{"id":287586,"date":"2025-09-08T00:25:14","date_gmt":"2025-09-07T23:25:14","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=287586"},"modified":"2025-09-06T07:25:36","modified_gmt":"2025-09-06T06:25:36","slug":"la-vida-de-la-clase-trabajadora","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2025\/09\/08\/la-vida-de-la-clase-trabajadora\/","title":{"rendered":"La vida de la clase trabajadora"},"content":{"rendered":"<p><em>Merlin Daleman es originario de Inglaterra, pero la abandon\u00f3 para comenzar una nueva vida en los Pa\u00edses Bajos. Entre 2017 y 2024, regres\u00f3 al lugar donde pas\u00f3 su infancia para fotografiar el \u00abnorte econ\u00f3mico\u00bb de Gran Breta\u00f1a tras el Brexit. <\/em><\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_287587\" aria-describedby=\"caption-attachment-287587\" style=\"width: 470px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-287587\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/09\/Market-visitors-Beverley-October-2017-\u00a9-Merlin-Daleman.jpg\" alt=\"\" width=\"470\" height=\"313\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/09\/Market-visitors-Beverley-October-2017-\u00a9-Merlin-Daleman.jpg 1200w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/09\/Market-visitors-Beverley-October-2017-\u00a9-Merlin-Daleman-300x200.jpg 300w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/09\/Market-visitors-Beverley-October-2017-\u00a9-Merlin-Daleman-1024x683.jpg 1024w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/09\/Market-visitors-Beverley-October-2017-\u00a9-Merlin-Daleman-431x287.jpg 431w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/09\/Market-visitors-Beverley-October-2017-\u00a9-Merlin-Daleman-862x575.jpg 862w\" sizes=\"auto, (max-width: 470px) 100vw, 470px\" \/><figcaption id=\"caption-attachment-287587\" class=\"wp-caption-text\">Visitantes del mercado, Beverley, octubre de 2017 \u00a9 Merlin Daleman.<\/figcaption><\/figure>\n<p><span style=\"color: #003366;\"><strong>Sean Sheehan<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Se encuentra con un pa\u00eds en el que The Trussell Trust, una organizaci\u00f3n ben\u00e9fica que gestiona numerosos bancos de alimentos, ha visto c\u00f3mo el n\u00famero de paquetes de comida que distribuye ha pasado, en los doce a\u00f1os posteriores a 2010, de unos 40 000 a m\u00e1s de dos millones.<\/p>\n<p>El \u00abnorte econ\u00f3mico\u00bb de Inglaterra incluye partes de la zona denominada West Midlands y, en conjunto, forman los ladrillos del \u00abmuro rojo\u00bb, t\u00e9rmino que se utiliza ahora para describir a los distritos electorales que tradicionalmente apoyaban al Partido Laborista, pero cuya lealtad pol\u00edtica se decant\u00f3 primero hacia los conservadores y ahora hacia Reform. La votaci\u00f3n a favor de abandonar la UE cont\u00f3 con un fuerte apoyo en muchas de estas zonas.<\/p>\n<p>Las fotograf\u00edas muestran lugares tan deprimentes como la pol\u00edtica de sus ciudadanos. Nos muestra ni\u00f1os con sobrepeso, adolescentes con aspecto aburrido, ancianos fr\u00e1giles, banderas con una cruz roja sobre fondo blanco \u2014la bandera nacional de Inglaterra\u2014 que en Essex proclaman de forma t\u00f3xica la exigencia de expulsar a los refugiados.