{"id":283148,"date":"2025-03-10T00:25:38","date_gmt":"2025-03-10T00:25:38","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=283148"},"modified":"2025-03-10T00:41:48","modified_gmt":"2025-03-10T00:41:48","slug":"arte-y-resistencia-en-centroamerica","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2025\/03\/10\/arte-y-resistencia-en-centroamerica\/","title":{"rendered":"Arte y resistencia en Centroam\u00e9rica"},"content":{"rendered":"<p><em>Para apreciar la importancia de esta publicaci\u00f3n -el primer libro sobre arte centroamericano- eche un vistazo a su introducci\u00f3n, disponible para su lectura en el sitio web de la editorial. La introducci\u00f3n contiene los nombres de los 40 artistas que aparecen en el libro y algunas im\u00e1genes de sus obras.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #003366;\"><strong><em><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-283156 alignright\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/03\/Book-cover-1.jpg\" alt=\"\" width=\"399\" height=\"601\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/03\/Book-cover-1.jpg 398w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/03\/Book-cover-1-133x200.jpg 133w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/em>Sean Sheehan<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>La autora, Kency Cornejo, cuya familia es centroamericana, lleva veinte a\u00f1os viajando por la regi\u00f3n y descubriendo artistas que trabajan all\u00ed.<\/p>\n<p>Hablar con algunos de ellos tras la guerra civil salvadore\u00f1a le ayud\u00f3 a darse cuenta de c\u00f3mo la violencia contra los pueblos ind\u00edgenas y las comunidades LGBQT, la criminalizaci\u00f3n de los j\u00f3venes y la separaci\u00f3n de las familias por la experiencia migratoria dar\u00edan forma al enfoque de su libro.<\/p>\n<p>El t\u00edtulo, <em>\u201cVisual disobedience\u201d<\/em> <em>(Desobediencia visual)<\/em>, es totalmente merecido por la asombrosa diversidad de las im\u00e1genes de las ochenta obras de arte que llenan sus p\u00e1ginas.<\/p>\n<p>Algunas de las obras son performativas, como cuando <a href=\"https:\/\/www.reginajosegalindo.com\/en\/home-en\/\">Regina Jos\u00e9 Galindo<\/a> lleva y coloca en el suelo un cuenco ensangrentado en el que mete los pies.<\/p>\n<p>La obra de Galindo muestra constantemente c\u00f3mo el legado del colonialismo est\u00e1 ligado a la violencia de g\u00e9nero: \u00abcentra su cuerpo\u00bb, escribe Cornejo, \u00abcomo lugar de intervenci\u00f3n para revelar la estructura m\u00e1s profunda del feminicidio, como desobediencia decolonial contra el patriarcado\u00bb. En la introducci\u00f3n del libro tambi\u00e9n se muestra un ejemplo de la obra de la nicarag\u00fcense <a href=\"https:\/\/kadist.org\/people\/elyla\/\">Elyla (Fredman Barahona)<\/a>, <em>\u00abNi azul blanco ni rojo negro\u00bb<\/em>, y se explica su iconograf\u00eda. La performance de Elyla para la XI Bienal de Nicaragua fue prohibida horas antes de su presentaci\u00f3n, pero sigui\u00f3 adelante y se convirti\u00f3 en un detonante para cuestionar \u00ablas narrativas heteronormativas de Nicaragua como Estado-naci\u00f3n revolucionario\u00bb.<\/p>\n<p><em><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-283178\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/03\/Atardecer-barco-centroamerica-Pixabay.jpg\" alt=\"\" width=\"404\" height=\"269\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/03\/Atardecer-barco-centroamerica-Pixabay.jpg 1280w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/03\/Atardecer-barco-centroamerica-Pixabay-300x200.jpg 300w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/03\/Atardecer-barco-centroamerica-Pixabay-1024x682.jpg 1024w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/03\/Atardecer-barco-centroamerica-Pixabay-431x287.jpg 431w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/03\/Atardecer-barco-centroamerica-Pixabay-862x574.jpg 862w\" sizes=\"auto, (max-width: 404px) 100vw, 404px\" \/><\/em>Tambi\u00e9n se muestran fotogramas de la obra en v\u00eddeo del artista costarricense <a href=\"https:\/\/www.martonrobinson.com\/\">Marton Robinson<\/a>, que pone de manifiesto la antinegritud de su pa\u00eds. De ni\u00f1o, Robinson se vio obligado a leer Cocor\u00ed, un libro infantil sobre un ni\u00f1o, racializado, tosco y sucio (como <em>\u201cMem\u00edn Pingu\u00edn\u201d<\/em> en M\u00e9xico), que se enamora de una ni\u00f1a blanca que llega en barco a la costa donde vive. Civilizaci\u00f3n y modernidad, al parecer, llegan de Europa.