{"id":282659,"date":"2025-02-24T00:22:44","date_gmt":"2025-02-24T00:22:44","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=282659"},"modified":"2025-02-22T13:06:56","modified_gmt":"2025-02-22T13:06:56","slug":"inglorius-basterds-sombras-oscuras-y-otras-revelaciones","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2025\/02\/24\/inglorius-basterds-sombras-oscuras-y-otras-revelaciones\/","title":{"rendered":"\u00abInglorius basterds\u00bb, sombras oscuras y otras revelaciones"},"content":{"rendered":"<p><em>Pudo ser un cl\u00e1sico m\u00e1s sobre tragedias de la Segunda Guerra Mundial, si la mirada tuviese nombres complacientes o seguidores estrictamente fieles a la historia, pero Quentin Tarantino siempre ha sido proclive a la audacia.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #003366;\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-260921 alignright\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/04\/Represion-fascismo-policia-derecha-Pixabay-1.jpg\" alt=\"\" width=\"419\" height=\"280\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/04\/Represion-fascismo-policia-derecha-Pixabay-1.jpg 908w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/04\/Represion-fascismo-policia-derecha-Pixabay-1-300x200.jpg 300w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/04\/Represion-fascismo-policia-derecha-Pixabay-1-431x288.jpg 431w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/04\/Represion-fascismo-policia-derecha-Pixabay-1-862x575.jpg 862w\" sizes=\"auto, (max-width: 419px) 100vw, 419px\" \/><\/strong><\/span><\/p>\n<p><span style=\"color: #003366;\"><strong>Fausto Triana <\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><em>\u201cInglorius basterds\u201d (Malditos bastardos)<\/em> marca una ruptura dentro de los oscuros cap\u00edtulos nazis de la dram\u00e1tica conflagraci\u00f3n. Quiebre de patrones herm\u00e9ticos, de encasillamientos tal vez asfixiantes, cuerdas distantes ante los caminos trillados.<\/p>\n<p>Una alta dosis de violencia, f\u00edsica y espiritual, y la revelaci\u00f3n de dos actores cuyos rostros sin duda volveremos a ver para regocijo del cine: la francesa Melanie Laurent y el austr\u00edaco Christopher Waltz.<\/p>\n<p>Tambi\u00e9n una cierta decepci\u00f3n en torno al sobreactuado Brad Pitt y los gui\u00f1os mal logrados a Marlon Brando. O en la soluci\u00f3n de las tramas hacia un final con tintes de brillo y, parad\u00f3jicamente caricaturales, al mismo tiempo.<\/p>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-259825\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/03\/Featured-guardia-derecha-soldado-facismo-ejercito-Pixabay.jpg\" alt=\"\" width=\"334\" height=\"508\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/03\/Featured-guardia-derecha-soldado-facismo-ejercito-Pixabay.jpg 797w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/03\/Featured-guardia-derecha-soldado-facismo-ejercito-Pixabay-131x200.jpg 131w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/03\/Featured-guardia-derecha-soldado-facismo-ejercito-Pixabay-673x1024.jpg 673w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2023\/03\/Featured-guardia-derecha-soldado-facismo-ejercito-Pixabay-431x656.jpg 431w\" sizes=\"auto, (max-width: 334px) 100vw, 334px\" \/><\/strong><\/p>\n<p>Tres escenas de la pel\u00edcula se convierten en los grandes privilegios de los espectadores.<br \/>\nEn dos de ellas aparece Christopher Waltz, el tenebroso coronel nazi Hans Landa, cazador implacable de jud\u00edos, con su alucinante estilo de terror incisivo de las palabras.<\/p>\n<p>Waltz se roba el espect\u00e1culo desde el mismo comienzo del largometraje. Melanie Laurent, la bella parisina de 26 a\u00f1os, ya es una de las estrellas nacientes del celuloide en Francia.