{"id":280502,"date":"2024-12-09T00:25:02","date_gmt":"2024-12-09T00:25:02","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=280502"},"modified":"2024-12-11T03:04:07","modified_gmt":"2024-12-11T03:04:07","slug":"fotografiar-el-pasado-en-el-presente","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2024\/12\/09\/fotografiar-el-pasado-en-el-presente\/","title":{"rendered":"Fotografiar el pasado en el presente"},"content":{"rendered":"

El Prix Pictet<\/a> es un premio internacional para fot\u00f3grafos por su trabajo de concienciaci\u00f3n sobre importantes cuestiones medioambientales y sociales. \u00abCollage\u00bb es el t\u00edtulo del libro que re\u00fane a algunas de las fot\u00f3grafas que han sido nominadas o preseleccionadas para el premio desde su creaci\u00f3n en 2008.<\/em><\/p>\n

 <\/p>\n

\"\"
Alixandra Fazzina.\u00a0 Hargeisa, Somaliland, region de Somalia, 2018.<\/figcaption><\/figure>\n

Sean Sheehan<\/span><\/strong><\/p>\n

 <\/p>\n

El libro se abre con un homenaje a Graciela Iturbide a trav\u00e9s de una conversaci\u00f3n con ella mantenida por Michael Benson, Director del Prix Pictet. Le sigue un ensayo de Sally Mann, galardonada con el premio en 2021, en el que reflexiona sobre su trabajo en el sur de Estados Unidos, \u00abatormentado por el dolor, la crueldad y la muerte\u00bb.<\/p>\n

El t\u00edtulo del fotolibro de Alixandra Fazzina, \u201cA million shillings \u2013 Escape from Somalia\u201d<\/em> (Un mill\u00f3n de chelines – Huida de Somalia)<\/em>, procede del pasaje (unas 50 libras esterlinas) que pagaban los refugiados que hu\u00edan de Somalia y Etiop\u00eda con la esperanza de cruzar el Golfo de Ad\u00e9n para ponerse a salvo a trav\u00e9s de Yemen. Ahora, diez a\u00f1os despu\u00e9s, los refugiados huyen de Yemen para salvar sus vidas: \u00abUna par\u00e1bola para nuestro tiempo, que desenreda las poderosas metanarrativas que ocultan los v\u00ednculos entre el sufrimiento humano y el conflicto prolongado.<\/p>\n

Polly Braden, fot\u00f3grafa documental afincada en Londres, retrat\u00f3 el impacto de las medidas de austeridad del gobierno en las familias monoparentales de Inglaterra en su proyecto Holding the Baby<\/em>. Se trata de un proyecto participativo, en el que algunos de los fot\u00f3grafos son los propios padres.<\/p>\n

\"\"
An-My Le. Set (Free State of Jones), Battle of Corinth Bush, Lousiana, 2016.<\/figcaption><\/figure>\n

Captan, dice, \u00abel sentido de la aventura, el optimismo, la creatividad y la ambici\u00f3n de las familias, que trascienden sus dificultades\u00bb.<\/p>\n

La Guerra Civil tiene un valor pol\u00edtico en la pol\u00edtica contempor\u00e1nea de Estados Unidos: celebrar a los confederados, honrar a quienes apoyaron la esclavitud, es una forma poco sutil de no disociarse de las expresiones de supremac\u00eda blanca. Otros afirman que la Confederaci\u00f3n es un s\u00edmbolo de orgullo sure\u00f1o, no de racismo.<\/p>\n

Esta diferencia de opini\u00f3n tiene una dimensi\u00f3n visual y sale a relucir en las controversias sobre las estatuas de individuos confederados (pensemos en el derribo de la estatua de un traficante de esclavos, Edward Colston, en Bristol, Reino Unido, en 2020).<\/p>\n

Durante la Guerra Civil estadounidense, las fuerzas de la Uni\u00f3n asediaron una ciudad confederada llamada Corinth, que apareci\u00f3 en una pel\u00edcula de 2016, \u201cThe free State of Jones\u201d<\/em>. La fotograf\u00eda de An-My-L\u00ea en el set de rodaje de la pel\u00edcula plantea interrogantes sobre la naturaleza inestable del recuerdo de la Guerra Civil en Estados Unidos. Un set de rodaje de una pel\u00edcula hist\u00f3rica es un acto de imaginaci\u00f3n, configura el pasado de una manera particular, y los estadounidenses intolerantes pueden recordar la Guerra Civil a trav\u00e9s de su propia lente ideol\u00f3gica.<\/p>\n

\"\"
Polly Braden. Barbeline con Elijah, 2021.<\/figcaption><\/figure>\n

La memoria tiene a menudo un aspecto imaginativo, recordamos el pasado de formas que se adaptan a nuestras disposiciones actuales y de formas que pueden ocultar cuestiones de raza, clase y riqueza.<\/p>\n

Aqu\u00ed s\u00f3lo se presta atenci\u00f3n a tres de las fotograf\u00edas de \u00abCollage\u00bb; hay unas sesenta m\u00e1s en el libro y en su mayor\u00eda son, a menudo de formas muy diferentes, im\u00e1genes impactantes y memorables.<\/p>\n

Retratan la exclusi\u00f3n y las experiencias de un pasado compartido en un futuro incierto y en desarrollo.<\/p>\n

\u00abCollage: Las mujeres del Prix Pictet desde 2008\u00bb ha sido publicado por Gestalten.<\/a><\/p>\n

(Traducido por Monica del Pilar Uribe marin<\/strong>) – Fotos facilitadas por la editorial<\/em><\/span><\/p>\n

 <\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

El Prix Pictet es un premio internacional para fot\u00f3grafos por su trabajo de concienciaci\u00f3n sobre importantes cuestiones medioambientales y sociales. \u00abCollage\u00bb es el t\u00edtulo del libro que re\u00fane a algunas de las fot\u00f3grafas que han sido nominadas o preseleccionadas para el premio desde su creaci\u00f3n en 2008.   Sean Sheehan […]<\/p>\n","protected":false},"author":9,"featured_media":280509,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-280502","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"\nFotografiar el pasado en el presente - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/es\/2024\/12\/09\/fotografiar-el-pasado-en-el-presente\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fotografiar el pasado en el presente\" \/>\n<meta property=\"og:description\" content=\"El Prix Pictet es un premio internacional para fot\u00f3grafos por su trabajo de concienciaci\u00f3n sobre importantes cuestiones medioambientales y sociales. 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