<\/p>\n<p>La obra de Edgar Calel <em>\u00abB&#8217;atz constelaciones de saberes\u00bb<\/em>, elegida para la portada del libro, resume los temas de la migraci\u00f3n y el desaf\u00edo de la resistencia creativa que se celebra en \u00abDesobediencia visual\u00bb. En la p\u00e1gina <a href=\"https:\/\/www.tate.org.uk\/art\/artists\/edgar-calel-31303\/edgar-calel-not-all-things-are-for-sale\">web de la Tate Gallery<\/a> puede verse un v\u00eddeo, \u00abNo todo est\u00e1 en venta\u00bb, sobre Calel y su respeto por las comunidades ind\u00edgenas de Guatemala.<\/p>\n<p>Kency Cornejo observa c\u00f3mo el arte centroamericano ha sido invisibilizado por el mundo del arte y la cultura en general. Su libro es un paso adelante vital y bienvenido en la lucha contra este olvido.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-283172\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/03\/Obediente-comportamiento-Social-Pixabay.jpg\" alt=\"\" width=\"409\" height=\"307\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/03\/Obediente-comportamiento-Social-Pixabay.jpg 1280w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/03\/Obediente-comportamiento-Social-Pixabay-267x200.jpg 267w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/03\/Obediente-comportamiento-Social-Pixabay-1024x768.jpg 1024w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/03\/Obediente-comportamiento-Social-Pixabay-100x75.jpg 100w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/03\/Obediente-comportamiento-Social-Pixabay-431x323.jpg 431w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/03\/Obediente-comportamiento-Social-Pixabay-862x647.jpg 862w\" sizes=\"auto, (max-width: 409px) 100vw, 409px\" \/>Al igual que la fotograf\u00eda de Myra Barraza que aparece en el libro, en la que voluntarios escriben mensajes a los migrantes en globos antes de soltarlos al aire, \u201c<em>Visual disobedience\u201d <\/em>env\u00eda una se\u00f1al visual a cualquier persona interesada en el arte latinoamericano.<\/p>\n<p><em>\u201cVisual disobedience: art and decoloniality in Central America\u201d<\/em>, de Kency Cornejo, ha sido publicado por <a href=\"https:\/\/www.dukeupress.edu\/visual-disobedience\">Duke University Press<\/a>. El peri\u00f3dico <a href=\"https:\/\/morningstaronline.co.uk\/article\/i-create-therefore-i-am\">Morning Star<\/a> publica otra rese\u00f1a.<\/p>\n<p><span style=\"color: #003366;\"><strong>(Traducido por Camila Marquez) &#8211;<\/strong><em> Fotos: Pixabay<br \/>\n<\/em><\/span><\/p>\n<div class=\"twttr_buttons\"><div class=\"twttr_twitter\">\n\t\t\t\t\t<a href=\"http:\/\/twitter.com\/share?text=Arte+y+resistencia+en+Centroam%C3%A9rica\" class=\"twitter-share-button\" data-via=\"\" data-hashtags=\"\"  data-size=\"default\" data-url=\"https:\/\/theprisma.co.uk\/es\/2025\/03\/10\/arte-y-resistencia-en-centroamerica\/\" data-dnt=\"true\" data-related=\"\" target=\"_blank\">Tweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Para apreciar la importancia de esta publicaci\u00f3n -el primer libro sobre arte centroamericano- eche un vistazo a su introducci\u00f3n, disponible para su lectura en el sitio web de la editorial. La introducci\u00f3n contiene los nombres de los 40 artistas que aparecen en el libro y algunas im\u00e1genes de sus obras. [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":229339,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-283148","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Arte y resistencia en Centroam\u00e9rica - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/es\/2025\/03\/10\/arte-y-resistencia-en-centroamerica\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Arte y resistencia en Centroam\u00e9rica\" \/>\n<meta property=\"og:description\" content=\"Para apreciar la importancia de esta publicaci\u00f3n -el primer libro sobre arte centroamericano- eche un vistazo a su introducci\u00f3n, disponible para su lectura en el sitio web de la editorial. 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