{"id":288597,"date":"2025-11-10T00:25:15","date_gmt":"2025-11-10T00:25:15","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=288597"},"modified":"2025-11-08T09:43:03","modified_gmt":"2025-11-08T09:43:03","slug":"edvard-munch-un-barco-sin-rumbo-fijo","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2025\/11\/10\/edvard-munch-un-barco-sin-rumbo-fijo\/","title":{"rendered":"Edvard Munch: Un barco sin rumbo fijo"},"content":{"rendered":"<p><em>La obra \u00abEl grito\u00bb, de Edvard Munch, es uno de esos cuadros que probablemente no recuerde d\u00f3nde y c\u00f3mo lo vio por primera vez. <\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong><em><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-288602 alignright\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/11\/Supplied-by-Hirmer-978-3-7774-4648-6.jpg\" alt=\"\" width=\"272\" height=\"356\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/11\/Supplied-by-Hirmer-978-3-7774-4648-6.jpg 596w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/11\/Supplied-by-Hirmer-978-3-7774-4648-6-153x200.jpg 153w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/11\/Supplied-by-Hirmer-978-3-7774-4648-6-431x564.jpg 431w\" sizes=\"auto, (max-width: 272px) 100vw, 272px\" \/><\/em><span style=\"color: #003366;\">Sean Sheehan<\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>Al igual que la <em>\u00abMona Lisa\u00bb<\/em>, ya ha estado ah\u00ed y siempre lo ha estado, y ahora, registrado al instante cuando se vuelve a ver, probablemente no reciba mucha atenci\u00f3n.<\/p>\n<p>Las manos de la figura apretadas contra la cabeza y la boca en silencio gritando se han convertido en sin\u00f3nimo visual de desesperaci\u00f3n y -la palabra utilizada para el t\u00edtulo de una exposici\u00f3n de Munch y un libro de arte que la acompa\u00f1a- de angustia pura.<\/p>\n<p>El libro, <em>\u00abEdvard Munch Angst\u00bb<\/em>, es una presentaci\u00f3n seria del artista y su obra que pretende ir m\u00e1s all\u00e1 del uso trillado de su <em>\u00abEl grito\u00bb<\/em>.<\/p>\n<p>No es tarea f\u00e1cil cuando, como alerta uno de los colaboradores del libro, se trata de una <a href=\"https:\/\/kunstkritikk.com\/car-salesman-or-museum-director\/\">colaboraci\u00f3n<\/a> entre el Museo Munch de Oslo y un fabricante de coches el\u00e9ctricos. En ella se invitaba a los visitantes a conducir un veh\u00edculo el\u00e9ctrico en un recorrido por lugares de la ciudad relacionados con Munch, incluido un tramo de carretera en el que, seg\u00fan el material promocional, \u00absi tiene suerte, podr\u00e1 vislumbrar la vista\u00bb (de <em>\u00abEl grito\u00bb<\/em>), un momento que, seg\u00fan Munch, le hizo estremecerse al o\u00edr \u00abun gran e interminable grito atravesar la naturaleza\u00bb.<\/p>\n<figure id=\"attachment_288604\" aria-describedby=\"caption-attachment-288604\" style=\"width: 462px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-288604\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/11\/Supplied-by-Hirmer05-KSC-KST_Munch-Edvard_Blick-aufs-Chemnitztal.jpg\" alt=\"\" width=\"462\" height=\"357\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/11\/Supplied-by-Hirmer05-KSC-KST_Munch-Edvard_Blick-aufs-Chemnitztal.jpg 918w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/11\/Supplied-by-Hirmer05-KSC-KST_Munch-Edvard_Blick-aufs-Chemnitztal-259x200.jpg 259w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/11\/Supplied-by-Hirmer05-KSC-KST_Munch-Edvard_Blick-aufs-Chemnitztal-431x333.jpg 431w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/11\/Supplied-by-Hirmer05-KSC-KST_Munch-Edvard_Blick-aufs-Chemnitztal-862x667.jpg 862w\" sizes=\"auto, (max-width: 462px) 100vw, 462px\" \/><figcaption id=\"caption-attachment-288604\" class=\"wp-caption-text\">Edvard Munch (1863-1944) Vista del valle de Chemnitz, 1905 .