{"id":279092,"date":"2024-10-21T00:25:26","date_gmt":"2024-10-20T23:25:26","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=279092"},"modified":"2024-10-19T14:34:43","modified_gmt":"2024-10-19T13:34:43","slug":"al-norte-del-rio-grande-con-graciela-iturbide","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2024\/10\/21\/al-norte-del-rio-grande-con-graciela-iturbide\/","title":{"rendered":"Al norte del R\u00edo Grande con Graciela Iturbide"},"content":{"rendered":"<p><em>La obra de la galardonada fot\u00f3grafa mexicana Graciela Iturbide se expuso en Londres en agosto, en la Photographer&#8217;s Gallery. Una de sus fotos, mostrada en la rese\u00f1a de The Prisma sobre la exposici\u00f3n, era de cuatro mujeres de pie frente a un mural de Benito Ju\u00e1rez y Villa y Zapata. <\/em><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #003366;\"><strong><em><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-279113 alignright\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/10\/White-Fence4-supplied-by-publisher-3.jpg\" alt=\"\" width=\"429\" height=\"286\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/10\/White-Fence4-supplied-by-publisher-3.jpg 983w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/10\/White-Fence4-supplied-by-publisher-3-300x200.jpg 300w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/10\/White-Fence4-supplied-by-publisher-3-431x287.jpg 431w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/10\/White-Fence4-supplied-by-publisher-3-862x574.jpg 862w\" sizes=\"auto, (max-width: 429px) 100vw, 429px\" \/><\/em>Sean Sheehan<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>La banda callejera latina a la que pertenecen las mujeres y la fascinaci\u00f3n de Iturbide por ellas es el tema <em>\u201cWhite fence\u201d (Cercas blancas).<\/em><\/p>\n<p>Graciela Iturbide, nacida en 1942 en Ciudad de M\u00e9xico, adquiri\u00f3 fama internacional con la publicaci\u00f3n de su libro <em>\u00abJuchit\u00e1n de las mujeres\u00bb<\/em>, con fotograf\u00edas de tribus ind\u00edgenas de M\u00e9xico. Tres a\u00f1os antes, en 1986, hab\u00eda llamado la atenci\u00f3n con otro libro, <em>\u201cUn d\u00eda en la vida de Am\u00e9rica\u201d. <\/em>Sus im\u00e1genes en ese libro surgieron cuando form\u00f3 parte de un equipo de fot\u00f3grafos que durante veinticuatro horas registraron la vida ordinaria en distintas partes de Estados Unidos. Iturbide se encontr\u00f3 fotografiando en un piso de Boyle Heights, un barrio del Este de Los \u00c1ngeles, y as\u00ed conoci\u00f3 a un grupo de mujeres chicanas (mexicano-americanas), miembros de la banda callejera White Fence.<\/p>\n<p>Iturbide no es la forastera, la voyeur con objetivo, y esto es esencial para la calidad de su trabajo:<\/p>\n<p><em><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-279109\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/10\/White-Fence4-supplied-by-publisher-1.jpg\" alt=\"\" width=\"346\" height=\"517\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/10\/White-Fence4-supplied-by-publisher-1.jpg 588w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/10\/White-Fence4-supplied-by-publisher-1-134x200.jpg 134w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/10\/White-Fence4-supplied-by-publisher-1-431x644.jpg 431w\" sizes=\"auto, (max-width: 346px) 100vw, 346px\" \/>\u201c<\/em>Nunca hago fotos a escondidas y nunca he utilizado un teleobjetivo. Mis sujetos siempre saben que estoy all\u00ed como fot\u00f3grafa y, si siento que alguien no quiere que le haga una foto, entonces no se la hago<em>\u201d<\/em>.<\/p>\n<p>Una banda se hab\u00eda establecido en Boyle Heights a principios del siglo XX y el nombre se le qued\u00f3 grabado, ya que todav\u00eda se utilizaba cuando Iturbide se encontraba en su territorio con su c\u00e1mara.<\/p>\n<p>Sigui\u00f3 en contacto con la comunidad y regresaba intermitentemente para hacer m\u00e1s fotos y reunirse con las mujeres que la hab\u00edan acogido en sus vidas.<\/p>\n<p>Un ensayo en <em>\u201cWhite fence\u201d<\/em> de Alfonso Morales Carrillo cubre el desarrollo del compromiso de Iturbide con las mujeres y describe c\u00f3mo las comunidades de ascendencia mexicana se desarrollaron y permanecieron al norte del R\u00edo Grande. El t\u00edtulo de una rese\u00f1a de la exposici\u00f3n en un peri\u00f3dico brit\u00e1nico, <em>\u201c<\/em>Graciela Iturbide&#8217;s surrealist take on Mexico<em>\u201d<\/em>, induce a error al sugerir que su obra trata de lo extra\u00f1o y lo irreal. \u201cNo me gusta el realismo m\u00e1gico\u201d, ha declarado, y, al haber sido educada como cat\u00f3lica (\u201cya no soy religiosa\u201d), \u201cpuede que tenga un instinto espiritual\u201d. Si es as\u00ed, se trata de un espiritualismo basado en observaciones materialistas de la vida.