<\/p>\n<p><strong>Delirios y homenajes<\/strong><\/p>\n<p>Triunfa en \u2018Inglorius basterds\u2019, en su duelo con el excelente actor alem\u00e1n Daniel Bruhl (\u2018Goodbye Lenin\u2019) y resiste el desaf\u00edo de Waltz durante una tenebrosa merienda en la cual el oficial nazi se regodea en su afilado verbo amenazante.<\/p>\n<p>Tambi\u00e9n se luce la alemana Diane Kruger (\u2018Bridget von Hammersmark\u2019) en la tercera secuencia de lujo, en una taberna, que pone a prueba a una misi\u00f3n de los aliados ante verdaderos oficiales nazis de las SS y la Gestapo.\u00a0Est\u00e1n los c\u00f3digos de los homenajes al propio cine, al estilo del desaparecido Sam Peckinpagh y tambi\u00e9n los delirios de Tarantino en l\u00ednea con los western spaguettis. Permisible, o no, lo cierto es que destroza esquemas a la hora de tratar el s\u00e9ptimo arte y a la guerra.<\/p>\n<p>Se sienten las \u00e1nimas de fantasmas que merodean todo el tiempo a \u2018Inglorius\u00e2\u2019, como si todas las facturas del pasado relacionadas con la Segunda Guerra Mundial y bajo el sello de Hollywood se dieran cita con Tarantino (<em>\u00abReservoir dogs\u00bb, \u00abPulp Fiction\u00bb<\/em>).<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-251462 alignright\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2022\/05\/Facismo-nacismo-derecha-Pixabay.jpg\" alt=\"\" width=\"419\" height=\"279\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2022\/05\/Facismo-nacismo-derecha-Pixabay.jpg 960w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2022\/05\/Facismo-nacismo-derecha-Pixabay-300x200.jpg 300w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2022\/05\/Facismo-nacismo-derecha-Pixabay-83x55.jpg 83w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2022\/05\/Facismo-nacismo-derecha-Pixabay-650x433.jpg 650w\" sizes=\"auto, (max-width: 419px) 100vw, 419px\" \/>Hay burlas y risas en pasajes de los cuales ni el mismo espectador est\u00e1 seguro de poder resistir, como tampoco la crudeza de la violencia y ese divorcio absurdo de esos 11 minutos extraordinarios del comienzo y un final lleno de atropellos.<\/p>\n<p>Todo despu\u00e9s de estructurar di\u00e1logos de asombrosa solidez, con un histrionismo sensacional y de fragmentos irrepetibles. Algunos intentan plantarse en la intransigencia frente a lo que sin dudas es un producto post modernista. Rezuman sus ideas pantallas vanguardistas. A ratos toca el firmamento como un genio, pero en otros momentos se vuelve demasiado terrenal, grotesco y burl\u00f3n.<\/p>\n<p><span style=\"color: #003366;\"><em>(Fotos: Pixabay)<\/em><\/span><\/p>\n<div class=\"twttr_buttons\"><div class=\"twttr_twitter\">\n\t\t\t\t\t<a href=\"http:\/\/twitter.com\/share?text=%C2%ABInglorius+basterds%C2%BB%2C+sombras+oscuras+y+otras+revelaciones\" class=\"twitter-share-button\" data-via=\"\" data-hashtags=\"\"  data-size=\"default\" data-url=\"https:\/\/theprisma.co.uk\/es\/2025\/02\/24\/inglorius-basterds-sombras-oscuras-y-otras-revelaciones\/\" data-dnt=\"true\" data-related=\"\" target=\"_blank\">Tweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Pudo ser un cl\u00e1sico m\u00e1s sobre tragedias de la Segunda Guerra Mundial, si la mirada tuviese nombres complacientes o seguidores estrictamente fieles a la historia, pero Quentin Tarantino siempre ha sido proclive a la audacia. &nbsp; Fausto Triana &nbsp; \u201cInglorius basterds\u201d (Malditos bastardos) marca una ruptura dentro de los oscuros [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":251462,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25,24,14,7],"tags":[],"class_list":["post-282659","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cinema","category-cultura","category-en-foco","category-opinion"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - 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