{"id":288469,"date":"2025-11-03T00:25:07","date_gmt":"2025-11-03T00:25:07","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=288469"},"modified":"2025-11-03T04:58:36","modified_gmt":"2025-11-03T04:58:36","slug":"helga-paris-libera-las-cadenas","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2025\/11\/03\/helga-paris-libera-las-cadenas\/","title":{"rendered":"Helga Paris libera las cadenas"},"content":{"rendered":"<p><em>Un inter\u00e9s por la fotograf\u00eda se ve desafiado por una constante sucesi\u00f3n de fotolibros dedicados al proyecto personal de una fot\u00f3grafa, que hacen poco para generar reflexi\u00f3n m\u00e1s all\u00e1 de preguntarse c\u00f3mo trabajos tan banales encuentran alg\u00fan editor.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #003366;\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-288488 alignright\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/11\/Helga-Paris-photo-2.jpg\" alt=\"\" width=\"414\" height=\"612\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/11\/Helga-Paris-photo-2.jpg 640w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/11\/Helga-Paris-photo-2-135x200.jpg 135w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/11\/Helga-Paris-photo-2-431x636.jpg 431w\" sizes=\"auto, (max-width: 414px) 100vw, 414px\" \/>Sean Sheehan<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Un alivio bienvenido es un nuevo libro dedicado al trabajo de Helga Paris (1938 \u2013 2004), una fot\u00f3grafa que trabaj\u00f3 en la Rep\u00fablica Democr\u00e1tica Alemana (RDA), la parte oriental de Alemania antes de la reunificaci\u00f3n en 1990.<\/p>\n<p>Al regresar a una f\u00e1brica textil donde hab\u00eda trabajado durante unas pr\u00e1cticas, describi\u00f3 c\u00f3mo lo hac\u00eda: \u201cLes ped\u00eda que se pusieran de pie o se sentaran en alg\u00fan lugar, les comentaba que no esperaba nada especial; deb\u00edan estar como mejor se sintieran. Ten\u00eda que ser r\u00e1pido para que no posaran para la c\u00e1mara. Antes de que pensaran en \u201cc\u00f3mo me veo\u201d, el obturador ya hab\u00eda sido presionado\u201d.<\/p>\n<p>El resultado, una serie de im\u00e1genes notable, comunica su sentido de<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-288486 alignright\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/11\/Helga-Paris-photo-3.jpg\" alt=\"\" width=\"413\" height=\"620\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/11\/Helga-Paris-photo-3.jpg 630w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/11\/Helga-Paris-photo-3-133x200.jpg 133w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/11\/Helga-Paris-photo-3-431x647.jpg 431w\" sizes=\"auto, (max-width: 413px) 100vw, 413px\" \/> identidad, creando un espacio para su existencia dentro del sistema industrial que estructuraba la vida laboral de las mujeres. Puede que no poseyeran los medios de producci\u00f3n, pero Marx se sentir\u00eda complacido al ver que han liberado sus cadenas. Sus fotos son una r\u00e9plica visual al falso romanticismo de la canci\u00f3n de los Rolling Stones, <em>\u201c<\/em><em><a href=\"https:\/\/www.youtube.com\/watch?v=AlZ1o1EIA9s#ddg-play\">Factory girl<\/a><\/em><em>\u201d<\/em>. En esa canci\u00f3n, los atributos de la mujer se enumeran con una despreocupaci\u00f3n temeraria, mientras que quienes posan frente a la c\u00e1mara de Helga Paris son autosuficientes.<\/p>\n<p>Se presentan ante Paris y no piden nada a cambio: en el rostro, escribe Levinas, \u201cel otro se me aparece no como un obst\u00e1culo, no como una amenaza que eval\u00fao, sino como aquello que me calibra\u201d.