{"id":279048,"date":"2025-12-08T00:24:28","date_gmt":"2025-12-08T00:24:28","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=279048"},"modified":"2025-12-07T00:56:07","modified_gmt":"2025-12-07T00:56:07","slug":"marcel-marceau-el-silencio-que-se-volvio-lenguaje","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2025\/12\/08\/marcel-marceau-el-silencio-que-se-volvio-lenguaje\/","title":{"rendered":"Marcel Marceau: el silencio que se volvi\u00f3 lenguaje"},"content":{"rendered":"

El arte del silencio adquiere otra dimensi\u00f3n en manos de quien convirti\u00f3 un gesto en narrativa. Entre herencias antiguas, maestros decisivos y presentaciones memorables en Colombia, la pantomima revela su fuerza para pensar el mundo sin pronunciar una palabra. Bip, su criatura emblem\u00e1tica, resume una vida dedicada a moldear lo invisible.<\/em><\/p>\n

\u00a0<\/i>\u00a0<\/b><\/p>\n

\"\"Oscar Dom\u00ednguez<\/span><\/strong><\/p>\n

 <\/p>\n

Marcel Marceau Hered\u00f3 la pantomima de los griegos, quienes no s\u00f3lo legaron a Dem\u00f3stenes que masticaban piedritas para poder hablar de corrido, como ciertos oradores. Tambi\u00e9n hubo Dem\u00f3stenes y Platones del silencio, del gesto.<\/p>\n

Marcel Marceau, nacido en Estrasburgo, Francia, ingres\u00f3 al silencio eterno a los 87 a\u00f1os, el 22 de septiembre de 2007. Visit\u00f3 varias veces Colombia: en 1957, 1989 y en 2005, cuando anunci\u00f3 de nuevo su retiro definitivo del \u00abmundanal ruido\u00bb del silencio. La \u00faltima vez estuvo presente a trav\u00e9s de la Compa\u00f1\u00eda \u00abMr. et Mme. O\u00bb en el Teatro Col\u00f3n y en un Taller de Teatro Gestual (Teatro Delia Zapata), convocados a instancias de la embajada de Francia. Empe\u00f1\u00e9 no s\u00e9 qu\u00e9 para verlo.<\/p>\n

El mimo es el imitador por excelencia. El papel carb\u00f3n de la realidad.<\/p>\n

Marceau es el silencio cuando \u00e9ste es m\u00e1s elocuente que la palabra. Con un gesto suyo editorializaba en voz baja sobre los achaques de la humanidad. \u00abEl silencio es algo que existe en el interior de uno mismo. Para m\u00ed el silencio es una m\u00fasica interior. Es necesario para encontrarse a s\u00ed mismo y para encontrar la paz\u00bb, filosof\u00f3 Marceau.<\/p>\n

\"\"
Marcel Marceau. Foto: PxHere<\/a>.<\/figcaption><\/figure>\n

Como al \u00abm\u00e1s grande mimo contempor\u00e1neo\u00bb no le peinaron mimos cuando estaba ni\u00f1o, se dedic\u00f3 a ellos.<\/p>\n

Debe ostentar una marca mundial no reconocida por el Guinness, como el hombre que m\u00e1s ha hablado sin caer en la tentaci\u00f3n pedestre de pronunciar palabras. Nuestros pol\u00edticos criollos deber\u00edan hacer un cursillo intensivo de Marceau.<\/p>\n

Despu\u00e9s de perseguirlo por el escenario uno se pregunta: \u00bfLa lengua para qu\u00e9? Dan ganas de empe\u00f1ar esa lengua. O de prepararla alcaparrada.<\/p>\n

Si el Papa es el Messi de Dios, Marceau es el pap\u00e1 de Bip, su personaje inolvidable, el Sumo Pont\u00edfice de los mimos.<\/p>\n

