{"id":271915,"date":"2024-03-25T00:25:05","date_gmt":"2024-03-25T00:25:05","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=271915"},"modified":"2024-03-25T14:05:32","modified_gmt":"2024-03-25T14:05:32","slug":"sala-16-de-la-national-gallery-de-londres","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2024\/03\/25\/sala-16-de-la-national-gallery-de-londres\/","title":{"rendered":"Sala 16 en la National Gallery de Londres"},"content":{"rendered":"

El cuadro de Fabritius que aparece en las primeras p\u00e1ginas de \u00abThunderclap\u00bb de Laura Cumming -podr\u00eda decirse que es la inspiraci\u00f3n del libro- se encuentra en la Sala 16 de la National Gallery de Londres.<\/em><\/p>\n

 <\/p>\n

\"\"Sean Sheehan<\/strong><\/span><\/span><\/p>\n

 <\/p>\n

Muestra a un hombre sentado en la esquina de una calle, con dos instrumentos musicales a su lado y el pulgar pensativo sobre la barbilla.<\/p>\n

La escena es pregnante, y trae a la memoria el cuento (extremadamente) corto de dos frases de Fredric Brown: \u00abEl \u00faltimo hombre de la Tierra estaba sentado solo en una habitaci\u00f3n.<\/p>\n

Llamaron a la puerta\u00bb. Fabritius no pinta al \u00faltimo hombre, pero su cuadro de una subjetividad sola y a la espera deja al espectador, como al lector de Brown, en un estado de expectativa no resuelta.<\/p>\n

Al igual que otras obras de arte del Siglo de Oro neerland\u00e9s (de finales del siglo XVI a finales del XVII), la obra de Fabritius puede degradarse haciendo hincapi\u00e9 en su cualidad mim\u00e9tica. Se ha dicho que el arte aspira a algo m\u00e1s que a imitar la apariencia, pero esto parece filisteo al contemplar los cuadros de la Sala 16. Cummings cita a Joshua Reynolds, el artista del Establishment del siglo XVIII – \u00ab…su m\u00e9rito consiste a menudo \u00fanicamente en la verdad de la representaci\u00f3n\u00bb- y tal observaci\u00f3n es representativa de una ceguera ante lo que ella llama, refiri\u00e9ndose a Vermeer, \u00abficciones trascendentes\u00bb en el arte.<\/p>\n

\"\"
Carel Fabritius. Vista de Delft, con un quiosco de vendedores de instrumentos musicales, 1652 \u00a9 The National Gallery, Londres<\/figcaption><\/figure>\n

\u00abThunderclap\u00bb<\/em> es una celebraci\u00f3n de lo maravilloso del arte del Siglo de Oro holand\u00e9s, y su libro ha recibido muchos elogios porque la autora expresa sus preferencias sin parecer una cr\u00edtica de arte.<\/p>\n

Le encanta la obra de Gerard ter Borch y escribe c\u00f3mo, al encontrarse con sus cuadros en galer\u00edas de todo el mundo, se tiene una c\u00e1lida sensaci\u00f3n \u00abcomo de volver a casa\u00bb, y lo atribuye en parte a su afici\u00f3n por retratar a su hermana Gesina. Ella aparece en \u201cA woman playing a lute to two men\u201d<\/em> (Una mujer tocando el la\u00fad para dos hombres)<\/em> y para Cummings es \u00abla hero\u00edna m\u00e1s atractivamente radical del arte holand\u00e9s\u00bb por la forma en que se la ve contrarrestar lo que podr\u00eda ser una intenci\u00f3n lasciva por parte de los dos hombres del cuadro. A\u00f1ade su opini\u00f3n de que sin Ter Borch, al que conoce personalmente, \u00abno habr\u00eda existido Vermeer\u00bb.<\/p>\n

Otro pintor del que no se cansa es Hendrick Avercamp y sus paisajes invernales. Para \u00e9l, la nieve desempe\u00f1aba el papel de la flor del cerezo en el arte japon\u00e9s, pero no era la belleza fr\u00e1gil lo que quer\u00eda plasmar en el lienzo, sino el esp\u00edritu comunitario que pose\u00eda a la gente cuando el hielo helado se convert\u00eda en un patio de recreo para adultos y ni\u00f1os.<\/p>\n

