{"id":277685,"date":"2024-09-09T00:25:57","date_gmt":"2024-09-08T23:25:57","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=277685"},"modified":"2024-09-05T19:20:32","modified_gmt":"2024-09-05T18:20:32","slug":"james-kelman-y-la-parte-de-la-no-parte","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2024\/09\/09\/james-kelman-y-la-parte-de-la-no-parte\/","title":{"rendered":"James Kelman y la \u2018parte de la no-parte\u2019"},"content":{"rendered":"<p><em>La novela m\u00e1s reciente de James Kelman, \u00abLos dientes de Dios y otros fen\u00f3menos\u00bb, fue publicada el a\u00f1o pasado y rese\u00f1ada <\/em><a href=\"https:\/\/theprisma.co.uk\/es\/2023\/06\/26\/simplemente-hazlo\/\"><em>en The Prisma<\/em><\/a><em>. \u00abKeep moving and no questions\u00bb es una colecci\u00f3n de casi 30 relatos cortos de Kelman, tambi\u00e9n publicada en 2023, y juntos constituyen una representaci\u00f3n ficticia de lo que Jacques Ranci\u00e8re denomin\u00f3 \u201cla parte de la no-parte\u201d.<\/em><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><span style=\"color: #003366;\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-277692 alignright\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/09\/78737016.jpg\" alt=\"\" width=\"288\" height=\"461\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/09\/78737016.jpg 672w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/09\/78737016-125x200.jpg 125w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/09\/78737016-640x1024.jpg 640w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/09\/78737016-431x690.jpg 431w\" sizes=\"auto, (max-width: 288px) 100vw, 288px\" \/>Sean Sheehan<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>La parte de la no-parte sirve para describir a aquellos en la sociedad sin una posici\u00f3n adecuada. Representan un lugar de dislocaci\u00f3n interna dentro de un sistema social e identificarse con la parte de la no-parte es la base para elegir este bando en la lucha de clases y comprometerse subjetivamente con su posici\u00f3n.<\/p>\n<p>Si el proletariado viene a ser alguien que hace esta elecci\u00f3n, se desidentifica de su papel social dado, entonces los protagonistas <em>\u201cKeep moving and no questions\u201d (Sigue movi\u00e9ndote y sin preguntas)<\/em> son proletarios puros.<\/p>\n<p>A menudo est\u00e1n desempleados o no tienen trabajo y, si lo tienen, es probable que est\u00e9 mal pagado y no sea cualificado. Por lo general, en una afrenta a la mentalidad liberal a la que le gusta pensar que todo el mundo puede mejorar su suerte si se lo propone, el narrador de \u00abLas barrigas son las barrigas\u00bb prefiere buscar cigarrillos a medio fumar y colillas en la acera. \u00abNo hab\u00eda trabajo; vale. Morada no hab\u00eda; vale. Cash ditto\u00bb es el autorresumen de la situaci\u00f3n del protagonista en \u201cLos pedazos de mierda no tienen poder de palabra\u201d. El t\u00edtulo del relato procede de las palabras de un agente de polic\u00eda que le explica por qu\u00e9 no se le permiti\u00f3 decir nada en su propia defensa en una sentencia judicial que le consideraba un miembro indeseable de la sociedad.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-277696\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/09\/Ovejas-animales-granja-politica-poder-Pixabay.jpg\" alt=\"\" width=\"390\" height=\"337\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/09\/Ovejas-animales-granja-politica-poder-Pixabay.jpg 804w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/09\/Ovejas-animales-granja-politica-poder-Pixabay-232x200.jpg 232w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/09\/Ovejas-animales-granja-politica-poder-Pixabay-431x371.jpg 431w\" sizes=\"auto, (max-width: 390px) 100vw, 390px\" \/>Cada uno de los relatos de Kelman en esta colecci\u00f3n est\u00e1 narrado por un personaje sobre un momento o una situaci\u00f3n de su vida que parece resumir su lugar en la sociedad. Puede que los dem\u00e1s los juzguen fracasos abyectos, pero no ellos mismos, y su autodesprecio y su humor ir\u00f3nico les salvan de caer en la desesperaci\u00f3n.