{"id":281763,"date":"2025-01-27T00:25:17","date_gmt":"2025-01-27T00:25:17","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=281763"},"modified":"2025-01-25T16:15:45","modified_gmt":"2025-01-25T16:15:45","slug":"cicatrices-de-marxismo-vulgar-en-fredric-jameson","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2025\/01\/27\/cicatrices-de-marxismo-vulgar-en-fredric-jameson\/","title":{"rendered":"Sin cicatrices de marxismo popular en Fredric Jameson"},"content":{"rendered":"

El gran Fredric Jameson muri\u00f3 en septiembre de 2024 y resulta chocante comprobar que ya no escribir\u00e1 destacadas piezas de cr\u00edtica literaria. <\/em><\/p>\n

 <\/p>\n

\"\"Sean Sheehan<\/strong><\/span><\/p>\n

 <\/p>\n

\u00abInventions of a present\u00bb (<\/em>\u00abInvenciones de un presente\u00bb),<\/em> varios ensayos que escribi\u00f3 sobre todo para New Left Review y London Review of Books, es una oportuna colecci\u00f3n de piezas sobre la novela hist\u00f3rica y su lectura pone de manifiesto su tremendo poder de an\u00e1lisis.<\/p>\n

El primer ensayo comienza con lo que \u00e9l llama las \u00abcicatrices\u00bb dejadas por el marxismo vulgar en los intelectuales estadounidenses. Reduce una obra literaria a un mero reflejo del orden socioecon\u00f3mico y los juicios est\u00e9ticos son juicios \u00e9ticos apenas disimulados. El marxismo propiamente dicho, el que puso en pr\u00e1ctica Jameson, considera la ideolog\u00eda consciente e inconsciente que act\u00faa en un texto.<\/p>\n

En Limits of the gringo novel (L<\/em>\u00edmites de la novela gringa)<\/em>, se fija en la novela de Robert Stone, \u00abA flag for sunrise\u00bb <\/em>(1981), ambientada en un imaginario Estado centroamericano. En cierto modo, se trata de una historia de Vietnam y del viejo problema imperial, com\u00fan al imperialismo brit\u00e1nico y estadounidense, de \u00abuna literatura que se ve obligada por la naturaleza de las cosas a excluir a aquellos Otros que, en muchos aspectos, la definen constitutivamente\u00bb. Su incisivo an\u00e1lisis har\u00e1 que muchos lectores busquen un ejemplar del libro.<\/p>\n

En Immortal Stalingrad,<\/em> (<\/em>Stalingrado inmortal)<\/em>, elogia \u201cLife and fate\u201d <\/em>\u00a0(<\/em>\u00abVida y destino\u201d)<\/em> de Vasily Grossman y se\u00f1ala una presencia omnipresente en la novela \u00abdel misterioso nuevo poder del Estado\u00bb, que es \u00abel secreto de la visi\u00f3n de Grossman de cierta convergencia de Stalin y Hitler\u00bb. Grossman escribe como anarquista -no es un disidente- y no se le puede reclutar para el anticomunismo del \u00abmundo libre\u00bb.<\/p>\n

\"\"
Fredric Jameson. Foto: Fronteiras S\u00e3o Paulo \/ Flickr<\/a>.\u00a0 Creative Commons License<\/a>.<\/figcaption><\/figure>\n

Las preguntas que hay que hacerse son las de la forma de \u201cLife and fate\u201d <\/em>\u00a0<\/em>y por qu\u00e9 los escritores occidentales son incapaces de escribir as\u00ed.<\/p>\n

En la novela hay una totalidad de visi\u00f3n que hace cre\u00edble \u00abuna sola experiencia, sublime o enfermiza, una condena o una liberaci\u00f3n fortuita, la vida y el destino\u00bb.<\/p>\n

\u00bfEst\u00e1 esta visi\u00f3n relacionada, tal vez, con la explosi\u00f3n del pensamiento emancipador que lleg\u00f3 con Octubre?<\/p>\n