\"\"
Hendrick Avercamp. Escena en el hielo cerca de un pueblo, hacia 1615 \u00a9 The National Gallery, Londres.<\/figcaption><\/figure>\n

Cumming destaca el tono rosado del edificio de la derecha, que complementa el rosa del cielo de la izquierda, cinco urracas en parapetos y detalles de diferencia de clases. Todo el mundo est\u00e1 preocupado y, observa, como la gente que habla por el m\u00f3vil, se creen invisibles.<\/p>\n

\u00abThunderclap: A memoir of art and life & sudden death\u00bb<\/em>, de Laura Cumming, ha sido publicado por Chatto\u00a0 & Windus<\/a>. La visita a The National Gallery<\/a> es gratuita.<\/p>\n

(Traducido por Camila Marquez)<\/strong> – Fotos de la National Gallery, autorizadas para su publicaci\u00f3n.<\/em><\/span><\/p>\n

 <\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

El cuadro de Fabritius que aparece en las primeras p\u00e1ginas de \u00abThunderclap\u00bb de Laura Cumming -podr\u00eda decirse que es la inspiraci\u00f3n del libro- se encuentra en la Sala 16 de la National Gallery de Londres.   Sean Sheehan   Muestra a un hombre sentado en la esquina de una calle, […]<\/p>\n","protected":false},"author":9,"featured_media":271931,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-271915","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"\nSala 16 en la National Gallery de Londres - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/es\/2024\/03\/25\/sala-16-de-la-national-gallery-de-londres\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sala 16 en la National Gallery de Londres\" \/>\n<meta property=\"og:description\" content=\"El cuadro de Fabritius que aparece en las primeras p\u00e1ginas de "Thunderclap" de Laura Cumming -podr\u00eda decirse que es la inspiraci\u00f3n del libro- se encuentra en la Sala 16 de la National Gallery de Londres.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/theprisma.co.uk\/es\/2024\/03\/25\/sala-16-de-la-national-gallery-de-londres\/\" \/>\n<meta property=\"og:site_name\" content=\"ThePrisma.co.uk\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper\" \/>\n<meta property=\"article:published_time\" content=\"2024-03-25T00:25:05+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-03-25T14:05:32+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/03\/Hendrick-Avercamp.-A-scene-on-the-ice-near-a-Town-about-1615-\u00a9-The-National-Gallery-London.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1066\" \/>\n\t<meta property=\"og:image:height\" content=\"686\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"ThePrisma\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:site\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"ThePrisma\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2024\\\/03\\\/25\\\/sala-16-de-la-national-gallery-de-londres\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2024\\\/03\\\/25\\\/sala-16-de-la-national-gallery-de-londres\\\/\"},\"author\":{\"name\":\"ThePrisma\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/person\\\/24f5091d3dc50052d73cbea6ecd09df7\"},\"headline\":\"Sala 16 en la National Gallery de Londres\",\"datePublished\":\"2024-03-25T00:25:05+00:00\",\"dateModified\":\"2024-03-25T14:05:32+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2024\\\/03\\\/25\\\/sala-16-de-la-national-gallery-de-londres\\\/\"},\"wordCount\":634,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2024\\\/03\\\/25\\\/sala-16-de-la-national-gallery-de-londres\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2024\\\/03\\\/Surreal-noche-misterio-oscuridad-Pixabay.jpg\",\"articleSection\":[\"Cultura\",\"En Foco\",\"Opini\u00f3n\",\"P\u00e1ginas\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2024\\\/03\\\/25\\\/sala-16-de-la-national-gallery-de-londres\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2024\\\/03\\\/25\\\/sala-16-de-la-national-gallery-de-londres\\\/\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2024\\\/03\\\/25\\\/sala-16-de-la-national-gallery-de-londres\\\/\",\"name\":\"Sala 16 en la National Gallery de Londres - ThePrisma.co.uk\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2024\\\/03\\\/25\\\/sala-16-de-la-national-gallery-de-londres\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2024\\\/03\\\/25\\\/sala-16-de-la-national-gallery-de-londres\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2024\\\/03\\\/Surreal-noche-misterio-oscuridad-Pixabay.jpg\",\"datePublished\":\"2024-03-25T00:25:05+00:00\",\"dateModified\":\"2024-03-25T14:05:32+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2024\\\/03\\\/25\\\/sala-16-de-la-national-gallery-de-londres\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2024\\\/03\\\/25\\\/sala-16-de-la-national-gallery-de-londres\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2024\\\/03\\\/25\\\/sala-16-de-la-national-gallery-de-londres\\\/#primaryimage\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2024\\\/03\\\/Surreal-noche-misterio-oscuridad-Pixabay.jpg\",\"contentUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2024\\\/03\\\/Surreal-noche-misterio-oscuridad-Pixabay.jpg\",\"width\":1280,\"height\":824},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2024\\\/03\\\/25\\\/sala-16-de-la-national-gallery-de-londres\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/theprisma.co.uk\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Sala 16 en la National Gallery de Londres\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#website\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/\",\"name\":\"ThePrisma.co.uk\",\"description\":\"Ethical and Independent Journalism\u2026 Journalism for immigrants\",\"publisher\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/theprisma.co.uk\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\",\"name\":\"ThePrisma.co.uk\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/Logo-TP-May-3-2026.jpg\",\"contentUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/Logo-TP-May-3-2026.jpg\",\"width\":2171,\"height\":353,\"caption\":\"ThePrisma.co.uk\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/ThePrismaTheMulticulturalNewspaper\",\"https:\\\/\\\/x.com\\\/The_Prisma\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/person\\\/24f5091d3dc50052d73cbea6ecd09df7\",\"name\":\"ThePrisma\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g\",\"caption\":\"ThePrisma\"},\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/author\\\/theprisma\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Sala 16 en la National Gallery de Londres - ThePrisma.co.uk","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/theprisma.co.uk\/es\/2024\/03\/25\/sala-16-de-la-national-gallery-de-londres\/","og_locale":"es_ES","og_type":"article","og_title":"Sala 16 en la National Gallery de Londres","og_description":"El cuadro de Fabritius que aparece en las primeras p\u00e1ginas de \"Thunderclap\" de Laura Cumming -podr\u00eda decirse que es la inspiraci\u00f3n del libro- se encuentra en la Sala 16 de la National Gallery de Londres.","og_url":"https:\/\/theprisma.co.uk\/es\/2024\/03\/25\/sala-16-de-la-national-gallery-de-londres\/","og_site_name":"ThePrisma.co.uk","article_publisher":"https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper","article_published_time":"2024-03-25T00:25:05+00:00","article_modified_time":"2024-03-25T14:05:32+00:00","og_image":[{"width":1066,"height":686,"url":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/03\/Hendrick-Avercamp.-A-scene-on-the-ice-near-a-Town-about-1615-\u00a9-The-National-Gallery-London.jpg","type":"image\/jpeg"}],"author":"ThePrisma","twitter_card":"summary_large_image","twitter_creator":"@The_Prisma","twitter_site":"@The_Prisma","twitter_misc":{"Escrito por":"ThePrisma","Tiempo de lectura":"4 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/theprisma.co.uk\/es\/2024\/03\/25\/sala-16-de-la-national-gallery-de-londres\/#article","isPartOf":{"@id":"https:\/\/theprisma.co.uk\/es\/2024\/03\/25\/sala-16-de-la-national-gallery-de-londres\/"},"author":{"name":"ThePrisma","@id":"https:\/\/theprisma.co.uk\/#\/schema\/person\/24f5091d3dc50052d73cbea6ecd09df7"},"headline":"Sala 16 en la National Gallery de Londres","datePublished":"2024-03-25T00:25:05+00:00","dateModified":"2024-03-25T14:05:32+00:00","mainEntityOfPage":{"@id":"https:\/\/theprisma.co.uk\/es\/2024\/03\/25\/sala-16-de-la-national-gallery-de-londres\/"},"wordCount":634,"commentCount":0,"publisher":{"@id":"https:\/\/theprisma.co.uk\/#organization"},"image":{"@id":"https:\/\/theprisma.co.uk\/es\/2024\/03\/25\/sala-16-de-la-national-gallery-de-londres\/#primaryimage"},"thumbnailUrl":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/03\/Surreal-noche-misterio-oscuridad-Pixabay.jpg","articleSection":["Cultura","En