{"id":287796,"date":"2025-09-29T00:27:55","date_gmt":"2025-09-28T23:27:55","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=287796"},"modified":"2025-09-28T00:55:08","modified_gmt":"2025-09-27T23:55:08","slug":"viaje-al-fondo-de-brasil-una-historia-de-dolor","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2025\/09\/29\/viaje-al-fondo-de-brasil-una-historia-de-dolor\/","title":{"rendered":"Viaje al fondo de Brasil: una historia de dolor"},"content":{"rendered":"

La herencia de riqueza cultural convive con una historia de dolor. Este pa\u00eds suramericano fue el destino de m\u00e1s de cuatro millones de africanos esclavizados, la mayor cifra en el continente americano.<\/em><\/p>\n

\u00a0<\/em><\/p>\n

\"\"<\/em>Osvaldo Cardosa<\/strong><\/span><\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong>Actualmente, m\u00e1s de 122 millones de brasile\u00f1os, el 56% de una poblaci\u00f3n de 218,5 millones de habitantes, se consideran negros o pardos (mestizos). \u00a0Con tal cifra, el pa\u00eds ostenta el mayor n\u00famero de afrodescendientes fuera de \u00c1frica.<\/p>\n

Su influencia atraviesa todos los aspectos de la vida social y cultural, moldeando lo que se reconoce como la esencia misma del Brasil moderno.<\/p>\n

En la m\u00fasica, ritmos como la samba, la bossa nova, el maracat\u00fa, el ax\u00e9 y el funk tienen ra\u00edces profundamente afrobrasile\u00f1as. En la gastronom\u00eda, platos como el acaraj\u00e9 y la feijoada son testimonios vivos de la mezcla cultural que los pueblos africanos trajeron consigo.<\/p>\n

Pr\u00e1cticas como el candombl\u00e9 y la umbanda mantienen viva la espiritualidad ancestral en el \u00e1mbito religioso.<\/p>\n

Incluso en el Carnaval, la fiesta m\u00e1s emblem\u00e1tica del gigante sudamericano, el protagonismo de las escuelas de samba afrobrasile\u00f1as es innegable. Sin embargo, hay una historia de dolor. Desde el siglo XVI hasta el XIX, hombres, mujeres y ni\u00f1os fueron arrancados por la fuerza de sus tierras para construir con\u00a0 sangre y sudor la riqueza de una naci\u00f3n que, a\u00fan hoy, enfrenta las consecuencias de esa violencia fundacional.<\/p>\n

Las marcas de esa historia est\u00e1n profundamente inscritas en la estructura social. Los afrodescendientes, pese a sus inmensos aportes, contin\u00faan enfrentando enormes desigualdades.<\/p>\n

Persisten brechas significativas en el acceso a la educaci\u00f3n, al mercado laboral y a los servicios de salud. El racismo estructural impregna todos los niveles de la sociedad y la violencia policial sigue teniendo como principales v\u00edctimas a los j\u00f3venes negros.<\/p>\n

\"\"En declaraciones exclusivas a Esc\u00e1ner, la reputada historiadora Ana Paula Vianna Zaquieu afirma que el reconocimiento de las contribuciones afrodescendientes y la denuncia de la discriminaci\u00f3n racial son tareas urgentes.<\/p>\n

Desde su cargo como responsable del Centro de Educaci\u00f3n del Museo de la Rep\u00fablica, Vianna Zaquieu trabaja para insertar la narrativa negra en las memorias oficiales de Brasil.<\/p>\n

Ubicada en el hist\u00f3rico Palacio de Catete en la ciudad de R\u00edo de Janeiro, la pinacoteca es un s\u00edmbolo elocuente de la memoria selectiva que ha intentado borrar la presencia africana en la historia nacional. Construido en 1857 por un bar\u00f3n del caf\u00e9 enriquecido gracias a la trata de esclavos, el predio fue posteriormente la sede de la Presidencia de la Rep\u00fablica, entre 1897 y 1960.<\/p>\n

Su arquitectura neocl\u00e1sica refleja la fascinaci\u00f3n de la \u00e9lite brasile\u00f1a por los valores europeos, considerados entonces el modelo a seguir para un pa\u00eds que aspiraba a ser reconocido como civilizado.<\/p>\n

En su interior, la ausencia de representaciones de los pueblos negros e ind\u00edgenas revela un proyecto consciente de blanqueamiento y de exclusi\u00f3n hist\u00f3rica.<\/p>\n

