{"id":274308,"date":"2024-05-27T00:25:52","date_gmt":"2024-05-26T23:25:52","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=274308"},"modified":"2024-05-24T15:18:48","modified_gmt":"2024-05-24T14:18:48","slug":"protestas-artisticas","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2024\/05\/27\/protestas-artisticas\/","title":{"rendered":"Protestas art\u00edsticas"},"content":{"rendered":"<p><em> Un oficial alem\u00e1n visit\u00f3 a Picasso en su estudio de Par\u00eds durante la Segunda Guerra Mundial y all\u00ed vio el Guernica. Lo que le pareci\u00f3 un remolino de formas le llev\u00f3 a preguntar al artista: \u00ab\u00bfEsto lo has hecho t\u00fa?\u00bb, a lo que recibi\u00f3 la respuesta: \u00abNo, esto lo has hecho t\u00fa\u00bb.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #003366;\"><strong><em><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-274318 alignright\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/05\/03520_AE_ProtestArt_001_176_UL-78.jpg\" alt=\"\" width=\"418\" height=\"327\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/05\/03520_AE_ProtestArt_001_176_UL-78.jpg 1304w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/05\/03520_AE_ProtestArt_001_176_UL-78-255x200.jpg 255w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/05\/03520_AE_ProtestArt_001_176_UL-78-1024x802.jpg 1024w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/05\/03520_AE_ProtestArt_001_176_UL-78-431x337.jpg 431w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/05\/03520_AE_ProtestArt_001_176_UL-78-862x675.jpg 862w\" sizes=\"auto, (max-width: 418px) 100vw, 418px\" \/><\/em>Sean Sheehan<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>En 2003, cuando el Secretario de Estado estadounidense Colin Powell pronunci\u00f3 un discurso en las Naciones Unidas, en el que afirmaba falsamente que Sadam Husein estaba acumulando armas de destrucci\u00f3n masiva, su podio en la zona de prensa estaba frente a una reproducci\u00f3n en tapiz del cuadro de Picasso. Pidi\u00f3 que se tapara para que no se viera mientras se dedicaba a justificar una guerra que ser\u00eda tan atroz como el bombardeo de la ciudad de Guernica por los aviones alemanes nazis.<\/p>\n<p>El arte de protesta se realiza a trav\u00e9s de un contenido hist\u00f3ricamente determinado que viene a definirlo <em>contingentemente<\/em>. Diferentes momentos hist\u00f3ricos engendran particularidades que encarnan un campo en su conjunto por su predominio: el racismo en la Alemania nazi era antisemita, en Israel es antipalestino.<\/p>\n<p><em><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-274320\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/05\/Inji-Efflatouns-Portraait-of-a-Prisoner-Mathaf-Museum-of-Modern-Art-Doha.jpeg\" alt=\"\" width=\"306\" height=\"419\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/05\/Inji-Efflatouns-Portraait-of-a-Prisoner-Mathaf-Museum-of-Modern-Art-Doha.jpeg 561w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/05\/Inji-Efflatouns-Portraait-of-a-Prisoner-Mathaf-Museum-of-Modern-Art-Doha-146x200.jpeg 146w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/05\/Inji-Efflatouns-Portraait-of-a-Prisoner-Mathaf-Museum-of-Modern-Art-Doha-431x590.jpeg 431w\" sizes=\"auto, (max-width: 306px) 100vw, 306px\" \/><\/em>En Estados Unidos, decir que las vidas de los negros importan no es muy distinto a decir hoy que las vidas de los palestinos importan: en el momento en que se pronuncian, estas declaraciones se convierten en la \u00fanica afirmaci\u00f3n v\u00e1lida del derecho humano universal de que todas las vidas importan.<\/p>\n<p>Jessica Lang, en <em>\u00abProtest art\u00bb<\/em>, se refiere a la obra de Picasso y a Palestina m\u00e1s de una vez en su animada gu\u00eda sobre c\u00f3mo responden los artistas a la injusticia.<\/p>\n<p>Se refiere a la descripci\u00f3n que hace Bansky de la barrera de Cisjordania ocupada que separa partes del territorio palestino de Israel como \u00abel \u00faltimo destino de vacaciones para los grafiteros\u00bb y a sus propias contribuciones, que incluyen una plantilla de ni\u00f1os elevados hacia el cielo por globos. Una de las ilustraciones del libro de Lang es un fotograma de <em>\u00abCloud studies\u00bb<\/em>, de <a href=\"https:\/\/forensic-architecture.org\/investigation\/cloudstudies\">Forensic Architecture<\/a>, un v\u00eddeo sobre c\u00f3mo \u00abla colonizaci\u00f3n invade el aire\u00bb en forma de formaciones de nubes sobre Gaza causadas por bombardeos, f\u00f3sforo blanco, gases lacrim\u00f3genos y el uso de fumigadores a\u00e9reos para dejar caer una mezcla t\u00f3xica de herbicidas a lo largo de su per\u00edmetro oriental con el fin de destruir los cultivos y los medios de subsistencia palestinos.