{"id":283942,"date":"2025-04-07T00:25:14","date_gmt":"2025-04-06T23:25:14","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=283942"},"modified":"2025-04-03T05:30:25","modified_gmt":"2025-04-03T04:30:25","slug":"tres-hermanas-en-el-teatro-wanamaker","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2025\/04\/07\/tres-hermanas-en-el-teatro-wanamaker\/","title":{"rendered":"Tres hermanas en el teatro Wanamaker"},"content":{"rendered":"

En la introducci\u00f3n a su nueva traducci\u00f3n de \u00abTres hermanas\u00bb de Chekov, Rory Mullarkey establece una acertada comparaci\u00f3n entre la obra rusa de principios del siglo XX y \u00abEsperando a Godot\u00bb de Samuel Beckett, de mediados de siglo: \u00abDos obras maestras que se asientan, como soportes del Modernismo, con medio siglo de horror entre ellas\u00bb. <\/em><\/p>\n

 <\/p>\n

\"\"
\u201cThree sisters\u201d. Credito: Johan Persson.<\/figcaption><\/figure>\n

Sean Sheehan\u00a0 <\/strong><\/span><\/p>\n

 <\/p>\n

Y, podr\u00edamos a\u00f1adir, con m\u00e1s horror por venir.<\/p>\n

Las tres hermanas viven vidas insatisfechas: la mayor, Olga, es maestra de escuela; Masha, de 23 a\u00f1os, sarc\u00e1stica hasta la m\u00e9dula, est\u00e1 casada con un hombre c\u00f3micamente pomposo que la decepciona; s\u00f3lo la m\u00e1s joven, Irina, el d\u00eda de su onom\u00e1stica, est\u00e1 llena de la esperanza y las expectativas que sus hermanas han perdido. Un hermano desea vivir en el mundo acad\u00e9mico y los cuatro esperan regresar a su antiguo hogar en Mosc\u00fa.<\/p>\n

El primer acto, una extra\u00f1a mezcla de comedia y hartazgo del mundo, da paso a esperanzas cada vez menores a medida que su hermano se endeuda con el juego e hipoteca la casa, acabando as\u00ed con sus esperanzas y sue\u00f1os.<\/p>\n

Su mezquina esposa se va apoderando poco a poco de la casa, la hermana mediana inicia un t\u00f3rrido romance con el guap\u00edsimo capit\u00e1n Aleksandr Vershinin y la mayor asume la direcci\u00f3n de su escuela: s\u00f3lo m\u00e1s trabajo. Todo el mundo en esta obra est\u00e1 relacionado con la persona equivocada o en el lugar equivocado. En el cuarto acto, el ej\u00e9rcito, cuya llegada a una peque\u00f1a ciudad de provincias hizo m\u00e1s interesante la vida de las hermanas, se marcha. La m\u00e1s joven, Irina, se ha dado por vencida por la desesperaci\u00f3n y se queja ante sus hermanas de no ver m\u00e1s futuro para ella que el de la monoton\u00eda.<\/p>\n

Finalmente, acepta casarse con un hombre al que no ama s\u00f3lo para alejarse de su vida, pero \u00e9ste es asesinado por uno de los oficiales, celoso de su relaci\u00f3n con Irina.<\/p>\n

\"\"
\u201cThree sisters\u201d. Credito: Johan Persson.<\/figcaption><\/figure>\n

Caroline Steinbeis, la directora, y Oli Townsend, el escen\u00f3grafo, han hecho un uso soberbio del espacio \u00edntimo del Sam Wannamaker Playhouse del Globe.<\/p>\n

Iluminado \u00fanicamente con velas, el primer acto resplandece con la luz de enormes candelabros suspendidos y, a medida que avanza la obra, las velas se desvanecen como las esperanzas de las hermanas.<\/p>\n

