{"id":288179,"date":"2025-10-13T00:25:17","date_gmt":"2025-10-12T23:25:17","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=288179"},"modified":"2025-10-13T05:42:07","modified_gmt":"2025-10-13T04:42:07","slug":"en-la-fabrica-de-seda-rosa-roja","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2025\/10\/13\/en-la-fabrica-de-seda-rosa-roja\/","title":{"rendered":"En la f\u00e1brica de seda Rosa Roja"},"content":{"rendered":"

La artista textil sovi\u00e9tica Anna Andreeva (1917-2008) trabaj\u00f3 en la f\u00e1brica de seda Rosa Roja de Mosc\u00fa desde la d\u00e9cada de 1940 hasta la de 1980. Inspirada por la vanguardia rusa, principalmente por el movimiento constructivista, su obra rompi\u00f3 las divisiones simplistas entre el arte elevado y la artesan\u00eda.<\/em><\/p>\n

 <\/p>\n

\"\"<\/em>Sean Sheehan<\/strong><\/span><\/p>\n

 <\/p>\n

El movimiento constructivista, que tom\u00f3 forma tras la Revoluci\u00f3n de Octubre de 1917, concibi\u00f3 un nuevo papel para los \u00abartistas-productivistas\u00bb dentro de la industria sovi\u00e9tica. El arte producir\u00eda objetos de la vida cotidiana para la vida bajo el socialismo, en palabras del te\u00f3rico constructivista Osip Brik: \u00abHay un consumidor que no necesita cuadros ni adornos y que no le teme al hierro ni al acero\u00bb. Este consumidor es el proletariado. Con la victoria del proletariado llegar\u00e1 la victoria del constructivismo. La vanguardia rusa no es un t\u00e9rmino restringido a Rusia, ya que, aunque los artistas trabajaban en Mosc\u00fa y San Petersburgo, tambi\u00e9n proced\u00edan de los pa\u00edses b\u00e1lticos, Ucrania y Bielorrusia.<\/p>\n

Este libro, \u201cCollective threads\u201d<\/em>, cuenta la historia del movimiento y su influencia en el dise\u00f1o y la producci\u00f3n textil, y su valor reside en reunir una gran cantidad de informaci\u00f3n, fotograf\u00edas de los artistas e im\u00e1genes de los dise\u00f1os que produjeron. Trabajaron, por ejemplo, en dise\u00f1os para bufandas encargadas por el gobierno que se utilizar\u00edan como regalos para los ciudadanos sovi\u00e9ticos. Tambi\u00e9n recibieron encargos de organizaciones como el Club de Trabajadores de la Energ\u00eda de Mosc\u00fa \u2014\u00abEl comunismo es igual al poder sovi\u00e9tico m\u00e1s la electrificaci\u00f3n de todo el pa\u00eds\u00bb (Lenin)\u2014 y Andreeva incorpor\u00f3 patrones de torres de alta tensi\u00f3n en sus dise\u00f1os.<\/p>\n

\"\"
Anna Andreeva, textile design sketch, 1958. Pencil and gouache on paper, 69 \u00d7 72 cm. \u00a9 MOMus. Museum of Modern Art.<\/figcaption><\/figure>\n

A Andreeva le gustaba trabajar con patrones abstractos, a menudo con precisi\u00f3n matem\u00e1tica, y estaba influenciada por los estudios sobre c\u00f3mo se comunicaba la informaci\u00f3n mediante m\u00e1quinas, dispositivos electr\u00f3nicos y el cerebro. El inter\u00e9s por la cibern\u00e9tica alcanz\u00f3 su punto \u00e1lgido en los a\u00f1os sesenta y setenta, y hay muchos ejemplos de su influencia en su obra.<\/p>\n

La industria textil, que prosper\u00f3 en la Rusia prerrevolucionaria como una de las m\u00e1s avanzadas del mundo, sigui\u00f3 experimentando y se mantuvo abierta a nuevas influencias. Andreeva jug\u00f3 con el patr\u00f3n \u00abpata de gallo\u00bb o pata de perro, que forma parte de la familia de tejidos tart\u00e1n escoceses y que adquiri\u00f3 connotaciones elitistas cuando Christian Dior lanz\u00f3 el perfume Miss Dior en 1947. El perfume se vend\u00eda en frascos grabados con un estampado de pata de perro y su popularidad aument\u00f3 con el movimiento del arte \u00f3ptico de los a\u00f1os sesenta.<\/p>\n

\"\"
Aanna Andreeva, design for \u201cMolecules,\u201d c. 1978. Ink, gouache, and pencil on paper, 86 \u00d7 83 cm.\u00a9 Galerie Emanuel Layr, Vienna.<\/figcaption><\/figure>\n

El archivo de Andreeva permaneci\u00f3 privado hasta 2018 y este libro se basa en lo que se revel\u00f3 cuando se hizo p\u00fablico. Confirma lo importante que era para ella la est\u00e9tica de la vanguardia rusa, su mandato de romper la divisi\u00f3n entre el arte y la vida. Su compromiso con este principio no se vio destruido por la burda imposici\u00f3n del realismo socialista por parte del estalinismo y la persecuci\u00f3n de los artistas en la d\u00e9cada de 1930. En palabras de uno de los colaboradores de este libro, ella \u00abhabita felizmente un momento totalmente antih\u00e9roico de la historia sovi\u00e9tica… alejado de la ardiente ret\u00f3rica de la vanguardia de principios del siglo XX\u00bb.<\/p>\n

\u201cCollective threads: Aanna Andreeva at the Red Rose Silk Factory\u201d,<\/em> editado por Christina Kiaer, ha sido publicado por Scheidegger & Spiess<\/a>.<\/p>\n

(Traducido por Camila Marquez)<\/strong> – Im\u00e1genes proporcionadas por la editorial<\/em><\/span><\/p>\n

 <\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

La artista textil sovi\u00e9tica Anna Andreeva (1917-2008) trabaj\u00f3 en la f\u00e1brica de seda Rosa Roja de Mosc\u00fa desde la d\u00e9cada de 1940 hasta la de 1980. Inspirada por la vanguardia rusa, principalmente por el movimiento constructivista, su obra rompi\u00f3 las divisiones simplistas entre el arte elevado y la artesan\u00eda.   […]<\/p>\n","protected":false},"author":9,"featured_media":260636,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-288179","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"\nEn la f\u00e1brica de seda Rosa Roja - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/es\/2025\/10\/13\/en-la-fabrica-de-seda-rosa-roja\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"En la f\u00e1brica de seda Rosa Roja\" \/>\n<meta property=\"og:description\" content=\"La artista textil sovi\u00e9tica Anna Andreeva (1917-2008) trabaj\u00f3 en la f\u00e1brica de seda Rosa Roja de Mosc\u00fa desde la d\u00e9cada de 1940 hasta la de 1980. 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