\"\"<\/strong>Vianna Zaquieu se\u00f1ala que en el circuito expositivo de larga duraci\u00f3n del museo se percibe con claridad este intento de borrar la memoria afrodescendiente.<\/p>\n

Los objetos, las decoraciones, los retratos y los textos refuerzan la imagen de una naci\u00f3n blanca, moderna y europea, ocultando deliberadamente la diversidad racial que la constituye.<\/p>\n

Esta estrategia, explica a Esc\u00e1ner, no fue casual ni inocente, sino parte de un sofisticado mecanismo de construcci\u00f3n de una identidad nacional que relegaba a los afrodescendientes a la invisibilidad. El papel del Estado brasile\u00f1o en la perpetuaci\u00f3n del racismo es, para Vianna Zaquieu, innegable. A trav\u00e9s de sus instituciones, de sus pol\u00edticas p\u00fablicas (o falta de ellas), y de su aparato de seguridad, el Estado ha contribuido hist\u00f3ricamente a reforzar las desigualdades raciales.<\/p>\n

Esa perpetuaci\u00f3n se expresa actualmente en formas de racismo religioso, ambiental e institucional. Pero entre todas las expresiones de violencia racial, la estudiosa destaca una especialmente dolorosa: el genocidio de la juventud negra.<\/p>\n

Los datos son aterradores: cada 23 minutos, un joven negro es asesinado en Brasil. Esta realidad, que deber\u00eda provocar una conmoci\u00f3n nacional, pasa casi inadvertida.<\/p>\n

\"\"<\/strong>La naturalizaci\u00f3n de estas muertes evidencia el grado de deshumanizaci\u00f3n al que han sido sometidos los afrodescendientes.<\/p>\n

Vianna Zaquieu, como madre de un joven negro, vive esta amenaza de manera personal y cotidiana.<\/p>\n

Recuerda a Esc\u00e1ner, particularmente, el caso de Jo\u00e3o Pedro, un ni\u00f1o de 14 a\u00f1os asesinado en 2020 durante una operaci\u00f3n policial en R\u00edo de Janeiro.<\/p>\n

Pedro jugaba en su casa cuando fue alcanzado por un disparo en la espalda. Los agentes involucrados fueron absueltos en 2024 sin siquiera ser juzgados por un tribunal popular.<\/p>\n

El episodio ilustra c\u00f3mo el aparato judicial tambi\u00e9n contribuye a la impunidad y al mantenimiento del racismo estructural.<\/p>\n

Pol\u00edticas p\u00fablicas <\/strong><\/p>\n

Pese a la gravedad de la situaci\u00f3n, Brasil intenta establecer pol\u00edticas de reparaci\u00f3n. Desde 2012, se implementaron cuotas raciales en universidades p\u00fablicas, buscando ampliar el acceso de los afrodescendientes a la educaci\u00f3n superior. Asimismo, la legislaci\u00f3n exige la inclusi\u00f3n de la historia y cultura africana y afrobrasile\u00f1a en los curr\u00edculos escolares. Sin embargo, la ejecuci\u00f3n y los resultados de estas pol\u00edticas siguen siendo objeto de cr\u00edticas y debates.<\/p>\n

La resistencia de las comunidades afrobrasile\u00f1as contin\u00faa siendo vital para construir un pa\u00eds m\u00e1s justo y plural. PL<\/p>\n

(Fotos: Pixabay)<\/em><\/span><\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

La herencia de riqueza cultural convive con una historia de dolor. Este pa\u00eds suramericano fue el destino de m\u00e1s de cuatro millones de africanos esclavizados, la mayor cifra en el continente americano. \u00a0 Osvaldo Cardosa \u00a0 \u00a0Actualmente, m\u00e1s de 122 millones de brasile\u00f1os, el 56% de una poblaci\u00f3n de 218,5 […]<\/p>\n","protected":false},"author":9,"featured_media":287809,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,12,15],"tags":[],"class_list":["post-287796","post","type-post","status-publish","format-standard","has-post-thumbnail","category-globo","category-latinoamerica","category-reino-unido"],"yoast_head":"\nViaje al fondo de Brasil: una historia de dolor - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/2025\/09\/29\/a-journey-to-the-heart-of-brazil-a-history-of-pain\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Viaje al fondo de Brasil: una historia de dolor\" \/>\n<meta property=\"og:description\" content=\"La herencia de riqueza cultural convive con una historia de dolor. 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