<\/p>\n<figure id=\"attachment_287593\" aria-describedby=\"caption-attachment-287593\" style=\"width: 474px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-287593\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/09\/A-McDonalds-next-to-a-boarded-up-house-Dudley-October-2017-\u00a9-Merlin-Daleman.jpg\" alt=\"\" width=\"474\" height=\"316\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/09\/A-McDonalds-next-to-a-boarded-up-house-Dudley-October-2017-\u00a9-Merlin-Daleman.jpg 1000w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/09\/A-McDonalds-next-to-a-boarded-up-house-Dudley-October-2017-\u00a9-Merlin-Daleman-300x200.jpg 300w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/09\/A-McDonalds-next-to-a-boarded-up-house-Dudley-October-2017-\u00a9-Merlin-Daleman-431x287.jpg 431w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/09\/A-McDonalds-next-to-a-boarded-up-house-Dudley-October-2017-\u00a9-Merlin-Daleman-862x575.jpg 862w\" sizes=\"auto, (max-width: 474px) 100vw, 474px\" \/><figcaption id=\"caption-attachment-287593\" class=\"wp-caption-text\">Un McDonald&#8217;s junto a una casa tapiada, Dudley, octubre 2017. \u00a9 Merlin Daleman.<\/figcaption><\/figure>\n<p>Hay una tendencia en las im\u00e1genes que recuerda a los primeros trabajos de Martin Parr en <em><a href=\"https:\/\/huxleyparlour.com\/exhibitions\/signs-of-the-times\/\">Signs of the times<\/a><\/em>, donde se ridiculizaba a las personas mostr\u00e1ndolas junto a la decoraci\u00f3n de sus hogares.<\/p>\n<p>Para ser justos, Daleman no hace esto y muestra la pobreza material y las privaciones que asolan algunas zonas del \u00abnorte econ\u00f3mico\u00bb; no es de extra\u00f1ar que la gente de all\u00ed descargue su frustraci\u00f3n abandonando al Partido Laborista y abrazando una nueva imagen de los conservadores llamada Reform.<\/p>\n<p>Las mejores fotograf\u00edas \u2014pero no hay suficientes\u2014 son aquellas que van m\u00e1s all\u00e1 de los estereotipos y recuerdan al espectador que vivir con unos ingresos reducidos significa hacer malabarismos con presupuestos ajustados. El ant\u00eddoto contra la condescendencia de \u00abSign of the times\u00bb de Parr es la fotograf\u00eda de Tom Wood en su maravilloso <em><a href=\"https:\/\/tomwoodarchive.com\/works\/womens-market\">Women&#8217;s market.<\/a><\/em><\/p>\n<p>En su mejor momento, Daleman captura escenas que atraen al espectador, pero sin ser expl\u00edcitas. Dos iglesias, que parecen haber cerrado hace mucho tiempo, en una calle por la que una mujer camina sola en un d\u00eda ventoso, no transmiten ning\u00fan \u00abmensaje\u00bb. No se trata de una observaci\u00f3n sociol\u00f3gica sobre el declive de la religi\u00f3n y la mujer est\u00e1 fotografiada de espaldas, sin que se vea su rostro, lo que evita una interpretaci\u00f3n humanista. Depende del espectador mirar y reflexionar sobre la imagen.<\/p>\n<p>Un hombre en un autob\u00fas se rasca la barbilla y mira hacia arriba, un ni\u00f1o en la playa mira con curiosidad al fot\u00f3grafo que ha invadido su espacio privado, un grupo de mujeres juega a un juego de mesa, unas j\u00f3venes se preparan para salir por la noche.<\/p>\n<figure id=\"attachment_287591\" aria-describedby=\"caption-attachment-287591\" style=\"width: 472px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-287591\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/09\/Women-playing-a-board-game-in-a-shelter-by-the-seaside-Skegness-July-2019.jpg\" alt=\"\" width=\"472\" height=\"315\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/09\/Women-playing-a-board-game-in-a-shelter-by-the-seaside-Skegness-July-2019.jpg 1200w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/09\/Women-playing-a-board-game-in-a-shelter-by-the-seaside-Skegness-July-2019-300x200.jpg 300w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/09\/Women-playing-a-board-game-in-a-shelter-by-the-seaside-Skegness-July-2019-1024x683.jpg 1024w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/09\/Women-playing-a-board-game-in-a-shelter-by-the-seaside-Skegness-July-2019-431x287.jpg 431w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/09\/Women-playing-a-board-game-in-a-shelter-by-the-seaside-Skegness-July-2019-862x575.jpg 862w\" sizes=\"auto, (max-width: 472px) 100vw, 472px\" \/><figcaption id=\"caption-attachment-287591\" class=\"wp-caption-text\">Mujeres juegan un juego de mesa en un refugio junto al mar, Skegness, julio 2019.