El solito es una escuela porque tiene la sospecha de que, salvo sus paisanos de la Academia Francesa, el resto de los mortales somos mortales. As\u00ed la muerte sea por una sola vez y para siempre, como suelen decir los que todav\u00eda est\u00e1n vivos. No hay que acreditar carn\u00e9 de intelectual puro ni impuro para disfrutarlo. Cualquiera puede entenderlo. No es sino mirarlo con los ojos del asombro. Todo el mundo habla de la feria, c\u00f3mo le va en ella y de Marceau seg\u00fan haya disfrutado de su talento. Los ni\u00f1os s\u00ed que lo paladean. Al fin y al cabo un mimo es un mago a partir de sus gestos. Esto lo saben los \u00ablocos bajitos\u00bb que son los due\u00f1os de la imaginaci\u00f3n. Los adultos nos gastamos medio cerebro tratando de traducir lo que quiso decir el mago Marceau, o inventando aplausos para llenar los vac\u00edos que a veces nos produce el oficio de este Pierrot sorprendente.<\/p>\n

El matinal, el matin\u00e9, el vespertino y el nocturno de la pantomima pasa por este hombre que molde\u00f3 el silencio con sus manos, como si fuera de barro.<\/p>\n

\"\"Si quiere disfrutar el mejor de los goces est\u00e9ticos, d\u00e9jese masajear el alma y el coraz\u00f3n con gestos que van desde una \u00abcertaine sourire\u00bb (cierta sonrisa) hasta su ant\u00edpoda la l\u00e1grima. O sea que en su oficio refleja lo que sucede a cada minuto en la aldea global. La pantomima es el verdadero esperanto: lo sentimos cuando en tierra extra\u00f1a nos volvemos mimos para solicitar un plato de comida con las ganas, el gesto, el hambre, o simplemente los dedos.<\/p>\n

En ese instante hacemos una fugaz reencarnaci\u00f3n de M. Marceau. Menos mal que el artista no se entera de que estamos estropeando su arte universal mediante el cual vuelve visible lo invisible y viceversa. Su rostro vestido de blanco dispara met\u00e1foras por todos los poros. No es un hombre. Parece una manifestaci\u00f3n por todo lo que ejecuta.<\/p>\n

De pronto se ayuda con m\u00fasica, generalmente de Mozart, su preferido. O con un chorro de luz que le ayuda a desaparecer. O a reaparecer, a la manera del mago David Copperfield, quien confiesa que copi\u00f3 de su arte.<\/p>\n

Cuando Copperfield, este BIP -tan VIP- pasa, es el mimo Chaplin -su primera gran influencia- el que pasa. O Buster Keaton, otro de sus gur\u00faes. O \u00c9tienne Decroux en quien reconoce a su mayor maestro \u00abporque uno no puede ejercer un arte sin haber tenido un maestro\u00bb.<\/p>\n

\"\"Marceau globaliz\u00f3 el arte del silencio. \u00abYo pienso que toda la vida es un mensaje. En todo lo que hacemos estamos mostrando lo que se hace en el mundo\u00bb, coment\u00f3 en una entrevista hecha en otro anuncio \u00abdefinitivo\u00bb sobre su retiro.<\/p>\n

Ha dicho que \u00abcuelga\u00bb el gesto como esos toreros nost\u00e1lgicos que generalmente vuelven al ruedo. Ojal\u00e1 pase siempre lo mismo con M. Marcel. Paz sobre su eterno silencio. PL<\/p>\n

(Fotos: Pixabay)<\/em><\/span><\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

El arte del silencio adquiere otra dimensi\u00f3n en manos de quien convirti\u00f3 un gesto en narrativa. Entre herencias antiguas, maestros decisivos y presentaciones memorables en Colombia, la pantomima revela su fuerza para pensar el mundo sin pronunciar una palabra. Bip, su criatura emblem\u00e1tica, resume una vida dedicada a moldear lo […]<\/p>\n","protected":false},"author":9,"featured_media":279062,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,39],"tags":[],"class_list":["post-279048","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-plastica"],"yoast_head":"\nMarcel Marceau: el silencio que se volvi\u00f3 lenguaje - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/2025\/12\/08\/marcel-marceau-the-silence-that-became-a-language\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Marcel Marceau: el silencio que se volvi\u00f3 lenguaje\" \/>\n<meta property=\"og:description\" content=\"El arte del silencio adquiere otra dimensi\u00f3n en manos de quien convirti\u00f3 un gesto en narrativa. 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