{"id":276349,"date":"2024-08-05T00:21:24","date_gmt":"2024-08-04T23:21:24","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=276349"},"modified":"2024-08-04T02:09:44","modified_gmt":"2024-08-04T01:09:44","slug":"sombras-y-silencios","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2024\/08\/05\/sombras-y-silencios\/","title":{"rendered":"Sombras y silencios"},"content":{"rendered":"<p><em>Una mujer, fotografiada de espaldas, avanza con determinaci\u00f3n por un terreno rocoso hacia una tierra abierta e inh\u00f3spita. Delante de ella se perfila el contorno de peque\u00f1as monta\u00f1as de aspecto desnudo.<\/em><\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_276424\" aria-describedby=\"caption-attachment-276424\" style=\"width: 456px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-276424\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/08\/Angel-woman-Mujer-Angel-Sonoran-Desert-1979.jpg\" alt=\"\" width=\"456\" height=\"299\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/08\/Angel-woman-Mujer-Angel-Sonoran-Desert-1979.jpg 964w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/08\/Angel-woman-Mujer-Angel-Sonoran-Desert-1979-300x197.jpg 300w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/08\/Angel-woman-Mujer-Angel-Sonoran-Desert-1979-431x283.jpg 431w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/08\/Angel-woman-Mujer-Angel-Sonoran-Desert-1979-862x565.jpg 862w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/08\/Angel-woman-Mujer-Angel-Sonoran-Desert-1979-256x167.jpg 256w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/08\/Angel-woman-Mujer-Angel-Sonoran-Desert-1979-276x180.jpg 276w\" sizes=\"auto, (max-width: 456px) 100vw, 456px\" \/><figcaption id=\"caption-attachment-276424\" class=\"wp-caption-text\">Angel woman (Mujer Angel), Sonoran Desert, 1979. Collection<br \/>Leticia and Stanislas Poniatowski. \u00a9 Graciela Iturbide.<\/figcaption><\/figure>\n<p><span style=\"color: #003366;\"><strong>Sean Sheehan<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Su larga melena oscura cuelga suelta hasta debajo de la cintura y su amplia falda podr\u00eda ser blanca, pero parece tan gris como el cielo en la distancia.<\/p>\n<p>Sujeta con fuerza lo que sol\u00eda llamarse un radiocasete, un equipo de m\u00fasica port\u00e1til para reproducir casetes de m\u00fasica, y su presencia en la escena parece tan inexplicable como la de la propia mujer. Hay silencio en el paisaje y en la figura humana, cuyos brazos est\u00e1n colocados para ayudar a equilibrar su cuerpo mientras avanza a grandes zancadas. La fotograf\u00eda se titula <em>Mujer \u00e1ngel<\/em> y, en palabras de la fot\u00f3grafa, \u00abfue como un regalo que me hizo la vida. Sonaba la m\u00fasica de su casete, ten\u00eda el pelo enmara\u00f1ado y parec\u00eda que volaba\u00bb. Fue tomada en 1979 y, en una entrevista realizada m\u00e1s de treinta a\u00f1os despu\u00e9s, record\u00f3 c\u00f3mo fue tomada.<\/p>\n<figure id=\"attachment_276423\" aria-describedby=\"caption-attachment-276423\" style=\"width: 312px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-276423\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/08\/Cholas-East-L.A.-U.S.A.-1986.jpg\" alt=\"\" width=\"312\" height=\"465\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/08\/Cholas-East-L.A.-U.S.A.-1986.jpg 588w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/08\/Cholas-East-L.A.-U.S.A.-1986-134x200.jpg 134w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/08\/Cholas-East-L.A.-U.S.A.-1986-431x642.jpg 431w\" sizes=\"auto, (max-width: 312px) 100vw, 312px\" \/><figcaption id=\"caption-attachment-276423\" class=\"wp-caption-text\">Cholas, East L.A., EE.UU. 1986. \u00a9 Graciela Iturbide. Foto B\/N de cuatro mujeres frente a un mural de los h\u00e9roes Ju\u00e1rez, Villa y Zapata.<\/figcaption><\/figure>\n<p><em>Mujer \u00e1ngel<\/em> es probablemente la fotograf\u00eda m\u00e1s famosa de Graciela Iturbide, nacida en M\u00e9xico en 1942 y donde sigue viviendo. Combina el enigma con la belleza de una manera que resume la extra\u00f1eza po\u00e9tica de su obra. \u00abS\u00f3lo fotograf\u00edo lo que me sorprende y lo que me gusta\u00bb, dice, pero la simple verdad de esto no explica el misterio que se esconde en su fotograf\u00eda.<\/p>\n<p>En la \u00faltima planta de la Photographers Gallery de Londres se expone una selecci\u00f3n de sus 65 fotograf\u00edas, que resultan irresistibles.\u00a0 Hace im\u00e1genes de las apariencias y capta su profundidad de una forma que la fotograf\u00eda en color no podr\u00eda. El color ocultar\u00eda lo que hay en las sombras entre los tonos del blanco y negro. La muerte, el silencio y la introspecci\u00f3n acechan de forma inquietante en sus im\u00e1genes y el color no har\u00eda sino ocultarlo tambi\u00e9n.<\/p>\n<p>Hay una severidad en las fotograf\u00edas de Iturbide y un grado de dureza sin pulir en sus im\u00e1genes, ya sean del pueblo seri del desierto de Sonaran u otros pueblos ind\u00edgenas, de las bandas de cholos mexicano-americanos de Los \u00c1ngeles y Tijuana o de los cactus de los jardines bot\u00e1nicos de Oaxaca. Los entornos que habitan sus fotograf\u00edas son tan descarnados y austeros como los paisajes de un spaghetti western y, en su obra posterior, son los lugares y no las personas los que su c\u00e1mara enfoca, aunque lo que permanece constante es el juego de luz y oscuridad.