<\/figcaption><\/figure>\n<p>En escenas como estas, la fragilidad del yo se transmite de forma desarmante en rostros capturados de forma contingente en momentos de su existencia.<\/p>\n<p>Hay algunas fotos de personas de aspecto acomodado en barrios \u00abbonitos\u00bb, pero es el da\u00f1o que se est\u00e1 infligiendo a las vidas de la clase trabajadora lo que da valor a este libro de fotos.<\/p>\n<p><em>\u00abMutiny\u00bb,<\/em> de Merlin Daleman, es \u00a0publicado por <a href=\"https:\/\/gostbooks.com\/products\/mutiny?_pos=1&amp;_sid=d7a9021a5&amp;_ss=r\">GOST<\/a>.<\/p>\n<p><span style=\"color: #003366;\">\u00a0<em>(Fotos proporcionadas por la editorial).<\/em><\/span><\/p>\n<div class=\"twttr_buttons\"><div class=\"twttr_twitter\">\n\t\t\t\t\t<a href=\"http:\/\/twitter.com\/share?text=La+vida+de+la+clase+trabajadora\" class=\"twitter-share-button\" data-via=\"\" data-hashtags=\"\"  data-size=\"default\" data-url=\"https:\/\/theprisma.co.uk\/es\/2025\/09\/08\/la-vida-de-la-clase-trabajadora\/\" data-dnt=\"true\" data-related=\"\" target=\"_blank\">Tweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Merlin Daleman es originario de Inglaterra, pero la abandon\u00f3 para comenzar una nueva vida en los Pa\u00edses Bajos. Entre 2017 y 2024, regres\u00f3 al lugar donde pas\u00f3 su infancia para fotografiar el \u00abnorte econ\u00f3mico\u00bb de Gran Breta\u00f1a tras el Brexit. &nbsp; Sean Sheehan &nbsp; Se encuentra con un pa\u00eds en [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":287589,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-287586","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La vida de la clase trabajadora - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/?p=287585\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La vida de la clase trabajadora\" \/>\n<meta property=\"og:description\" content=\"Merlin Daleman es originario de Inglaterra, pero la abandon\u00f3 para comenzar una nueva vida en los Pa\u00edses Bajos. Entre 2017 y 2024, regres\u00f3 al lugar donde pas\u00f3 su infancia para fotografiar el \u00abnorte econ\u00f3mico\u00bb de Gran Breta\u00f1a tras el Brexit.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/theprisma.co.uk\/?p=287585\" \/>\n<meta property=\"og:site_name\" content=\"ThePrisma.co.uk\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper\" \/>\n<meta property=\"article:published_time\" content=\"2025-09-07T23:25:14+00:00\" \/>\n<meta name=\"author\" content=\"ThePrisma\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/09\/th-Women-playing-a-board-game-in-a-\u00a8hoto-from-Publisher.jpg\" \/>\n<meta name=\"twitter:creator\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:site\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"ThePrisma\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=287585#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=287585\"},\"author\":{\"name\":\"ThePrisma\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/person\\\/24f5091d3dc50052d73cbea6ecd09df7\"},\"headline\":\"La vida de la clase trabajadora\",\"datePublished\":\"2025-09-07T23:25:14+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=287585\"},\"wordCount\":652,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=287585#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2025\\\/09\\\/th-Women-playing-a-board-game-in-a-\u00a8hoto-from-Publisher.jpg\",\"articleSection\":[\"Cultura\",\"En Foco\",\"Opini\u00f3n\",\"P\u00e1ginas\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/theprisma.co.uk\\\/?p=287585#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=287585\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=287585\",\"name\":\"La vida de la clase trabajadora - 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