<\/p>\n<p>Su matrimonio con un artista abri\u00f3 una ventana al aspecto bohemio de la cultura de la RDA y fotografi\u00f3 a artistas que deb\u00edan compaginar sus compromisos art\u00edsticos con las exigencias de funcionarios entrometidos.<\/p>\n<p>Sin envolverse en los principios autorizados del realismo socialista, Paris encontr\u00f3 una direcci\u00f3n que no entraba en conflicto abierto con el oficialismo: \u201cSiempre me ha atra\u00eddo lo cotidiano, lo poco espectacular. Pero no lo fotografi\u00e9 cl\u00ednicamente, de manera as\u00e9ptica; m\u00e1s bien, intent\u00e9 reproducirlo tan realista y de manera tan conmovedora como fuera possible\u201d.<\/p>\n<p>Sus fotograf\u00edas est\u00e1n impregnadas de un sentido de melancol\u00eda que no puede explicarse con lugares comunes sobre la austeridad material en la RDA ni atribuirse a la <em>ostalgie (nostalgia)<\/em>.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-288484 alignleft\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/11\/Helga-Paris-front-cover.jpg\" alt=\"\" width=\"347\" height=\"495\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/11\/Helga-Paris-front-cover.jpg 298w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/11\/Helga-Paris-front-cover-140x200.jpg 140w\" sizes=\"auto, (max-width: 347px) 100vw, 347px\" \/>La tristeza se suaviza con una ternura atenta que se acent\u00faa por su decisi\u00f3n de utilizar pel\u00edcula en blanco y negro (no fue porque la pel\u00edcula en color fuera demasiado cara en la RDA). Con el color, dice, \u2018el ojo puede perderse en los contrastes\u2019, mientras que con el blanco y negro \u201cla composici\u00f3n parece m\u00e1s clara, as\u00ed que puedes abstraer m\u00e1s de lo que ves\u201d.<\/p>\n<p>Este libro est\u00e1 relacionado con una <a href=\"https:\/\/berlin.fotografiska.com\/en\/exhibitions\/helga-paris?utm_medium=email&amp;_hsenc=p2ANqtz-8SPYLAbNz7sIUCJBRxjDIgrU_ELh_HcIxmCz0ISyaCofU7EF6sZllxDKgLYWtVc9tfs0xwEbZp2Rg6F7UolZjzUJg9rKpb0_IsB6w-LiHqOKWwUbY&amp;_hsmi=371741286&amp;utm_content=371741286&amp;utm_source=hs_email\">exposici\u00f3n<\/a> en Berlin Fotografiska que termina el 25 de enero de 2026. Hasta donde s\u00e9, todav\u00eda no ha habido una exposici\u00f3n de su trabajo en el Reino Unido, pero seguramente es solo cuesti\u00f3n de tiempo antes de que esto se corrija.<\/p>\n<p>\u201c<em>Helga Paris f\u00fcr uns\u201d<\/em>, editado por Udo Kittelmann y Marina Paulenka, est\u00e1 publicado por <a href=\"https:\/\/www.kehrerverlag.com\/en\/helga-paris-fuer-uns-978-3-96900-219-3\">Kehrer<\/a><strong>.<\/strong><\/p>\n<p><span style=\"color: #003366;\">\u00a0 <strong>(Traducido por Monica del Pilar Uribe Mar\u00edn) <\/strong><em>&#8211; Fotos suministradas por la editorial<\/em><\/span><\/p>\n<p>&nbsp;<\/p>\n<div class=\"twttr_buttons\"><div class=\"twttr_twitter\">\n\t\t\t\t\t<a href=\"http:\/\/twitter.com\/share?text=Helga+Paris+libera+las+cadenas\" class=\"twitter-share-button\" data-via=\"\" data-hashtags=\"\"  data-size=\"default\" data-url=\"https:\/\/theprisma.co.uk\/es\/2025\/11\/03\/helga-paris-libera-las-cadenas\/\" data-dnt=\"true\" data-related=\"\" target=\"_blank\">Tweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Un inter\u00e9s por la fotograf\u00eda se ve desafiado por una constante sucesi\u00f3n de fotolibros dedicados al proyecto personal de una fot\u00f3grafa, que hacen poco para generar reflexi\u00f3n m\u00e1s all\u00e1 de preguntarse c\u00f3mo trabajos tan banales encuentran alg\u00fan editor. &nbsp; Sean Sheehan &nbsp; Un alivio bienvenido es un nuevo libro dedicado [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":288502,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-288469","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - 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