ger.<\/p>\n

Hay un cierto com\u00fan denominador en los cuadros robados, el cubismo. El franc\u00e9s Braque es considerado junto a los espa\u00f1oles Picasso y Juan Gris, del tr\u00edo b\u00e1sico de creadores del cubismo. El tambi\u00e9n galo L\u00e9ger cultiv\u00f3 igualmente el g\u00e9nero.<\/p>\n

Matisse (Francia) y Modigliani (Italia), son dos casos excepcionales. Matisse fue uno de los padres del arte moderno y se le identific\u00f3 en un inicio con el fauvismo por el empleo generoso y prolifero de los colores.<\/p>\n

La tormentosa vida de Modigliani le dej\u00f3 el camino a la fama tard\u00edamente, despu\u00e9s de su muerte, pero se le considera uno de los grandes de las artes pl\u00e1sticas de todos los tiempos. Se inspir\u00f3 en Cezanne, el cubismo y la \u00e9poca azul de Picasso.<\/p>\n

\"\"Con todos estos elementos, es dif\u00edcil creer que fue un robo al azar y por el contrario esconde prop\u00f3sitos definidos que algunos relacionan con los barones del narcotr\u00e1fico. Sin embargo, el asunto no es tan simple.<\/p>\n

Investigadores franceses deslizaron el multiprop\u00f3sito que tienen hoy en d\u00eda las pinturas, sobre todo en el oscuro mundo de las drogas. Sirven de garante para grandes negocios de tr\u00e1fico de estupefacientes, o se utilizan en transacciones, opinaron.<\/p>\n

Lo mismo de cortina de humo. En una voluminosa operaci\u00f3n de traslado de drogas, el se\u00f1uelo de cuadros robados camuflados en aeropuertos o terminales mar\u00edtimas enloquece a la polic\u00eda y deja abierta y libre una segunda brecha por donde sale la droga, argumentaron.\u00a0Otra hip\u00f3tesis apunta a una suerte de \u00abretenci\u00f3n\u00bb de obras que sin dudas ganar\u00e1n mucha m\u00e1s notoriedad en el futuro y, por supuesto, permitir\u00e1n escalar cifras obscenas en materia de seguros.<\/p>\n

El Museo de Arte Moderno de la Ciudad Luz tiene rango de pinacoteca. Fue inaugurado en 1961 y alberga obras del fauvismo, cubismo, dada\u00edsmo, surrealismo, escuela de Par\u00eds, abstracci\u00f3n y \u00abarte povera\u00bb.<\/p>\n

\"\"Se enlaza, adem\u00e1s del Palais de Tokyo, con los museos de Arquitectura y Patrimonio, de la Marina y el Hombre, de la Plaza de Trocadero, en el c\u00edrculo del Palacio de Chaillot, y en las proximidades del Quai Branly.<\/p>\n

El edificio del Museo de Arte Moderno fue concebido por los arquitectos Dondel, Aubert, Viard y Dastugue en un estilo imperial-racionalista, abierto en 1937 con motivo de la exposici\u00f3n universal.<\/p>\n

En agosto de 1938 fue entregado a la urbe, que no pudo disfrutarlo en raz\u00f3n de que la ocupaci\u00f3n nazi alemana se apoder\u00f3 de la instalaci\u00f3n. Con altas y bajas inici\u00f3 su verdadera historia en 1961, con una colecci\u00f3n de m\u00e1s de ocho mil obras.\u00a0Se unen a Picasso, Matisse, Modigliani, L\u00e9ger y Braque, Maurice Utrillo, Suzanne Valadon, Gris, Alberto Giacometti, Pierre Soulages, Raoul Dufy, Pierre Bonard, Maurice de Vlaminck y Andr\u00e9 Derain, entre otros. PL<\/p>\n

(Fotos: Pixabay)<\/em><\/span><\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

El robo de cinco pinturas en el Museo de Arte Moderno de Par\u00eds aliment\u00f3 hace varios a\u00f1os teor\u00edas que van mucho m\u00e1s all\u00e1 del simple hurto. Se habl\u00f3 de un mercado donde las obras de arte pueden servir como garant\u00eda para operaciones criminales, instrumentos de especulaci\u00f3n o activos imposibles de […]<\/p>\n","protected":false},"author":101011,"featured_media":228146,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,39],"tags":[],"class_list":["post-2717","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-plastica"],"yoast_head":"\nObras maestras, rehenes del mercado clandestino - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/2026\/06\/22\/masterpieces-hostages-of-the-clandestine-market\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Obras maestras, rehenes del mercado clandestino\" \/>\n<meta property=\"og:description\" content=\"El robo de cinco pinturas en el Museo de Arte Moderno de Par\u00eds aliment\u00f3 hace varios a\u00f1os teor\u00edas que van mucho m\u00e1s all\u00e1 del simple hurto. 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