<\/p>\n<p>Boyle Heights, la localidad de <em>\u201cWhite fence\u201d<\/em>, est\u00e1 experimentando un proceso de gentrificaci\u00f3n por su proximidad al centro de Los \u00c1ngeles. Es un barrio de clase trabajadora con un car\u00e1cter latino procedente de una historia de pobreza e inmigraci\u00f3n.<\/p>\n<p><em><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-279111 alignright\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/10\/White-Fence4-supplied-by-publisher-2.jpg\" alt=\"\" width=\"430\" height=\"290\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/10\/White-Fence4-supplied-by-publisher-2.jpg 932w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/10\/White-Fence4-supplied-by-publisher-2-297x200.jpg 297w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/10\/White-Fence4-supplied-by-publisher-2-431x290.jpg 431w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/10\/White-Fence4-supplied-by-publisher-2-862x581.jpg 862w\" sizes=\"auto, (max-width: 430px) 100vw, 430px\" \/><\/em>El sentido de una herencia compartida se percibe con fuerza en las fotograf\u00edas y sus signos de vida de bandas callejeras -tatuajes, signos de bandas, gestos desafiantes- est\u00e1n ah\u00ed como reconocimiento de una historia cultural arraigada en la privaci\u00f3n de derechos y el vilipendio.<\/p>\n<p><em>\u201cWhite fence\u201d<\/em>, de Graciela Iturbide, publicado por <a href=\"https:\/\/editorialrm.com\/en\/\">Editorial RM<\/a>.<\/p>\n<p><span style=\"color: #003366;\"><strong>(Traducido por M\u00f3nica del Pilar Uribe Mar\u00edn)<\/strong> &#8211; <em>Fotos facilitadas por la editorial<\/em><\/span><\/p>\n<div class=\"twttr_buttons\"><div class=\"twttr_twitter\">\n\t\t\t\t\t<a href=\"http:\/\/twitter.com\/share?text=Al+norte+del+R%C3%ADo+Grande+con+Graciela+Iturbide\" class=\"twitter-share-button\" data-via=\"\" data-hashtags=\"\"  data-size=\"default\" data-url=\"https:\/\/theprisma.co.uk\/es\/2024\/10\/21\/al-norte-del-rio-grande-con-graciela-iturbide\/\" data-dnt=\"true\" data-related=\"\" target=\"_blank\">Tweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>La obra de la galardonada fot\u00f3grafa mexicana Graciela Iturbide se expuso en Londres en agosto, en la Photographer&#8217;s Gallery. Una de sus fotos, mostrada en la rese\u00f1a de The Prisma sobre la exposici\u00f3n, era de cuatro mujeres de pie frente a un mural de Benito Ju\u00e1rez y Villa y Zapata. [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":279121,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-279092","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Al norte del R\u00edo Grande con Graciela Iturbide - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/?p=279093\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Al norte del R\u00edo Grande con Graciela Iturbide\" \/>\n<meta property=\"og:description\" content=\"La obra de la galardonada fot\u00f3grafa mexicana Graciela Iturbide se expuso en Londres en agosto, en la Photographer&#039;s Gallery.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/theprisma.co.uk\/?p=279093\" \/>\n<meta property=\"og:site_name\" content=\"ThePrisma.co.uk\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper\" \/>\n<meta property=\"article:published_time\" content=\"2024-10-20T23:25:26+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2024\/10\/White-Fence4-supplied-by-publisher-2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"932\" \/>\n\t<meta property=\"og:image:height\" content=\"628\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"ThePrisma\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:site\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"ThePrisma\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=279093#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=279093\"},\"author\":{\"name\":\"ThePrisma\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/person\\\/24f5091d3dc50052d73cbea6ecd09df7\"},\"headline\":\"Al norte del R\u00edo Grande con Graciela Iturbide\",\"datePublished\":\"2024-10-20T23:25:26+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=279093\"},\"wordCount\":569,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=279093#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2024\\\/10\\\/Mexico-ciudad-Pixabay.jpg\",\"articleSection\":[\"Cultura\",\"En Foco\",\"Opini\u00f3n\",\"P\u00e1ginas\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/theprisma.co.uk\\\/?p=279093#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=279093\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=279093\",\"name\":\"Al norte del R\u00edo Grande con Graciela Iturbide - 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