<\/p>\n<p>\u017di\u017eek escribe en <em>\u201cFreedom: A disease without a cure\u201d (Libertad: Una enfermedad sin cura) <\/em>(2023) del \u201cdeseo comunista inerradicable y absolutamente aut\u00e9ntico\u201d como \u201cla idea de una sociedad que supere plenamente la dominaci\u00f3n\u201d. No promete el retorno a una unidad prelapsaria, la recuperaci\u00f3n de una m\u00edtica madre tierra salvajemente asolada por el capitalismo, pero s\u00ed reclama la inclusi\u00f3n de los excluidos. Exige la plena participaci\u00f3n de los despose\u00eddos y desfavorecidos que conforman la parte de la no-parte, los que representan \u00ablo que tiene que permanecer invisible para que lo visible sea visible\u00bb, el elemento sustra\u00eddo que, a diferencia de los que tienen un lugar y un inter\u00e9s particular en un sistema, est\u00e1n excluidos de \u00e9l.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-268818\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/12\/Mano-libertad-cadena-protesta-Pixabay.jpg\" alt=\"\" width=\"391\" height=\"220\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/12\/Mano-libertad-cadena-protesta-Pixabay.jpg 1152w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/12\/Mano-libertad-cadena-protesta-Pixabay-300x169.jpg 300w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/12\/Mano-libertad-cadena-protesta-Pixabay-1024x576.jpg 1024w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/12\/Mano-libertad-cadena-protesta-Pixabay-431x242.jpg 431w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/12\/Mano-libertad-cadena-protesta-Pixabay-862x485.jpg 862w\" sizes=\"auto, (max-width: 391px) 100vw, 391px\" \/>Los protagonistas de Kelman expresan con sus propias voces la resiliencia y la resistencia, el valerse por s\u00ed mismos y no dejar que el sistema los aplaste hasta convertirlos en polvo. Ofrecen esperanza y buen \u00e1nimo por la forma en que profundizan en s\u00ed mismos y encuentran su propia salvaci\u00f3n. Sus historias son edificantes.<\/p>\n<p><em>\u201cKeep moving and no questions\u201d, de <\/em>by James Kelman<em>,<\/em> <em>es<\/em> publicado por <a href=\"https:\/\/pmpress.org\/index.php?l=product_detail&amp;p=1291\">PM Press<\/a><em>.<\/em><\/p>\n<p><span style=\"color: #003366;\"><strong>(Traducido por Camila M\u00e1rquez)<\/strong><em> \u2013 Fotos: Pixabay<\/em><\/span><\/p>\n<p>&nbsp;<\/p>\n<div class=\"twttr_buttons\"><div class=\"twttr_twitter\">\n\t\t\t\t\t<a href=\"http:\/\/twitter.com\/share?text=James+Kelman+y+la+%E2%80%98parte+de+la+no-parte%E2%80%99\" class=\"twitter-share-button\" data-via=\"\" data-hashtags=\"\"  data-size=\"default\" data-url=\"https:\/\/theprisma.co.uk\/es\/2024\/09\/09\/james-kelman-y-la-parte-de-la-no-parte\/\" data-dnt=\"true\" data-related=\"\" target=\"_blank\">Tweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>La novela m\u00e1s reciente de James Kelman, \u00abLos dientes de Dios y otros fen\u00f3menos\u00bb, fue publicada el a\u00f1o pasado y rese\u00f1ada en The Prisma. \u00abKeep moving and no questions\u00bb es una colecci\u00f3n de casi 30 relatos cortos de Kelman, tambi\u00e9n publicada en 2023, y juntos constituyen una representaci\u00f3n ficticia de [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":277696,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-277685","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - 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