<\/p>\n<p>La breve <a href=\"https:\/\/www.youtube.com\/watch?v=Gy5Nd-P_0q8\">charla de los curadores<\/a> se reproduce en un monitor de la exposici\u00f3n y sirve de excelente introducci\u00f3n a la obra de Iturbide y a sus logros.<\/p>\n<figure id=\"attachment_276421\" aria-describedby=\"caption-attachment-276421\" style=\"width: 456px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-276421\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/08\/Cemetery-Cementerio-Chiapas-1975.jpg\" alt=\"\" width=\"456\" height=\"304\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/08\/Cemetery-Cementerio-Chiapas-1975.jpg 897w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/08\/Cemetery-Cementerio-Chiapas-1975-300x200.jpg 300w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/08\/Cemetery-Cementerio-Chiapas-1975-431x287.jpg 431w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/08\/Cemetery-Cementerio-Chiapas-1975-862x574.jpg 862w\" sizes=\"auto, (max-width: 456px) 100vw, 456px\" \/><figcaption id=\"caption-attachment-276421\" class=\"wp-caption-text\">Cementerio, Chiapas, 1975. \u00a9 Graciela Iturbide. Fotograf\u00eda en B\/N de tres mujeres con pa\u00f1uelos negros en la cabeza.<\/figcaption><\/figure>\n<p><em>Graciela Iturbide: \u201cShadowlines\u201d estar\u00e1 en <\/em><a href=\"https:\/\/thephotographersgallery.org.uk\/whats-on\/graciela-iturbide-shadowlines\"><em>The Photographers Gallery<\/em><\/a><em> hasta el 22 de septiembre de 2024. La entrada general cuesta 8 libras, con descuento para estudiantes, desempleados, discapacitados y personas de la tercera edad, y es gratuita los viernes despu\u00e9s de las 17:00 horas. La entrada cubre todas las exposiciones que tengan lugar en el momento de su visita y actualmente tambi\u00e9n est\u00e1 <\/em><a href=\"https:\/\/thephotographersgallery.org.uk\/whats-on\/ernest-cole-house-bondage\"><em>House of Bondage<\/em><\/a><em>.<\/em><\/p>\n<p><span style=\"color: #003366;\"><strong>(Traducido pro Monica del Pilar Uribe Marin)<\/strong> &#8211; <em>Fotos suministradas por al galeiria y autorizadas para su publicacion<\/em><\/span><\/p>\n<div class=\"twttr_buttons\"><div class=\"twttr_twitter\">\n\t\t\t\t\t<a href=\"http:\/\/twitter.com\/share?text=Sombras+y+silencios\" class=\"twitter-share-button\" data-via=\"\" data-hashtags=\"\"  data-size=\"default\" data-url=\"https:\/\/theprisma.co.uk\/es\/2024\/08\/05\/sombras-y-silencios\/\" data-dnt=\"true\" data-related=\"\" target=\"_blank\">Tweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Una mujer, fotografiada de espaldas, avanza con determinaci\u00f3n por un terreno rocoso hacia una tierra abierta e inh\u00f3spita. Delante de ella se perfila el contorno de peque\u00f1as monta\u00f1as de aspecto desnudo. &nbsp; Sean Sheehan &nbsp; Su larga melena oscura cuelga suelta hasta debajo de la cintura y su amplia falda [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":273826,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-276349","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sombras y silencios - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/?p=276364\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sombras y silencios\" \/>\n<meta property=\"og:description\" content=\"Hay una severidad en las fotograf\u00edas de Iturbide y un grado de dureza sin pulir en sus im\u00e1genes, ya sean del pueblo seri del desierto de Sonaran u otros pueblos ind\u00edgenas, de las bandas de cholos mexicano-americanos de Los \u00c1ngeles y Tijuana o de los cactus de los jardines bot\u00e1nicos de Oaxaca.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/theprisma.co.uk\/?p=276364\" \/>\n<meta property=\"og:site_name\" content=\"ThePrisma.co.uk\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper\" \/>\n<meta property=\"article:published_time\" content=\"2024-08-04T23:21:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/08\/Cemetery-Cementerio-Chiapas-1975.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"897\" \/>\n\t<meta property=\"og:image:height\" content=\"597\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"ThePrisma\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:site\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"ThePrisma\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=276364#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=276364\"},\"author\":{\"name\":\"ThePrisma\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/person\\\/24f5091d3dc50052d73cbea6ecd09df7\"},\"headline\":\"Sombras y silencios\",\"datePublished\":\"2024-08-04T23:21:24+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=276364\"},\"wordCount\":651,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=276364#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2024\\\/05\\\/Mujer-surreal-ciudad-Pixabay-1.jpg\",\"articleSection\":[\"Cultura\",\"En Foco\",\"Opini\u00f3n\",\"P\u00e1ginas\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/theprisma.co.uk\\\/?p=276364#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=276364\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=276364\",\"name\":\"Sombras y silencios - 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