<\/p>\n<p><em>\u00abProtest art\u00bb<\/em>, que forma parte de la serie Art Essentials de la editorial, es en gran medida un libro para mirar; con 85 ilustraciones de calidad, al pasar cada p\u00e1gina se descubre otro ejemplo de arte protesta.<\/p>\n<p><em><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-274316\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/05\/Michael-Rakowitz-THe-Invisible-Enemy-Should-Not-Exist-Courtesy-of-the-artist-and-Rhona-Hoffman-Gallery.jpeg\" alt=\"\" width=\"306\" height=\"415\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/05\/Michael-Rakowitz-THe-Invisible-Enemy-Should-Not-Exist-Courtesy-of-the-artist-and-Rhona-Hoffman-Gallery.jpeg 625w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/05\/Michael-Rakowitz-THe-Invisible-Enemy-Should-Not-Exist-Courtesy-of-the-artist-and-Rhona-Hoffman-Gallery-148x200.jpeg 148w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/05\/Michael-Rakowitz-THe-Invisible-Enemy-Should-Not-Exist-Courtesy-of-the-artist-and-Rhona-Hoffman-Gallery-431x584.jpeg 431w\" sizes=\"auto, (max-width: 306px) 100vw, 306px\" \/><\/em>Ya sea una performance, un medio digital, una escultura, un cartel, una pancarta o una pintura, Lang proporciona la informaci\u00f3n de fondo necesaria. La fotograf\u00eda de las activistas de Pussy Riot, por ejemplo, va acompa\u00f1ada de una p\u00e1gina de texto, e Inji Effatoun, se explica, pint\u00f3 Retrato de una prisionera cuando estaba encerrada por el r\u00e9gimen del Presidente Nasser en Egipto por sus actividades comunistas; uno de los retratos de sus compa\u00f1eras de prisi\u00f3n, un guardia fue sobornado para que se lo pasara a escondidas a su hermana.<\/p>\n<p>Michael Raakowitz reconstruy\u00f3 obras de arte saqueadas del antiguo palacio de Nimrud, en Asiria (Irak), utilizando envases de alimentos y recortes de peri\u00f3dicos \u00e1rabes.<\/p>\n<p><em>\u00abProtest art\u00bb<\/em>, de Jessica Lang, est\u00e1 publicado por <a href=\"https:\/\/thamesandhudson.com\/protest-art-art-essentials-9780500296684\">Thames &amp; Hudson<\/a>.<\/p>\n<p><span style=\"color: #003366;\"><strong>(Traducido por Camila M\u00e1rquez<\/strong>) \u2013 <em>Fotos facilitadas por el editor.<\/em><\/span><\/p>\n<div class=\"twttr_buttons\"><div class=\"twttr_twitter\">\n\t\t\t\t\t<a href=\"http:\/\/twitter.com\/share?text=Protestas+art%C3%ADsticas\" class=\"twitter-share-button\" data-via=\"\" data-hashtags=\"\"  data-size=\"default\" data-url=\"https:\/\/theprisma.co.uk\/es\/2024\/05\/27\/protestas-artisticas\/\" data-dnt=\"true\" data-related=\"\" target=\"_blank\">Tweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Un oficial alem\u00e1n visit\u00f3 a Picasso en su estudio de Par\u00eds durante la Segunda Guerra Mundial y all\u00ed vio el Guernica. Lo que le pareci\u00f3 un remolino de formas le llev\u00f3 a preguntar al artista: \u00ab\u00bfEsto lo has hecho t\u00fa?\u00bb, a lo que recibi\u00f3 la respuesta: \u00abNo, esto lo has [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":274334,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-274308","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Protestas art\u00edsticas - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/2024\/05\/27\/art-protests\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Protestas art\u00edsticas\" \/>\n<meta property=\"og:description\" content=\"Un oficial alem\u00e1n visit\u00f3 a Picasso en su estudio de Par\u00eds durante la Segunda Guerra Mundial y all\u00ed vio el Guernica. Lo que le pareci\u00f3 un remolino de formas le llev\u00f3 a preguntar al artista: &quot;\u00bfEsto lo has hecho t\u00fa?&quot;, a lo que recibi\u00f3 la respuesta: &quot;No, esto lo has hecho t\u00fa&quot;.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/theprisma.co.uk\/2024\/05\/27\/art-protests\/\" \/>\n<meta property=\"og:site_name\" content=\"ThePrisma.co.uk\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper\" \/>\n<meta property=\"article:published_time\" content=\"2024-05-26T23:25:52+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/05\/03520_AE_ProtestArt_001_176_UL-78.