{"id":274544,"date":"2024-06-10T00:25:03","date_gmt":"2024-06-09T23:25:03","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=274544"},"modified":"2024-06-06T01:19:33","modified_gmt":"2024-06-06T00:19:33","slug":"narciso-con-un-smartphone","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2024\/06\/10\/narciso-con-un-smartphone\/","title":{"rendered":"Narciso con un smartphone"},"content":{"rendered":"<p><em>Al fot\u00f3grafo <\/em><em>\u00a0<\/em><em><a href=\"https:\/\/www.louisdebelle.com\/\">Louis De Belle<\/a><\/em><em> \u00a0<\/em><em>le gusta que la forma de sus monograf\u00edas refleje lo significativo de su contenido, y con \u00abCrowd\u00bb el reto al que se enfrent\u00f3 fue c\u00f3mo presentar mejor un fotolibro sobre la toma de selfies.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #003366;\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-274556 alignright\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/06\/Louis-De-BelleDDD-Crowd-0068-e1717631710604.jpg\" alt=\"\" width=\"295\" height=\"443\" \/>Sean Sheehan<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>\u00abDesde mi primer libro siempre he intentado crear una fuerte conexi\u00f3n entre el contenido del libro y la forma en que se produjo, a trav\u00e9s del papel, la impresi\u00f3n y las t\u00e9cnicas de encuadernaci\u00f3n. <em>\u201cFailed dioramas\u201d<\/em> trataba sobre animales disecados que yac\u00edan entre cajas en un apartamento abandonado, as\u00ed que el libro se imprimi\u00f3 en papel de cart\u00f3n. <em>\u201cBesides faith\u201d<\/em> trataba sobre la mayor feria religiosa de Italia, as\u00ed que imprimimos el libro en papel dorado. <em>\u201cDisappearing objects\u201d<\/em> trataba sobre trucos de magia, as\u00ed que escondimos las fotograf\u00edas entre las p\u00e1ginas de una historia de ficci\u00f3n\u00bb.<\/p>\n<p>Con <em>\u00abCrowd\u00bb<\/em> \u00a0<em>(Multitud) <\/em>consigue llamar nuestra atenci\u00f3n sobre el sentido esencial de la teatralidad en la mente del que se hace selfies. Siempre hay un p\u00fablico, ya sean otras personas que ven la selfie en las redes sociales o el selfie-taker que quiere verse a s\u00ed mismo de una determinada manera.<\/p>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-274552\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/06\/Louis-De-Belle-Crowd-9995.jpg\" alt=\"\" width=\"268\" height=\"403\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/06\/Louis-De-Belle-Crowd-9995.jpg 960w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/06\/Louis-De-Belle-Crowd-9995-133x200.jpg 133w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/06\/Louis-De-Belle-Crowd-9995-683x1024.jpg 683w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/06\/Louis-De-Belle-Crowd-9995-431x647.jpg 431w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/06\/Louis-De-Belle-Crowd-9995-862x1293.jpg 862w\" sizes=\"auto, (max-width: 268px) 100vw, 268px\" \/><\/strong>Los visitantes invaden ciudades italianas como Roma, Mil\u00e1n y Venecia y De Belle los fotograf\u00eda haci\u00e9ndose fotos a s\u00ed mismos. Los vemos sosteniendo en alto sus tel\u00e9fonos inteligentes en un acto de autohomenaje, aunque la foto se cuelgue en Internet para otros, o mirando pasivamente al objetivo como se hace ante un espejo.<\/p>\n<p>La reflexividad est\u00e1 presente en <em>\u201cCrowd\u201d<\/em> de una forma que va m\u00e1s all\u00e1 de la evidente dimensi\u00f3n meta. Se utiliza un tiempo de exposici\u00f3n r\u00e1pido y un flash port\u00e1til para captar momentos de autoactuaci\u00f3n.<\/p>\n<p>La teatralidad en acci\u00f3n aparece en las p\u00e1ginas del libro de De Belle rodeando de negrura al autorretratante; poco m\u00e1s importa que el acto de intentar verse a uno mismo como le gustar\u00eda que le vieran. Cualquier perif\u00e9rico en las fotos -bolsos, mochilas, auriculares, un paraguas ocasional, un helado o una botella de agua- es contingente. Nada debe distraer de un momento muy privado de inmersi\u00f3n en uno mismo. Vienen a mi mente las pinturas de Narciso.<\/p>\n<p><em><strong><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-274554 alignleft\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/06\/Louis-De-Belle-Crowd-0548.jpg\" alt=\"\" width=\"269\" height=\"404\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/06\/Louis-De-Belle-Crowd-0548.jpg 960w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/06\/Louis-De-Belle-Crowd-0548-133x200.jpg 133w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/06\/Louis-De-Belle-Crowd-0548-683x1024.jpg 683w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/06\/Louis-De-Belle-Crowd-0548-431x647.jpg 431w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/06\/Louis-De-Belle-Crowd-0548-862x1293.jpg 862w\" sizes=\"auto, (max-width: 269px) 100vw, 269px\" \/><\/strong><\/em>Tal vez no se trate de inmersi\u00f3n, sino de b\u00fasqueda de identidad. Para el psicoanalista Jacques Lacan, la b\u00fasqueda por parte del sujeto de una totalidad ilusoria es potencialmente traum\u00e1tica porque siempre falta algo, una incompletud que le priva de toda consistencia autotransparente. El selfie entrega el deseo profundo de una satisfacci\u00f3n garantizada en su ser -y s\u00f3lo est\u00e1 a un brazo de distancia-, un acto ego\u00edsta que, al no requerir ning\u00fan trasfondo, no es provisto de uno por De Belle. Mi deseo es ser deseado por el Otro, establecer para qu\u00e9 me desea, pero mirar atentamente fotos m\u00edas con la esperanza de una respuesta parece un ejercicio in\u00fatil.<\/p>\n<p>Hay otras razones para hacerse selfies. Puede ser social, grabarse con los amigos o la familia en un entorno determinado, pero De Belle nos muestra a Narciso sacado de la mitolog\u00eda cl\u00e1sica y colocado entre una multitud con un smartphone.<\/p>\n<p><em>\u201cCrowd\u201d<\/em>, de Louis DeBelle, est\u00e1 publicado por<a href=\"https:\/\/www.lespressesdureel.com\/EN\/ouvrage.php?id=11264&amp;menu=0\">Bruno Books<\/a>.<\/p>\n<p><span style=\"color: #003366;\"><strong>(Traducido por Camila Marques)<\/strong> &#8211; <em>Fotos suministradas por la editorial<\/em><\/span><\/p>\n<div class=\"twttr_buttons\"><div class=\"twttr_twitter\">\n\t\t\t\t\t<a href=\"http:\/\/twitter.com\/share?text=Narciso+con+un+smartphone\" class=\"twitter-share-button\" data-via=\"\" data-hashtags=\"\"  data-size=\"default\" data-url=\"https:\/\/theprisma.co.uk\/es\/2024\/06\/10\/narciso-con-un-smartphone\/\" data-dnt=\"true\" data-related=\"\" target=\"_blank\">Tweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Al fot\u00f3grafo \u00a0Louis De Belle \u00a0le gusta que la forma de sus monograf\u00edas refleje lo significativo de su contenido, y con \u00abCrowd\u00bb el reto al que se enfrent\u00f3 fue c\u00f3mo presentar mejor un fotolibro sobre la toma de selfies. &nbsp; Sean Sheehan &nbsp; \u00abDesde mi primer libro siempre he intentado [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":274557,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-274544","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - 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