\u00d3leo sobre lienzo Kunsthaus Z\u00fcrich, pr\u00e9stamo de la Fundaci\u00f3n Herbert Eugen Esche, 1997. Foto: Kunsthaus Z\u00fcrich.<\/figcaption><\/figure>\n<p>Con un comentario tan asombrosamente hortera como \u00abSi tiene suerte\u00bb, la promoci\u00f3n podr\u00eda haber invitado a los visitantes a una experiencia de Munching on Despair.<\/p>\n<p>Edvard Munch, nacido en 1863, tuvo unos primeros a\u00f1os tr\u00e1gicos. Su padre era un fan\u00e1tico religioso, su madre muri\u00f3 cuando \u00e9l ten\u00eda cinco a\u00f1os y su hermana Sophie falleci\u00f3 de una enfermedad pocos a\u00f1os despu\u00e9s.<\/p>\n<p>Otra hermana desarroll\u00f3 una psicosis y pas\u00f3 gran parte de su vida en instituciones psiqui\u00e1tricas. \u00c9l mismo sufri\u00f3 episodios de enfermedad mental y se aficion\u00f3 al alcohol a una edad temprana. Su traslado de Noruega a Berl\u00edn y luego a Par\u00eds en la d\u00e9cada de 1890 le puso en contacto con los c\u00edrculos bohemios y los estilos de vida emancipadores que encontr\u00f3, tanto sociales como sexuales, no hicieron sino intensificar su soledad y angustia. Se sent\u00eda, escribi\u00f3, \u00abcomo un barco sin tim\u00f3n\u00bb. A mediados de los cuarenta, desarroll\u00f3 una psicosis, se volvi\u00f3 paranoico y fue hospitalizado, aunque se recuper\u00f3 y en 1905 su salud mental hab\u00eda mejorado considerablemente.<\/p>\n<p>Este libro constituye un ant\u00eddoto necesario contra la banalizaci\u00f3n de Munch. Un interesante ensayo analiza su asociaci\u00f3n con Die Br\u00fccke, un grupo de pintores y grabadores alemanes que contribuyeron al desarrollo del expresionismo. Quiz\u00e1 se podr\u00eda haber hablado m\u00e1s en el libro de las dificultades de Munch para dirigirse a las mujeres.<\/p>\n<figure id=\"attachment_288600\" aria-describedby=\"caption-attachment-288600\" style=\"width: 454px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-288600\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/11\/Supplied-by-Hirmer06-KSC-KST_Munch_Sternennacht_1901.jpg\" alt=\"\" width=\"454\" height=\"366\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/11\/Supplied-by-Hirmer06-KSC-KST_Munch_Sternennacht_1901.jpg 1434w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/11\/Supplied-by-Hirmer06-KSC-KST_Munch_Sternennacht_1901-248x200.jpg 248w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/11\/Supplied-by-Hirmer06-KSC-KST_Munch_Sternennacht_1901-1024x826.jpg 1024w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/11\/Supplied-by-Hirmer06-KSC-KST_Munch_Sternennacht_1901-431x348.jpg 431w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/11\/Supplied-by-Hirmer06-KSC-KST_Munch_Sternennacht_1901-862x695.jpg 862w\" sizes=\"auto, (max-width: 454px) 100vw, 454px\" \/><figcaption id=\"caption-attachment-288600\" class=\"wp-caption-text\">Edvard Munch (1863-1944) Stjernenatt (Noche estrellada), 1901. \u00d3leo sobre lienzo Museo Folkwang, Essen Foto: Museo Folkwang Essen \u2013 Artothek.<\/figcaption><\/figure>\n<p>Junto con otros artistas de este periodo, como Kafka, compart\u00eda una ansiedad por las mujeres que reduc\u00eda su autocuestionamiento de la identidad a la histeria femenina. La fuerza de este libro reside en sus ilustraciones de la obra del artista y en el recordatorio que aporta de que fue un pintor que deber\u00eda ser recordado por algo m\u00e1s que por \u00abEl grito\u00bb.<\/p>\n<p><em>\u201cEdvard Munch Angst\u201d<\/em>, editado por Kerstin Drechsel, Diana Kopka y Florence Thurmes, es publicado por <a href=\"https:\/\/www.hirmerverlag.de\/us\/titel-1-1\/edvard_munch_angst-2784\/\">Hirmer<\/a>.