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1304\" \/>\n\t<meta property=\"og:image:height\" content=\"1021\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"ThePrisma\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:site\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"ThePrisma\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/2024\\\/05\\\/27\\\/art-protests\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/2024\\\/05\\\/27\\\/art-protests\\\/\"},\"author\":{\"name\":\"ThePrisma\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/person\\\/24f5091d3dc50052d73cbea6ecd09df7\"},\"headline\":\"Protestas art\u00edsticas\",\"datePublished\":\"2024-05-26T23:25:52+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/2024\\\/05\\\/27\\\/art-protests\\\/\"},\"wordCount\":591,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/2024\\\/05\\\/27\\\/art-protests\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2024\\\/05\\\/Arte-manos-ceramica-Pixabay.jpg\",\"articleSection\":[\"Cultura\",\"En Foco\",\"Opini\u00f3n\",\"P\u00e1ginas\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/theprisma.co.uk\\\/2024\\\/05\\\/27\\\/art-protests\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/2024\\\/05\\\/27\\\/art-protests\\\/\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/2024\\\/05\\\/27\\\/art-protests\\\/\",\"name\":\"Protestas art\u00edsticas - ThePrisma.co.uk\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/2024\\\/05\\\/27\\\/art-protests\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/2024\\\/05\\\/27\\\/art-protests\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2024\\\/05\\\/Arte-manos-ceramica-Pixabay.jpg\",\"datePublished\":\"2024-05-26T23:25:52+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/2024\\\/05\\\/27\\\/art-protests\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/theprisma.co.uk\\\/2024\\\/05\\\/27\\\/art-protests\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/2024\\\/05\\\/27\\\/art-protests\\\/#primaryimage\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2024\\\/05\\\/Arte-manos-ceramica-Pixabay.jpg\",\"contentUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2024\\\/05\\\/Arte-manos-ceramica-Pixabay.jpg\",\"width\":1280,\"height\":800},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/2024\\\/05\\\/27\\\/art-protests\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/theprisma.co.uk\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Protestas art\u00edsticas\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#website\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/\",\"name\":\"ThePrisma.co.uk\",\"description\":\"Ethical and Independent Journalism\u2026 Journalism for immigrants\",\"publisher\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/theprisma.co.uk\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\",\"name\":\"ThePrisma.co.uk\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/Logo-TP-May-3-2026.jpg\",\"contentUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/Logo-TP-May-3-2026.jpg\",\"width\":2171,\"height\":353,\"caption\":\"ThePrisma.co.uk\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/ThePrismaTheMulticulturalNewspaper\",\"https:\\\/\\\/x.com\\\/The_Prisma\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/person\\\/24f5091d3dc50052d73cbea6ecd09df7\",\"name\":\"ThePrisma\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g\",\"caption\":\"ThePrisma\"},\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/author\\\/theprisma\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Protestas art\u00edsticas - ThePrisma.co.uk","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/theprisma.co.uk\/2024\/05\/27\/art-protests\/","og_locale":"es_ES","og_type":"article","og_title":"Protestas art\u00edsticas","og_description":"Un oficial alem\u00e1n visit\u00f3 a Picasso en su estudio de Par\u00eds durante la Segunda Guerra Mundial y all\u00ed vio el Guernica. Lo que le pareci\u00f3 un remolino de formas le llev\u00f3 a preguntar al artista: \"\u00bfEsto lo has hecho t\u00fa?