{"id":288255,"date":"2025-10-20T00:25:02","date_gmt":"2025-10-19T23:25:02","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=288255"},"modified":"2025-10-20T05:39:04","modified_gmt":"2025-10-20T04:39:04","slug":"teatro-en-los-cielos","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2025\/10\/20\/teatro-en-los-cielos\/","title":{"rendered":"Teatro en los cielos"},"content":{"rendered":"

La fotograf\u00eda de aves alz\u00f3 vuelo cuando se superaron las limitaciones de la tecnolog\u00eda en el siglo XXI. Las 200 fotograf\u00edas de m\u00e1s de cincuenta practicantes del arte que componen \u00abAviary: el p\u00e1jaro en la fotograf\u00eda contempor\u00e1nea\u00bb dan testimonio asombroso de lo que ahora es posible.<\/em><\/p>\n

 <\/p>\n

\"\"<\/em>Sean Sheehan<\/strong><\/span><\/p>\n

 <\/p>\n

Los dos editores del libro despliegan el concepto de un teatro con un efecto enriquecedor. El cap\u00edtulo inicial, \u201cThe curtain rises\u201d (Se levanta el tel\u00f3n)<\/em>, presenta el tema y lo que sigue son seis Actos <\/em>y una secci\u00f3n de Llamada al tel\u00f3n<\/em>. Los Actos, cada uno dedicado a un aspecto diferente de la vida y representaci\u00f3n de las aves, invitan a los espectadores a observar lo que los editores llaman correctamente una historia de amor tr\u00e1gica. Existe el cari\u00f1o que surge de nuestra fascinaci\u00f3n por los habitantes del aire y los matices tr\u00e1gicos que surgen de la presencia de la interferencia humana en su mundo.<\/p>\n

La hechizante serenidad de una escena con flamencos es capturada por\u00a0Junji Takasago<\/a>\u00a0en un lago salado de Bolivia. Takasago escribe sobre la fotograf\u00eda como \u00abun encuentro, creado en la resonancia entre aquellos que comparten el espacio y el momento\u00bb y busca minimizar su participaci\u00f3n evitando que las aves sean conscientes de su presencia.<\/p>\n

Mario Ceo<\/a>\u00a0es otro fot\u00f3grafo que sigue el c\u00f3digo \u00e9tico de los fot\u00f3grafos de la vida silvestre al no manipular im\u00e1genes con t\u00e9cnicas digitales de posproducci\u00f3n. La considerable habilidad t\u00e9cnica que esto conlleva se muestra en su espectacular toma de un mart\u00edn pescador zambuy\u00e9ndose en el agua, capturada con una velocidad de obturaci\u00f3n lenta de 1\/15 de segundo, ‘combinando, para la exposici\u00f3n, luz continua para capturar el rastro dejado por el ave con varios flashes para congelar el vuelo’.<\/p>\n

\"\"
Junji Takasago, \u00abHeavenly flamingos\u00bb, Uyuni Salt Flat, Bolivia, 2019 \u00a9 Junji Takasago.<\/figcaption><\/figure>\n

No hay trucos de posproducci\u00f3n y saber esto a\u00f1ade considerablemente a la potencia y belleza de la toma.<\/p>\n

A diferencia de los flamencos y los cisnes blancos, los cuervos no son la epitome de la elegancia graciosa y la visi\u00f3n de ellos en la carretera y en \u00e1reas de basura hace poco para hacerlos entra\u00f1ables. La foto de\u00a0Christine Ward<\/a>\u00a0de dos de ellos contribuye en cierta medida a mejorar su imagen p\u00fablica: \u201cSe estaban acicalando mutuamente y mostraban mucho afecto el uno por el otro\u201d.<\/p>\n

Los humanos son el problema para las aves y\u00a0Robert Walker<\/a>\u00a0es muy consciente de esto cuando se\u00f1ala que un tercio de todas las especies de aves habr\u00e1n desaparecido para finales del siglo XXI: \u201c\u00bfQu\u00e9 vida silvestre quedar\u00e1 para que las generaciones futuras admiren y aprecien? Quiz\u00e1s solo representaciones toscas de animales ex\u00f3ticos como las de un carrusel de feria o en un parque tem\u00e1tico de Disney.\u201d<\/p>\n

\"\"
Alan Walker, Untitled, 2018, The courtship of the red-crowned cranes \u00a9 Alan Walker.<\/figcaption><\/figure>\n

\u00abAviary\u00bb<\/em> es un libro bellamente dise\u00f1ado con composiciones et\u00e9reas. El inteligente texto de los editores introduce los diversos campos donde se representa el teatro visual \u2014ornitolog\u00eda, documental, arte, moda y retrato\u2014 siendo plenamente consciente de la fragilidad de muchos de los h\u00e1bitats de las aves y los peligros que representan las criaturas humanas. La actitud hacia las aves de dispararles, meterlas en bolsas, comerlas o disecarlas no est\u00e1 extinta. La perspectiva de extinci\u00f3n est\u00e1 reservada para las aves.<\/p>\n

\u00abAviary: the bird in contemporary photography\u00bb<\/em>, editado por Dan\u00e1e Panchaud y William E. Ewing, es publicado por Thames & Hudson<\/a>.<\/p>\n

(Fotos suministradas por la editorial)<\/em><\/span><\/p>\n

\"\"
Christine Ward , \u00abConnection\u00bb, 2023 \u00a9 Christine Ward.<\/figcaption><\/figure>\n
\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

La fotograf\u00eda de aves alz\u00f3 vuelo cuando se superaron las limitaciones de la tecnolog\u00eda en el siglo XXI. Las 200 fotograf\u00edas de m\u00e1s de cincuenta practicantes del arte que componen \u00abAviary: el p\u00e1jaro en la fotograf\u00eda contempor\u00e1nea\u00bb dan testimonio asombroso de lo que ahora es posible.   Sean Sheehan   […]<\/p>\n","protected":false},"author":9,"featured_media":288270,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,39],"tags":[],"class_list":["post-288255","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-plastica"],"yoast_head":"\nTeatro en los cielos - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/es\/2025\/10\/20\/teatro-en-los-cielos\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Teatro en los cielos\" \/>\n<meta property=\"og:description\" content=\"La fotograf\u00eda de aves alz\u00f3 vuelo cuando se superaron las limitaciones de la tecnolog\u00eda en el siglo XXI. 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