Foco","Opini\u00f3n","P\u00e1ginas"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/theprisma.co.uk\/es\/2024\/03\/25\/sala-16-de-la-national-gallery-de-londres\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/theprisma.co.uk\/es\/2024\/03\/25\/sala-16-de-la-national-gallery-de-londres\/","url":"https:\/\/theprisma.co.uk\/es\/2024\/03\/25\/sala-16-de-la-national-gallery-de-londres\/","name":"Sala 16 en la National Gallery de Londres - ThePrisma.co.uk","isPartOf":{"@id":"https:\/\/theprisma.co.uk\/#website"},"primaryImageOfPage":{"@id":"https:\/\/theprisma.co.uk\/es\/2024\/03\/25\/sala-16-de-la-national-gallery-de-londres\/#primaryimage"},"image":{"@id":"https:\/\/theprisma.co.uk\/es\/2024\/03\/25\/sala-16-de-la-national-gallery-de-londres\/#primaryimage"},"thumbnailUrl":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/03\/Surreal-noche-misterio-oscuridad-Pixabay.jpg","datePublished":"2024-03-25T00:25:05+00:00","dateModified":"2024-03-25T14:05:32+00:00","breadcrumb":{"@id":"https:\/\/theprisma.co.uk\/es\/2024\/03\/25\/sala-16-de-la-national-gallery-de-londres\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/theprisma.co.uk\/es\/2024\/03\/25\/sala-16-de-la-national-gallery-de-londres\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/theprisma.co.uk\/es\/2024\/03\/25\/sala-16-de-la-national-gallery-de-londres\/#primaryimage","url":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/03\/Surreal-noche-misterio-oscuridad-Pixabay.jpg","contentUrl":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/03\/Surreal-noche-misterio-oscuridad-Pixabay.jpg","width":1280,"height":824},{"@type":"BreadcrumbList","@id":"https:\/\/theprisma.co.uk\/es\/2024\/03\/25\/sala-16-de-la-national-gallery-de-londres\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/theprisma.co.uk\/"},{"@type":"ListItem","position":2,"name":"Sala 16 en la National Gallery de Londres"}]},{"@type":"WebSite","@id":"https:\/\/theprisma.co.uk\/#website","url":"https:\/\/theprisma.co.uk\/","name":"ThePrisma.co.uk","description":"Ethical and Independent Journalism\u2026 Journalism for immigrants","publisher":{"@id":"https:\/\/theprisma.co.uk\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/theprisma.co.uk\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/theprisma.co.uk\/#organization","name":"ThePrisma.co.uk","url":"https:\/\/theprisma.co.uk\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/theprisma.co.uk\/#\/schema\/logo\/image\/","url":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/05\/Logo-TP-May-3-2026.jpg","contentUrl":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/05\/Logo-TP-May-3-2026.jpg","width":2171,"height":353,"caption":"ThePrisma.co.uk"},"image":{"@id":"https:\/\/theprisma.co.uk\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper","https:\/\/x.com\/The_Prisma"]},{"@type":"Person","@id":"https:\/\/theprisma.co.uk\/#\/schema\/person\/24f5091d3dc50052d73cbea6ecd09df7","name":"ThePrisma","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/secure.gravatar.com\/avatar\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g","caption":"ThePrisma"},"url":"https:\/\/theprisma.co.uk\/es\/author\/theprisma\/"}]}},"_links":{"self":[{"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/posts\/271915","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/comments?post=271915"}],"version-history":[{"count":8,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/posts\/271915\/revisions"}],"predecessor-version":[{"id":271920,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/posts\/271915\/revisions\/271920"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/media\/271931"}],"wp:attachment":[{"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/media?parent=271915"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/categories?post=271915"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/tags?post=271915"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}