<\/p>\n<p><span style=\"color: #003366;\"><strong>(Traducido por Camila M\u00e1rquez)<\/strong> &#8211; <em>Fotos suministradas por la editorial.<\/em><\/span><\/p>\n<div class=\"twttr_buttons\"><div class=\"twttr_twitter\">\n\t\t\t\t\t<a href=\"http:\/\/twitter.com\/share?text=Edvard+Munch%3A+Un+barco+sin+rumbo+fijo\" class=\"twitter-share-button\" data-via=\"\" data-hashtags=\"\"  data-size=\"default\" data-url=\"https:\/\/theprisma.co.uk\/es\/2025\/11\/10\/edvard-munch-un-barco-sin-rumbo-fijo\/\" data-dnt=\"true\" data-related=\"\" target=\"_blank\">Tweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>La obra \u00abEl grito\u00bb, de Edvard Munch, es uno de esos cuadros que probablemente no recuerde d\u00f3nde y c\u00f3mo lo vio por primera vez. &nbsp; Sean Sheehan &nbsp; Al igual que la \u00abMona Lisa\u00bb, ya ha estado ah\u00ed y siempre lo ha estado, y ahora, registrado al instante cuando se [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":288606,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-288597","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Edvard Munch: Un barco sin rumbo fijo - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/?p=288599\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Edvard Munch: Un barco sin rumbo fijo\" \/>\n<meta property=\"og:description\" content=\"El grito&quot; 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Technik: \u00d6l auf Leinwand Ma\u00dfe: 59,5 x 74 cm Standort: Essen, Museum Folkwang"},{"@type":"BreadcrumbList","@id":"https:\/\/theprisma.co.uk\/?p=288599#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/theprisma.co.uk\/"},{"@type":"ListItem","position":2,"name":"Edvard Munch: Un barco sin rumbo fijo"}]},{"@type":"WebSite","@id":"https:\/\/theprisma.co.uk\/#website","url":"https:\/\/theprisma.co.uk\/","name":"ThePrisma.co.uk","description":"Ethical and Independent Journalism\u2026 Journalism for immigrants","publisher":{"@id":"https:\/\/theprisma.co.uk\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/theprisma.co.uk\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/theprisma.co.uk\/#organization","name":"ThePrisma.co.uk","url":"https:\/\/theprisma.co.uk\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/theprisma.co.uk\/#\/schema\/logo\/image\/","url":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/05\/Logo-TP-May-3-2026.jpg","contentUrl":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/05\/Logo-TP-May-3-2026.jpg","width":2171,"height":353,"caption":"ThePrisma.co.uk"},"image":{"@id":"https:\/\/theprisma.co.uk\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper","https:\/\/x.com\/The_Prisma"]},{"@type":"Person","@id":"https:\/\/theprisma.co.uk\/#\/schema\/person\/24f5091d3dc50052d73cbea6ecd09df7","name":"ThePrisma","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/secure.gravatar.com\/avatar\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g","caption":"ThePrisma"},"url":"https:\/\/theprisma.co.uk\/es\/author\/theprisma\/"}]}},"_links":{"self":[{"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/posts\/288597","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/comments?post=288597"}],"version-history":[{"count":7,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/posts\/288597\/revisions"}],"predecessor-version":[{"id":288613,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/posts\/288597\/revisions\/288613"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/media\/288606"}],"wp:attachment":[{"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/media?parent=288597"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/categories?post=288597"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/tags?post=288597"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}