Unas cuantas sillas de aspecto antiguo, trajes de \u00e9poca y mucho ruido se combinan para acentuar la sensaci\u00f3n de una sociedad confusa pero est\u00e1tica. Por momentos, el escenario est\u00e1 casi repleto de personajes cuyo movimiento se diluye en el espacio del p\u00fablico. Al final, las cortinas que cierran el teatro se descorren, unas luces duras iluminan la confesi\u00f3n de Irina de no amar a su futuro marido e incluso ese momento, moderadamente esperanzador, se esfuma en una pelea sin sentido.<\/p>\n

\"\"
\u201cThree sisters\u201d. Credito: Johan Persson.<\/figcaption><\/figure>\n

Esta es una vigorosa producci\u00f3n de \u00abTres hermanas\u00bb<\/em>\u00a0 (\u201cThree Sisters\u201d) <\/em>y los momentos de comedia inyectados en ella contrastan un poco con los temas de desesperanza y desesperaci\u00f3n, pero tal vez as\u00ed es como debiera ser.<\/p>\n

El estoicismo se impone cuando las esperanzas disminuyen, pero la energ\u00eda y la determinaci\u00f3n para seguir adelante son igualmente necesarias, y esto es lo que da vida a la historia de desesperanza de Checkov en el South Bank de Londres.<\/p>\n

\u201cThree Sisters\u201d<\/em>, de Ant\u00f3n Chekov, se presenta en el Sam Wanamker Playhouse at the Globe<\/a> hasta el 19 de abril.<\/p>\n

(Traducido por Monica del Pilar Uribe Mar\u00edn)<\/strong>\u00a0 – Fotos de Sam Wanamker Playhouse at the Globe<\/em><\/span><\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

En la introducci\u00f3n a su nueva traducci\u00f3n de \u00abTres hermanas\u00bb de Chekov, Rory Mullarkey establece una acertada comparaci\u00f3n entre la obra rusa de principios del siglo XX y \u00abEsperando a Godot\u00bb de Samuel Beckett, de mediados de siglo: \u00abDos obras maestras que se asientan, como soportes del Modernismo, con medio […]<\/p>\n","protected":false},"author":9,"featured_media":283981,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-283942","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"\nTres hermanas en el teatro Wanamaker - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/?p=283946\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tres hermanas en el teatro Wanamaker\" \/>\n<meta property=\"og:description\" content=\"En la introducci\u00f3n a su nueva traducci\u00f3n de "Tres hermanas" de Chekov, Rory Mullarkey establece una acertada comparaci\u00f3n entre la obra rusa de principios del siglo XX y "Esperando a Godot" de Samuel Beckett, de mediados de siglo: "Dos obras maestras que se asientan, como soportes del Modernismo, con medio siglo de horror entre ellas".\" \/>\n<meta property=\"og:url\" content=\"https:\/\/theprisma.co.uk\/?p=283946\" \/>\n<meta property=\"og:site_name\" content=\"ThePrisma.co.uk\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper\" \/>\n<meta property=\"article:published_time\" content=\"2025-04-06T23:25:14+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/04\/Stuart-Thompson-as-Andrei-in-Three-Sisters-at-Shakespeares-Globe-c.-Johan-Persson-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"886\" \/>\n\t<meta property=\"og:image:height\" content=\"653\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"ThePrisma\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:site\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"ThePrisma\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=283946#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=283946\"},\"author\":{\"name\":\"ThePrisma\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/person\\\/24f5091d3dc50052d73cbea6ecd09df7\"},\"headline\":\"Tres hermanas en el teatro Wanamaker\",\"datePublished\":\"2025-04-06T23:25:14+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=283946\"},\"wordCount\":649,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=283946#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2025\\\/04\\\/Stuart-Thompson-as-Andrei-in-Three-Sisters-at-Shakespeares-Globe-c.-Johan-Persson-1.jpg\",\"articleSection\":[\"Cultura\",\"En Foco\",\"Opini\u00f3n\",\"P\u00e1ginas\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/theprisma.co.uk\\\/?p=283946#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=283946\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=283946\",\"name\":\"Tres hermanas en el teatro Wanamaker - 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