\", a lo que recibi\u00f3 la respuesta: \"No, esto lo has hecho t\u00fa\".","og_url":"https:\/\/theprisma.co.uk\/2024\/05\/27\/art-protests\/","og_site_name":"ThePrisma.co.uk","article_publisher":"https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper","article_published_time":"2024-05-26T23:25:52+00:00","og_image":[{"width":1304,"height":1021,"url":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/05\/03520_AE_ProtestArt_001_176_UL-78.jpg","type":"image\/jpeg"}],"author":"ThePrisma","twitter_card":"summary_large_image","twitter_creator":"@The_Prisma","twitter_site":"@The_Prisma","twitter_misc":{"Escrito por":"ThePrisma","Tiempo de lectura":"4 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/theprisma.co.uk\/2024\/05\/27\/art-protests\/#article","isPartOf":{"@id":"https:\/\/theprisma.co.uk\/2024\/05\/27\/art-protests\/"},"author":{"name":"ThePrisma","@id":"https:\/\/theprisma.co.uk\/#\/schema\/person\/24f5091d3dc50052d73cbea6ecd09df7"},"headline":"Protestas art\u00edsticas","datePublished":"2024-05-26T23:25:52+00:00","mainEntityOfPage":{"@id":"https:\/\/theprisma.co.uk\/2024\/05\/27\/art-protests\/"},"wordCount":591,"commentCount":0,"publisher":{"@id":"https:\/\/theprisma.co.uk\/#organization"},"image":{"@id":"https:\/\/theprisma.co.uk\/2024\/05\/27\/art-protests\/#primaryimage"},"thumbnailUrl":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/05\/Arte-manos-ceramica-Pixabay.jpg","articleSection":["Cultura","En Foco","Opini\u00f3n","P\u00e1ginas"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/theprisma.co.uk\/2024\/05\/27\/art-protests\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/theprisma.co.uk\/2024\/05\/27\/art-protests\/","url":"https:\/\/theprisma.co.uk\/2024\/05\/27\/art-protests\/","name":"Protestas art\u00edsticas - ThePrisma.co.uk","isPartOf":{"@id":"https:\/\/theprisma.co.uk\/#website"},"primaryImageOfPage":{"@id":"https:\/\/theprisma.co.uk\/2024\/05\/27\/art-protests\/#primaryimage"},"image":{"@id":"https:\/\/theprisma.co.uk\/2024\/05\/27\/art-protests\/#primaryimage"},"thumbnailUrl":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/05\/Arte-manos-ceramica-Pixabay.jpg","datePublished":"2024-05-26T23:25:52+00:00","breadcrumb":{"@id":"https:\/\/theprisma.co.uk\/2024\/05\/27\/art-protests\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/theprisma.co.uk\/2024\/05\/27\/art-protests\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/theprisma.co.uk\/2024\/05\/27\/art-protests\/#primaryimage","url":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/05\/Arte-manos-ceramica-Pixabay.jpg","contentUrl":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/05\/Arte-manos-ceramica-Pixabay.jpg","width":1280,"height":800},{"@type":"BreadcrumbList","@id":"https:\/\/theprisma.co.uk\/2024\/05\/27\/art-protests\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/theprisma.co.uk\/"},{"@type":"ListItem","position":2,"name":"Protestas art\u00edsticas"}]},{"@type":"WebSite","@id":"https:\/\/theprisma.co.uk\/#website","url":"https:\/\/theprisma.co.uk\/","name":"ThePrisma.co.uk","description":"Ethical and Independent Journalism\u2026 Journalism for immigrants","publisher":{"@id":"https:\/\/theprisma.co.uk\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/theprisma.co.uk\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/theprisma.co.uk\/#organization","name":"ThePrisma.co.uk","url":"https:\/\/theprisma.co.uk\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/theprisma.co.uk\/#\/schema\/logo\/image\/","url":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/05\/Logo-TP-May-3-2026.jpg","contentUrl":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/05\/Logo-TP-May-3-2026.jpg","width":2171,"height":353,"caption":"ThePrisma.co.uk"},"image":{"@id":"https:\/\/theprisma.co.uk\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper","https:\/\/x.com\/The_Prisma"]},{"@type":"Person","@id":"https:\/\/theprisma.co.uk\/#\/schema\/person\/24f5091d3dc50052d73cbea6ecd09df7","name":"ThePrisma","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/secure.gravatar.com\/avatar\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g","caption":"ThePrisma"},"url":"https:\/\/theprisma.co.uk\/es\/author\/theprisma\/"}]}},"_links":{"self":[{"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/posts\/274308","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/comments?post=274308"}],"version-history":[{"count":10,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/posts\/274308\/revisions"}],"predecessor-version":[{"id":274311,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/posts\/274308\/revisions\/274311"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/media\/274334"}],"wp:attachment":[{"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/media?parent=274308"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/categories?post=274308"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/tags?post=274308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}