Otra rese\u00f1a impresionante en esta colecci\u00f3n es la de Jameson sobre \u00abCien a\u00f1os de soledad\u00bb<\/em>. La modernidad occidental trae lo que Gabriel Garcia M\u00e1rquez llama \u00absoledad miserable\u00bb y la verdad que Jos\u00e9 Arcadio Segundo vislumbra cuando descubre que la masacre de los trabajadores ha sido borrada de la memoria colectiva.<\/p>\n

Igualmente penetrante es la revisi\u00f3n de \u00abPattern recognition\u00bb<\/em>, de William Gibson, y las peripecias de Cayce en su extra\u00f1o negocio de \u00abcazar lo cool\u00bb y seguir su clarividente conocimiento de las nuevas modas. Su historial es impresionante, despu\u00e9s de todo identific\u00f3 a la primera persona del mundo en llevar una gorra de b\u00e9isbol al rev\u00e9s. Es capaz de escudri\u00f1ar el \u00abdetallismo\u00bb que define el tipo de escritura de Karl Ove Knausgaard, el tema de la rese\u00f1a de Jameson sobre el autor noruego en \u00abLa novela y el supermercado\u00bb.<\/p>\n

\"\"
\u00abCien a\u00f1os de soledad\u201d. Foto de Lady Ducayne \/ Flickr.<\/a> Creative License Commons<\/a>.<\/figcaption><\/figure>\n

En sus novelas, donde todo es mercanc\u00eda, se limita a enumerarlo todo. Uno casi espera una nota de marxismo vulgar, pero Jameson es demasiado educado para utilizar una palabra como \u00abrisible\u00bb; como \u00e9l mismo admite, algunos lectores disfrutan con este tipo de libros.<\/p>\n

\u201cInventions of a present\u201d <\/em>\u00abInvenciones de un presente\u00bb, de Fredric Jameson, est\u00e1 publicado por Verso<\/a>.<\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

El gran Fredric Jameson muri\u00f3 en septiembre de 2024 y resulta chocante comprobar que ya no escribir\u00e1 destacadas piezas de cr\u00edtica literaria.   Sean Sheehan   \u00abInventions of a present\u00bb (\u00abInvenciones de un presente\u00bb), varios ensayos que escribi\u00f3 sobre todo para New Left Review y London Review of Books, es […]<\/p>\n","protected":false},"author":9,"featured_media":281786,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-281763","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"\nSin cicatrices de marxismo popular en Fredric Jameson - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/?p=281764\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sin cicatrices de marxismo popular en Fredric Jameson\" \/>\n<meta property=\"og:description\" content=\"El gran Fredric Jameson muri\u00f3 en septiembre de 2024 y resulta chocante comprobar que ya no escribir\u00e1 destacadas piezas de cr\u00edtica literaria.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/theprisma.co.uk\/?p=281764\" \/>\n<meta property=\"og:site_name\" content=\"ThePrisma.co.uk\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper\" \/>\n<meta property=\"article:published_time\" content=\"2025-01-27T00:25:17+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/01\/One-hundred-years-of-solitude-Photo-by-Lady-Ducayne-Flickr.-Creative-License-Commons.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1061\" \/>\n\t<meta property=\"og:image:height\" content=\"710\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"ThePrisma\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:site\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"ThePrisma\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=281764#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=281764\"},\"author\":{\"name\":\"ThePrisma\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/person\\\/24f5091d3dc50052d73cbea6ecd09df7\"},\"headline\":\"Sin cicatrices de marxismo popular en Fredric Jameson\",\"datePublished\":\"2025-01-27T00:25:17+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=281764\"},\"wordCount\":626,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=281764#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2025\\\/01\\\/Fredric-Jameson-Photo-Fronteiras-Sao-Paulo.-Creative-Commons-License.jpg\",\"articleSection\":[\"Cultura\",\"En Foco\",\"Opini\u00f3n\",\"P\u00e1ginas\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/theprisma.co.uk\\\/?p=281764#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=281764\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=281764\",\"name\":\"Sin cicatrices de marxismo popular en Fredric Jameson - 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